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What contemporary connections can you make?

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What contemporary connections can you make?

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Both Flaherty and McMaster are similar in many ways. Firstly, both photographers truly showcase the amount of passion they have for the work they are doing, the pictures provide a story and that may not be straightforward but easily depicts what it is representing. Most these pictures are similar in representing indigenous people in their lands, the places they live and cherish. Providing a view of their environment and showing how it is being affected by climate change whilst overall including the connection the indigenous people have to these places. The differences being the areas of the world, the feel of the pictures at times and the stories they are telling in different shots.

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Photography is imaginative, it is creative, it can make even the simplest thing look unique. The idea that it is not imaginative is ignorant and comes from a different perception when compared to science. Science is based on the concept that- it is what it is, it can be proven, it is not about imagination but about what can be proved. Photography is not what you see is what you get, it is what you see and can be made to capture to be perceived in a more stunning way. As a photographer, the perception, creativity and substance you create within your picture can be different for you and every other person viewing it. Your imagination is key to the story you want to tell through your work and the impact you would like it to create.

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Similarities and differences between Muybridge and Marey

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Similarities and differences between Muybridge and Marey

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Muybridge and Marey both convey motion in their photographs, but they do so quite differently. Muybridge displays all his photos separately, like a contact sheet, whereas Marey seems to have all of his photos merged into one image. Muybridge used a system of multiple cameras and displayed it as a series of photographs, while Marey had developed a camera that shot multiple images on one photographic plate. Their work benefited fields such as science and studies of motion, and motion-picture technology.

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Meryl McMaster, "As Immense as the Sky", 2019. retrieved from https://canadianart.ca/essays/as-immense-as-the-sky/

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Meryl McMaster, "As Immense as the Sky", 2019. retrieved from https://canadianart.ca/essays/as-immense-as-the-sky/

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At first glance it is easy to conclude that the cloak is what truly brings this picture to life. The dark but vibrant colours are eye catching due to the subtle and quiet background. The mask being worn could be used to depict a spirit animal or an animal which needs to be paid attention to within a certain part of the world. The lightly cloudy but clear sky gives a great look at the moon. Furthermore, the aura of the picture is matched but the leafless trees and water reflecting a colder climate. That climate makes the cloak even more eye catching as it brings a feeling of warmth and mystery to the overall picture.

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Boats and boating--Equipment and supplies

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Étienne-Jules Marey, "Chronophotograph of a Man on a Bicycle", 1890. retrieved from https://www.nga.gov/collection/art-object-page.125658.html

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Meryl McMaster, "As Immense as the Sky", 2019. retrieved from https://canadianart.ca/essays/as-immense-as-the-sky/

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The first thing that comes to mind when seeing this picture is how this area looks as if it once had a higher level of water, which has now diminished a lot over time.  The lady in the picture is putting bottles filled with paper in the water while looking up to the sky as if someone is looking back at her and watching what she is doing. The papers could be messages or prayers which she hopes will be read and answered. This could be hoping for the water levels to rise, rain to fall or just overall change. Judging from the amount of bottles she has, she may be leaving them in different spots around the same area or travelling to different areas afterwards.

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One of the oldest photos I could find in my house is this photo from 2001. This is a photo of my brother (Chris) on a family trip in California. I feel very connected to this photo because of the fact that my mom was pregnant with me during this time. As the youngest sibling, I saw Chris as the "big kid", and growing up, I always looked up to him. He was almost 4 years old in this photo, and it is strange to see him before I was even born. 35mm film

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Robert J. Flaherty, “Life Among the Eskimos,” World’s Work, vol. 41, Apr. 1923. retrieved from https://thunderbaymuseum.com

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Robert J. Flaherty, “Two Traverses Across Ungava Peninsula, Labrador,” The Geographical Review, vol. 6, Aug. 1918. retrieved from https://thunderbaymuseum.com

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This image shows the side profile of an Inuit man. The man is wearing a hat which looks very unique, it has a part which covers his forehead and different designs all over it. These designs could be a mark of his tribe or something related to his overall culture and people. The hat could also be symbolized as something which identifies him as a specific person amongst his people due to how unique it is. He has a cloth wrapped around his neck, it sort of looks like a tie because of how it is represented. His clothing looks like it may be a thin sweater, showing that this picture was taken in a setting that was not too cold, the reason this statement is being made is due to the amount of pictures of Inuit people wearing fur coats. Most importantly, it’s the look on his face and how even with just seeing one of his eyes, it is evident that he is looking at something, he is focused and calm. The man in the picture seems brave, like a leader or a wise person which is able to handle situations and this photograph does a great job of showing that.

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Robert J. Flaherty, “Indomitable Children of the North,” (Photographs), Travel, Aug. 1922. retrieved from https://thunderbaymuseum.com

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This is a portrait of an Inuit girl. She is wearing a fur coat which looks like it could be handmade from a member of her tripe due to the natural look it has. Judging from her facial features, she seems to be a young teenager, her hair is dark and she has a darker complexion. Her whole look depicts that she is very proud, her eyes have a look of confidence, affirmation and power. You can sense that she is brave and unafraid of who she is and where she comes from.

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I am drawn more to the Daguerrotype process. My third image is a very good example to show how clear the photos produced by daguerrotype process are. It amazes me how such an old process can create an image with such detail. What draws me to the third example in particular is the texture in her hair, and her dress. I am able to imagine exactly what it feels like just by looking at the photo

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Title: The Ladder
Artist: William Henry Fox Talbot
Date: 1844
https://www.bhphotovideo.com/explora/photography/features/historical-processes-the-salted-paper-print

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Title: Wrack
Artist: William Henry Fox Talbot
Date: 1839
https://www.bhphotovideo.com/explora/photography/features/historical-processes-the-salted-paper-print

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Title: The reading establishment
Artist: William Henry Fox Talbot
Date: 1846
https://www.bhphotovideo.com/explora/photography/features/historical-processes-the-salted-paper-print

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- They are made on paper
- Turns a negative to a positive

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- Very fragile, delicate, and easily damaged. They must be kept away from air, and always come in protective cases.
- They have a highly reflective, mirror-like polished silver surface
- Because of the fact that the picture plane is solid silver, there  is no grain on the surface of the print and the quality is superior
- Depending on the angle that you look at the photo, it can either look like a negative or a positive.

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Title: Portrait of a Young Woman
Artist: Rufus Anson
Date: 1860
https://blog.scienceandmediamuseum.org.uk/find-out-when-a-photo-was-taken-identify-daguerreotype-photography/

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Title: Hawaiian Princes
Artist: Albert Sands Southworth & Josiah Johnson Hawes
Date: 1850
https://blog.scienceandmediamuseum.org.uk/find-out-when-a-photo-was-taken-identify-daguerreotype-photography/

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Title: Portrait of a Woman
Artist: Antoine Francois Jean Claudet
Date: 1846
https://blog.scienceandmediamuseum.org.uk/find-out-when-a-photo-was-taken-identify-daguerreotype-photography/