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Pulp Fiction (1994), Quentin Tarantino, Dance scene - Mise en Scene

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Pulp Fiction (1994), Quentin Tarantino, Dance scene - Mise en Scene

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ACTORS: John Travolta, Uma Therman. Travolta, an A list celeb, Therman a rising star appealing to large audience, which also helps with promotion.
LIGHTING: Three point lighting - back light, picking the characters out from the background, key spotlight on the stage highlighting the dancers and indicating the situation to the audience, fill light from the from ensuring the spotlight does not cast shadows during the dance sequence.
DECORE: 1950's design indicating the setting of the scene; a 1950's themed restaurant/club. Stage is circular and the ceiling opposes it with lots of symmetrical lines, perhaps representing the characters differences. The use of the colour blue could signify the characters moods.
PROPS: Masses of 50s memorabilia, posters, lights, furniture indicating where they are.
COSTUME/MAKE UP: The Characters are both in very sterile outfits consisting of black and white. Uma Therman's character also wears a wig perhaps indicating the discomfort with her own identity. She also has very little make up on , this indicates that she is not vain or self obsessed. She is more concerned with being comfortable. We also see this when both characters kick their shoes off.

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Mise-en-scène (French pronunciation: ​[mizɑ̃sɛn] "placing on stage") is an expression used to describe the design aspects of a theatre or film production, which essentially means "visual theme" or "telling a story"—both in visually artful ways through storyboarding, cinematography and stage design, and in poetically artful ways through direction. It is also commonly used to refer to multiple single scenes within the film to represent the film. Mise-en-scène has been called film criticism's "grand undefined term" (https://en.wikipedia.org/wiki/Mise-en-sc%C3%A8ne)

The arrangement of everything that appears in the framing – actors, lighting, décor, props, costume – is called mise-en-scène, a French term that means “placing on stage.” The frame and camerawork are also considered part of the mise-en-scène of a movie. In cinema, placing on the stage really means placing on the screen, and the director is in charge of deciding what goes where, when, and how. (http://www.elementsofcinema.com/directing/mise-en-scene-in-films/)

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DAS CABINET DES DR CALIGARI (Masters of Cinema) 2014 Full Length Theatrical Trailer

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One of the most iconic masterpieces in cinema history, Robert Wiene's Das Cabinet des Dr. Caligari shook filmgoers worldwide and changed the direction of the art form. Now presented in a definitive restoration, the film's chilling, radically expressionist vision is set to grip viewers again.

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Farage finds the fact that the new American president is named after a humorous bodily function, as funny as I do !

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- The study of signs and symbols used to create meaning to a viewer or reader.
During a skill swap session on my PGCE course, I gave a brief introduction to the use of signs and symbols by the media to control, manipulate and evoke audience reaction. The example I used was the way newspapers use captions and headlines to manipulate images. I also informed the group of how music can be used to change the affect of a visual image. If I had had the time I would have shown a video of The Wizard of Oz (1939) accompanied by Pink Floyd's album Dark Side of the Moon (1973). Here is a taster but i strongly suggest trying it all the way through:

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Dark Side of the Rainbow (HD) - Time + Great Gig in the Sky

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Fragmento do da famigerada sincronia "Dark Side of the Rainbow", mostrando as músicas Time e The Great Gig in the Sky, em Alta Definição. Estou com o filme legendado completo, ainda pretendo compartilhá-lo no Youtube Legendas feitas por mim

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Having studied performance, Film and TV, I have found that my ultimate favourite area of study is Film. From Authorship to representation the entire subject has me fascinated. And every film buff needs a top Movie list of some kind. I will gradually form some sort of top list, perhaps as more of a 'Desert Island disk', rather than having a specific order.  My first of these fave's is Easy Rider (1969). I am drawn to i'ts cinematography, use of soundtrack and ultimately the alternative directing style used by Dennis Hopper, the film's director, star and co-writer. Along with producer and co-star Peter Fonda the 'Hollywood rebels' of the time created an independent master piece.

‘Easy Rider’s rapturous portrait of the landscape is further magnified by cinematic strategies emphasizing the protagonists’ experience of the landscape via the use of travelling point-of-view shots. Through the use of such dynamic point-of-view shots and exhilarating rock music, that experience is effectively cathected into the viewer.’ (Cohen & Hark, 1997: 188) �

Cohen. S & Hark R. I, The Road Movie Book, London: Routledge, 1997��