# data[].attributes.headline
These two books have been helpful in keeping me informed when is comes to the level of quality and design the BBC typically have on the show. Evey though it has been running for 60 years and the quality has indeed changed, you can still tell apart a Dr. Who monster from that of another franchise.

# data[].attributes.subject
These two books have been helpful in keeping me informed when is comes to the level of quality and design the BBC typically have on the show. Evey though it has been running for 60 years and the quality has indeed changed, you can still tell apart a Dr. Who monster from that of another franchise.

# data[].attributes.body
I edited the video by adding several clips that were taken on the day, I smoothed out the transitions and added a few 'fade into black' and 'fade out of black' effects to match up a little how Doctor Who do their 'next time' trailers.

I added music and sound effects just to make it that much more three dimensional.

# data[].attributes.attachment_link.readable_text
The costumes that were made for the original live-action Teenage Mutant Ninja Turtles films were pretty awesome for the late 80s early 90s. But, those costumes did not stand the test of time very well.

As you'll see in the photos below, the original screen-used costume for Leonardo in Teenage Mutant Ninja Turtles III is rotting into something completely horrifying. It's in pretty rough shape, but it's up for auction thanks to the London-based Prop Store.

Here's the description that was shared:

Leonardo's (Mark Caso) costume from Stuart Gilard's family adventure sequel Teenage Mutant Ninja Turtles III. When their friend April O'Neil (Paige Turco) was magically transported back in time to 17th century Japan, Leonardo and his fellow turtles followed in an attempt to rescue her.

This costume includes a green turtle bodysuit consisting of foam latex cast elements over a spandex base, with dense-foam chest and shell elements, leather knee and elbow pads, and a leather sheath setup for Leonardo's swords. The head included is a stunt version, also utilizing a foam latex skin over a spandex base, with cast resin teeth, high-quality eyes, a fabric bandana, internal helmet liner shell for the performer, and a zipper at the back to allow the piece to be closed. Both the body and head of the costume show substantial breakdown to the foam latex elements and require restoration. The body is currently filled with some stuffing and rests on an oversize clothing hangar -- additional work is needed to make the piece stand. Dimensions (Head attached): 185.5 cm x 81.25 cm x 38 cm (73" x 32" x 15")

The costume is looking to see for an estimated £10,000 - £15,000. This thing is in such bad shape, I don't know who would even want to buy it.

# data[].attributes.attachment_link.title
This Screen-Used TEENAGE MUTANT NINJA TURTLES Costume For Sale is Kinda Horrifying - GeekTyrant

# data[].attributes.attachment_link.description
The costumes that were made for the original live-action Teenage Mutant Ninja Turtles films were pretty awesome for the late 80s early 90s. But, those costumes did not stand the test of time very well. As you'll see in the photos below, the original screen-used costume for Leonardo in Teenage

# data[].attributes.attachment_link.title
Costume Jumble Sale | Royal Shakespeare Company

# data[].attributes.attachment_link.description
Our jumble sale, held on 23 September 2017, brought 1,700 people through the doors of our rehearsal rooms in Arden Street, to take home souvenirs from RSC shows.

# data[].attributes.headline
'It's a Wrap' A well-known store in Burbank has been selling famously worn clothes and costumes from film and TV since 1981

# data[].attributes.subject
'It's a Wrap' A well-known store in Burbank has been selling famously worn clothes and costumes from film and TV since 1981

# data[].attributes.attachment_link.readable_text
Since 1981, we have been selling wardrobe and props in our retail store/s, online, in auction, and on the actual sound stages of major Motion Picture Studios. The following is a list of just some of the MOVIE and TV SHOW wardrobes and/or props we have sold or are currently on sale! It's A Wrap! customers are able to own a piece of Entertainment History. Our customers have access to actual items purchased for use in movies and TV shows, the closest you may get to your favorite actor, film or TV show. Remember, we receive new shipments daily so be sure to REGISTER on our site to become an It's A Wrap! Preferred Customer.

Film or TV history can hang in your closet or on you!

Please Register on our site to be included on our Preferred Customer List or email us if you would like additional information.

# data[].attributes.attachment_link.description
Since 1981, we have been selling wardrobe and props in our retail store/s, online, in auction, and on the actual sound stages of major Motion Picture Studios. The following is a list of just some of the MOVIE and TV SHOW wardrobes and/or props we have sold or are currently on sale!

# data[].attributes.headline
Designers will sometimes buy back their work when a show ends

# data[].attributes.subject
Designers will sometimes buy back their work when a show ends

# data[].attributes.body
In the unique case of Joan Bergin, who is currently outfitting Norse heroes on "The Vikings," a costume designer can buy her own designs once a show ends. The three-time Emmy winner designed all of the sublime 16th century costumes for the Henry VIII drama, "The Tudors," and when the series wrapped after four seasons, Bergin bought roughly 50 of the costumes back from the studio. "I couldn’t bear to part with the pieces," she said. "So much work had gone into them." Bergin stores her designs from "The Tudors" in The Costume Mill, her small rental shop in Dublin. "I have rented out some of them," she said. "But in many ways they were so distinctive that people kind of hesitate to use them on principal." Instead, she keeps them on display to showcase and promote the high standards of Irish design talent and craftsmanship to visitors.

And Bergin can creatively re-purpose her stock for other projects, especially ones with tight budget constraints.

# data[].attributes.headline
What happens to costumes after a show has wrapped?

# data[].attributes.subject
What happens to costumes after a show has wrapped?

# data[].attributes.body
Their ethos is that purchasing power = the power to make a change. So, they take into careful consideration the environmental impact of their purchases and are the most likely sector of our population to purchase secondhand clothing, furnishings and anything else.

Case in point; a joint study by BCG (Boston Consulting Group) and Vestiaire Collective indicates that used clothing will account for 27% of resale buyers’ wardrobes by the end of this year. According to the study, Gen-Z is the driver behind this increase, followed closely by Millennials.

# data[].attributes.body
Jacqueline Durran, the costume designer on Beauty and the Beast, created a sustainable costume worn by Belle. Emma Watson, who played Belle, wore this costume during the performance of ‘Something Somewhere’.

Duran created the costume in collaboration with Disney and Eco-Age, explaining in an article for Women’s Wear Daily that she wanted to reflect Emma Watson’s typically eco-conscious morals and fashion choices.

Sharing the details of her outfit on Instagram, Watson wrote “the cape was made from upcycled, traditionally woven British Jacob’s wool, from around 1970, bought at a vintage fair. The fabric was overdyed using natural dyes, and the lining was made from paperlike Tussah silk”.

Once again, the eco-consciousness of millennials was on full display.

# data[].attributes.attachment_link.readable_text
Why costume designers are incorporating thrifted pieces to reflect the ethos of Gen-Z and Millennial consumers.
Their ethos is that purchasing power = the power to make a change. So, they take into careful consideration the environmental impact of their purchases and are the most likely sector of our population to purchase secondhand clothing, furnishings and anything else.

Case in point; a joint study by BCG (Boston Consulting Group) and Vestiaire Collective indicates that used clothing will account for 27% of resale buyers' wardrobes by the end of this year. According to the study, Gen-Z is the driver behind this increase, followed closely by Millennials.

This change has been coming for a while. Trend analyst and writer Mandy Lee (@oldloserinbrooklyn on Instagram and TikTok) predicted a move away from overconsumption in 2021. In one of her videos, she speaks about a rise in the popularity of 'de-influencing': trend that focuses on a slower approach to fashion and a move away from 'haul culture' towards more meaningful consumption.

To her, de-influencing is arming people with the tools to question their behaviours and become more conscious shoppers. This ties in with the emerging fashion trends for 2023, as indicated by the Instagram Trend Report she presented on TikTok. The report found that recycling, reusing and reconstructing are going to be priorities for Gen-Z, proving that Gen-Z are even going as far as customising their clothes to avoid purchasing new materials.

The New York Times has also predicted that customisation is going to be a trend this year, especially for those with limited budgets who crave unique pieces of clothing and want to eschew fast fashion.

It's clear from these predictions, across both new and traditional forms of media, that this is the year of the eco-conscious consumer. Gen-Z-ers and Millennials have been joining environmentalist groups like Extinction Rebellion and attending the slate of climate protests more than ever, in recent years. Therefore, changing their shopping habits to match their values was the logical next step.

This revolution has even infiltrated the entertainment industry, with the eco-consciousness of these generations being reflected in styling choices made by costume designers aiming to accurately reflect the values of these characters through their clothing.

On Normal People, for example, the costume designer was careful to make styling choices that reflected who the character of Marianne was, as a person; she mostly wore secondhand clothes, a decision made to reflect her values.

"She considers things in life quite deeply. I thought that she would probably be into sustainability and recycling" the costume designer stated in an article by the Financial Times.

In Fleabag, the stylist once again incorporated sustainable fashion to reflect the values of the character. Fleabag wore a red floral mini in season two designed and made by the ethical brand Reformation.

The costume designer gives an insight into the decision-making process behind this choice in The Guardian, stating " was "perfect for Fleabag...slightly inappropriately short hemline and good ethics"

Designers working in the film industry are also using sustainable fashion to reflect where their characters are at in their life. In John Carney's film Begin Again, the costume designer shopped mostly secondhand to dress the character Greta; a struggling musician played by Kiera Knightly. The costume designer did this consciously, wanting the looks to be authentic and intending to reflect what an actual struggling musician might wear.

Jacqueline Durran, the costume designer on Beauty and the Beast, created a sustainable costume worn by Belle. Emma Watson, who played Belle, wore this costume during the performance of 'Something Somewhere'.

In 2017, when Watson was touring on promotional duties ahead of this movie, the actress opted for consistently eco-friendly looks. She sported outfits like a dress made from certified organic silk, and one made using solely leftover fabric waste.

Duran created the costume in collaboration with Disney and Eco-Age, explaining in an article for Women's Wear Daily that she wanted to reflect Emma Watson's typically eco-conscious morals and fashion choices.

Sharing the details of her outfit on Instagram, Watson wrote "the cape was made from upcycled, traditionally woven British Jacob's wool, from around 1970, bought at a vintage fair. The fabric was overdyed using natural dyes, and the lining was made from paperlike Tussah silk".

Once again, the eco-consciousness of millennials was on full display.

As you can hopefully get a sense of, from the examples above, the industry is beginning to prioritise sustainability in a way it hasn't always done. In Ireland, Fís Éireann or Screen Ireland is making funding available for a Sustainability Advisor to be available and utilised within Screen Ireland-supported productions. Funding like this will help to guarantee that more productions incorporate sustainable practices.

One thing is certain; we'll soon see plenty more industries that will have to bend, shape-shift and reinvent themselves to fit the eco-conscious mould set strongly in place by Gen-Z and Millennials, and we're not mad about it.

# data[].attributes.attachment_link.title
Sustainable Fashion in TV and Film | Utopia

# data[].attributes.attachment_link.description
Why costume designers are incorporating thrifted pieces to reflect the ethos of Gen-Z and Millennial consumers. Their ethos is that purchasing power =

# data[].attributes.headline
William Shakespeare, The Merry Wives of Windsor, Act 4, scene 4

# data[].attributes.subject
William Shakespeare, The Merry Wives of Windsor, Act 4, scene 4

# data[].attributes.body
There is an old tale goes, that Herne the Hunter

(sometime a keeper here in Windsor Forest)

Doth all the winter-time, at still midnight

Walk round about an oak, with great ragg'd horns;

And there he blasts the tree, and takes the cattle,

And makes milch-kine yield blood, and shakes a chain

In a most hideous and dreadful manner.

You have heard of such a spirit, and well you know

The superstitious idle-headed eld

Receiv'd, and did deliver to our age

This tale of Herne the Hunter for a truth.

# data[].attributes.body
Haptic learners are experiential learners; they need to experience something to really learn it. They need to be able to hold, touch, and manipulate it to incorporate the information into their long-term memory.

# data[].attributes.headline
I added a few layers of paint to show a high level of ageing

# data[].attributes.subject
I added a few layers of paint to show a high level of ageing

# data[].attributes.headline
I made cuts in the latex to fit how the skin should fit on a face, and I made additional cuts to help me see and breathe.

# data[].attributes.subject
I made cuts in the latex to fit how the skin should fit on a face, and I made additional cuts to help me see and breathe.

# data[].attributes.headline
Using fine fence wire I made the grate for the mouth as is described in the audiobook

# data[].attributes.subject
Using fine fence wire I made the grate for the mouth as is described in the audiobook

# data[].attributes.headline
Appling teeth made from resin with modelling plastic to create the top and bottom of the mouth

# data[].attributes.subject
Appling teeth made from resin with modelling plastic to create the top and bottom of the mouth

# data[].attributes.headline
After removing the latex from the clingfilm layer and covering it in talcum powder, as I was shown during my work placement, I glued the skin layer tight over the skull using copidex (latex glue)

# data[].attributes.subject
After removing the latex from the clingfilm layer and covering it in talcum powder, as I was shown during my work placement, I glued the skin layer tight over the skull using copidex (latex glue)

# data[].attributes.headline
I put a few layers of black netting to obscure my face from the outside

# data[].attributes.subject
I put a few layers of black netting to obscure my face from the outside

# data[].attributes.headline
Test painting for eyes, both inside and out, to assess which gave a better effect. I went with the inside.

# data[].attributes.subject
Test painting for eyes, both inside and out, to assess which gave a better effect. I went with the inside.

# data[].attributes.headline
I  had to made the final design shorter due to a material shortage

# data[].attributes.subject
I  had to made the final design shorter due to a material shortage