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These are shapes in this image thin strips, parallelogram and large triangles created in the shadows and the light brought the composition by the strong sun

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The actor Sedlmayr, Walter was advertising beer for the company Paulaner making the beer look good and refreshing.
. This photo is a not manipulated and was taken on a camera.

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Vintage AdThis ad was advertising shampoo and conditioner from the company  Country Hair. This is a digital photograph.

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1978 advertising Silk Cut King Size low tar cigarettesThis ad is advertising cigarettes so people can buy them to smoke. This is a digital photograph.

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1978 advertising Silk Cut King Size low tar cigarettesThis ad is advertising cigarettes so people can buy them to smoke. This is a digital photograph.

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A woman holding delights of chocolates promoting the candy so people can by it. This photo is a not manipulated and was taken on a camera.

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Evans was among a group of documentary photographers who went to work for the Farm Security Administration (FSA) from 1935 to 1944. These FSA photographers were tasked with photographically documenting "all aspects of the American way of life," particularly the effects of the Great Depression on the Dust Bowl

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1953 The Pilot buys a Consul

Ford was advertising ford mobile making sure the car appeals the females and males in marketing.
Digital Process of straight photography.

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Straight photography emphasizes and engages with the camera's own technical capability to produce images sharp in focus and rich in detail. The term generally refers to photographs that are not manipulated, either in the taking of the image or by darkroom or digital processes, but sharply depict the scene or subject as the camera sees it.

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Who first invented straight photography?

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Who first invented straight photography?

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Yet, in the late 1880s, Henry Frederick Evans first advocated for a pure photography, known later as Straight photography, as a viable alternative to Pictorialism by creating Symbolist images that evoked the meaning suggested by architectural forms.

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At the turn of the 20th century, one of the most influential Pictorialist groups was the Photo-Secession, founded in New York City in 1902 by photographer Alfred Stieglitz. Stieglitz opened the Little Galleries of the Photo-Secession popularly known as “291” after its address on Fifth Avenue which exhibited the work of Modernist painters and sculptors as well as that of photographers who used a wide variety of printing processes, including bromoil printing.

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Paul Strand: Blind Woman, New York

Blind Woman, New York, photograph by Paul Strand, 1916. This photograph appeared in Camera Work in 1917.

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Between 1920s and 1940 Stieglitz published 50 issues of the beautifully printed journal Camera Work, which contained, among other works, fine gravure reproductions of American and European photographs and halftone reproductions of artwork. the outlook of Stieglitz and individual members changed, reflecting the general move away from the more artificial aspects of Pictorialism

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Stieglitz became even more convinced of the value of “straight,” rather than manipulated, photographic printing, several original adherents fell away, among White. The final two issues of Camera Work were devoted to “straight” work by Paul Strand, who was the only photographer Stieglitz considered promising at the time. Strand’s images, consisting mainly of New York views and close up portraits

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By the 1930s, Strand, like Adams, documented the world rather than pure form. His interest in using art to create awareness about social issues compelled him to become involved in progressive causes. In 1936, he joined the volunteer organization of the Photo League, whose primary aim was to educate photographers and to document the everyday life of workers.