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LAPTOP LEFT IN CLASSROOM - WE HAVE HANDED IT IN TO RECEPTION ON THE 10/01/25

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LAPTOP LEFT IN CLASSROOM - WE HAVE HANDED IT IN TO RECEPTION ON THE 10/01/25

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Maria Garcia - m.garcia1020241@arts.ac.uk

Please feel free to contact me or chat with me in class if there's anything you'd like me to pass on to Nida and Oli or just to chat!

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Hello everyone. My name is Ella Larson! I am here to help you with your questions or if you need someone to talk to! Please reach out if you need anything:

Email: e.larson1020241@arts.ac.uk

Gmail: Elarson20@hamline.edu

Number: +1 (320)-760-0697

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For a Student Who Used AI to Write a PaperBy Joseph Fasano 

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For a Student Who Used AI to Write a PaperBy Joseph Fasano 

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Now I let it fall back

in the grasses.

I hear you. I know

this life is hard now.

I know your days are precious

on this earth.

But what are you trying

to be free of?

The living? The miraculous

task of it?

Love is for the ones who love the work.

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For a Student Who Used AI to Write a Paper

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Now I let it fall back
in the grasses.
I hear you. I know
this life is hard now.
I know your days are precious
on this earth.
But what are you trying
to be free of?
The living? The miraculous
task of it?
Love is for the ones who love the work.

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Opinion | Chris Hayes: I Want Your Attention. I Need Your Attention. Here Is How I Mastered My Own.

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The problem we face is existential and spiritual, not situational.

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You know what the biggest problem with pushing all-things-AI is? Wrong direction.
I want AI to do my laundry and dishes so that I can do art and writing, not for AI to do my art and writing so that I can do my laundry and dishes.

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You know what the biggest problem with pushing all-things-AI is? Wrong direction.
I want AI to do my laundry and dishes so that I can do art and writing, not for AI to do my art and writing so that I can do my laundry and dishes.

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You know what the biggest problem with pushing all-things-AI is? Wrong direction.
I want AI to do my laundry and dishes so that I can do art and writing, not for AI to do my art and writing so that I can do my laundry and dishes.
— Joanna Maciejewska (@AuthorJMac) March 29, 2024

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You know what the biggest problem with pushing all-things-AI is? Wrong direction.
I want AI to do my laundry and dishes so that I can do art and writing, not for AI to do my art and writing so that I can do my laundry and dishes.

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You know what the biggest problem with pushing all-things-AI is? Wrong direction.
I want AI to do my laundry and dishes so that I can do art and writing, not for AI to do my art and writing so that I can do my laundry and dishes.

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You know what the biggest problem with pushing all-things-AI is? Wrong direction.
I want AI to do my laundry and dishes so that I can do art and writing, not for AI to do my art and writing so that I can do my laundry and dishes.

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Looking at the image below, how would you describe your own learning style?

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Looking at the image below, how would you describe your own learning style?

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What does the following painting tell us about the relationship between art and technology? 

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What does the following painting tell us about the relationship between art and technology? 

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Choose one creative industry, and between 2-5 keywords and discuss how they are linked

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Choose one creative industry, and between 2-5 keywords and discuss how they are linked

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How are advances in digital technology shaping creativity?

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How are advances in digital technology shaping creativity?

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Variable Light Scheme R. VOD. LAB  Garcia Varisco - 1964

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Variable Light Scheme R. VOD. LAB  Garcia Varisco - 1964

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This piece stuck out of me because of how modernly digital it looks, even when made out of completely analog materials in a time before cyber-aesthetic was even dreamt of. The motion and shape of the lights is something more akin to the visuals of TRON than anything else of it's time.

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Darkness bleeds over a small square room. Tiny pixels of light reflect a galaxy of stars. I enjoyed this exhibit because it felt like an emotional metaphor: You can only see light where there is darkness. I feel as though I only know happiness and love because of the emotional turmoil of dark times I have experienced.

"I go to darkness itself, I pierce it with light, I make it transparent, I take its terror from it, I turn it into a volume of power with the breath of life like my own body" - Otto Piene

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This self-portrait is the first figurative representation in art using a computer from the US. Csuri uses math almost like a drawing utensil, rather than an additional tool to assist markmaking. he used an IBM computer from the 60s that was used by NASA by their space missile programme. After storing the data on punch cards, Csuri fed the data to be plotted on a silkscreen.

I chose this piece because I love printmaking, and was drawn to the blue ink and slight distortion of the figure. reading about how the marks were made added to its futuristic aesthetic. it makes me think about how the interaction of humans and computers can be visually represented, by displaying a human form but translating it through sine equations.

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To be completely transparent, I chose this artwork because it reminded me of Pink Floyd's Dark Side of the Moon album cover.

After I did my research I learned that this art work uses small motors to rotate the crystals, so technically they are "programmed" but not predictable.

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I chose the piece called 2 Warps and Wefts of Shorts lines 0° 90°. I chose this because I think it really showcases its use of technology. Morellet incorporated scientific methods into this piece. The piece is almost run in a way that becomes out of control of the programmer, which I thought related to our current situation with AI. AI has a brain of its own and doesn’t need to be programmed step-by-step anymore.

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I was drawn to the playful and active nature of this piece; it felt alive, like it was performing a dance of some sort in communion with the space and light. I adored the iridescent glow that the spectator could pick up on if their gaze was narrowed in on the source of light. It created a similar effect as looking at the sun; I definitely saw spots for a bit after leaving this piece. I was pleased to read the description of the piece and artist, finding that he is a poet and performance artist who was inspired by sunlight passing through trees. How lovely to have a piece of technological art inspired by nature.

If I had to write an AI prompt:

"build me a spinning metal cylinder with a warm orange and yellow lightbulb in the center with leaf shaped cutouts on the cylinder so the light passes through them and casts looming shadows on the walls around it"

A question to think about:

What other technological elements could be added (or taken away) to enhance the natural vibe of this piece?

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I choose this painting for its unique process：

1. Artist had 2-stage changes. First, used items to make a pink-faced man collage.

2. Then removed those, showed canvas, added combs, painted woman's head & hands.

3. Work shows his humor & aim to blend art & daily life.

Two-stage changes, artist's humor, use of daily items, and integration of art and life, giving it value and charm.Everyone can have a exquisite life.

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I initially photographed White Fields because of the visual aesthetic. I'm doing research for my graduation collection, where I'm collecting pictures of my time in London. This way when I start my graduation, I have a whole personal archive to fall back on. - I linked this art work to another where the viewer is asked to interact. By viewing the art you simultaneously become part of it. You create a unique relationship, as no one can view the piece exactly the same. "They form a visual field, which appears to move as the viewer changes positions."

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I like this fake video game. It helps me imagine a fun workshop where we create our own fake video game. The question I would like to ask the group is: how might we use game dynamics in this course? For example, during the East London tour?

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On the description panel for this piece there is an instruction: "Try closing your eyes to enjoy this artwork." This unexpected direction transformed the experience of this piece, brought the (already quite visually stunning) artifact to a new level - an artificial rendering of a sensory experience nearly everyone knows but might not be able to place - sunlight through closed eyelids. I'm interested in filmmaking, but I don't think that there would be a way to capture this experience with video. This piece replicates, and therefore highlights, a beautiful shared memory. In tandem with his spoken word/poem auditory piece on the opposite wall, Gysin's use of sensory experiences evokes the familiar but unrecognized parts of our brains/memories.

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To begin with， the fact it initially projects white light, but with technology and electronics, it creates rainbow beams, which are very amazing.  Besides, the dancing beams of light, which utilize the laws of physics - reflection and refraction - are very intriguing to me. Last but not least, the rotation of the four prisms keeps the dynamic artwork constantly changing and  I could see the artwork differently from various perspectives, leaving me curious  and immersed as to what it would look like next.

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The artwork I choose is Alberto Biasi’s Light Prisms. In this work,prisms and mirrors create dancing beams of colored light.I chose it because of its brilliant colors and it makes use of reflection and refraction.It also looks different colors when viewed from different angles. I think this piece shows a different way of creating art.This work also fully demonstrates the author’s research on optics.

—Jiangyichen

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What I want to choose is a painting with very childish brushstrokes in the first exhibition hall. The opposite cabinet shows the artist's creation process. I probably know that the creator himself made a program through programming, which then sent painting instructions to a machine, and he used this technique to draw large-scale murals in Amsterdam in 1977. My selfish thought is that an artist may give up painting for a short time and study programming and other skills, but then he thinks that he can combine his own program with painting, so that he does not have to give up painting, so he returns. I think it's a very special combination, and maybe it's no longer special when the artist comes up with it,

but he's the one who pioneered it in the first place, and that's great and special

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Permutation of Six by Mary Martin was the artifact that absolutely caught my eye. I choose this artifact because of the strategic and mathematical algorithm displayed through printmaking. I am doing a work study at Penland School of Craft in April where we will be using mathematics to create patterns through printmaking. To create the patterns in which Mary Martin did, you must be able and ready to use precise and exact measurements for each Permutation. I was drawn to this work because of the geometric algorithm. There are 720 Permutations and Mary Martin took 36 parts and collaged them in a square 6 by 6. 6 is my favorite spiritual number because it represents balance and embracing self expression. Me being an artist, I express my imagination through clay and sculpture.

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The reason I pick the piece "Electro-Magnetic Music" is that among a multitude of works dominated by visual elements, this one focus on sound ,which immediately caught my attention. The piece operates through the switching of electro magnets, with needles striking wires and the sounds are amplified through speakers, Its sound frequency os random, and the resulting sound is similar to an electric guitar. and the minimalist design of its appearance also give me sense of comfort.

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Wen Ying Tsai's combined mechnics electronics and optics form kinetic works responding to their environments. He applied his artwork to create strobe lights. When clapping, singing, or playing music out loud these vibrations interact with the artwork. The cybernetic sculpture square tops reflect off his scientific innovations are oriented to serve humanity. This shows effective means of delivering us from our present environmental chaos into a world of dynamic ecological equilibrium. The square top showcases metal cods with a stroboscopic effect creates an illusion of slow undulating movement. Then when the room is silent the system returns to its homeostatic state.

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this artworks reminds me of "animal well", one of the best independent game nominees of TGA this year.in this world that pursues game quality and 3D realistic experience, we are still shocked by small-scale games with only 33mb,players can obtain 100 collections by solving puzzles.Interestingly ,developer feels that many classic old games were made under the conditions of hard ware limitations, and they can prove that restrictions often breed creativity. Instead of creating artwork, I guess people are more using technology to ask the future:"is the weird thing a work of art?" So, how might we define "the ninth art"(especially video games)?

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My favorite artwork is White Field by Gunther Vecker.He hammered the nails onto a canva ,which appears to move as the viewer changes position.

I really like the special visual effects and process the work produce.His imitation of automated process is not only the inflection of the traditional industry,it is also a exploration of the future. I think this is a naive attempt of technology and art in an era where technology is not yet advanced.He wondered how the traditional industry and the emerging industry can have a balance.It’s interesting when we look back today where technology is developed.

——Ni Hao

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The art installation that impressed me the most was Brlon Gysin's Dreamachine. Dreamachine is an innovative project that combines art, science and technology. Brlon Gysin aims to explore the inner world of human beings through visual and auditory stimulation, and use flashing light to create moving illusions, patterns and colours in the audience's minds. This is the first art object to be seen with the eyes closed. I think the perspective of "seen with the eyes closed" is very novel and unique. It is an opposing and contradictory perspective. When I closed my eyes in front of the device, I could feel the light flash quickly in front of my eyes. All kinds of fragments came to my mind, which are the real thoughts in my heart. It's similar to walking around. It is the joint action of kinetic energy, electrical energy and force energy that makes this art installation. It is the blessing of technology that has such a great art.

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Although the exhibition is filled with dazzling light and shadow installations, these two adjacent works are my favorites. My gaze flows between them as if walking from a white beach to a blue coastline. Their subtle visual connection creates a sense of natural flow within the space.

Mack uses reflective materials like mirrors and stainless steel to manipulate light, creating ever-changing effects, while Uecker’s nail arrangement blends regularity with randomness, evoking natural order. Viewers must adjust their distance and perspective to fully appreciate the works, experiencing deeper physical perception and reflecting on the relationship between the individual and space.

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I chose this artwork because it immediately caught my eye, as if the colors and shapes were dancing on the canvas. The red background delivers a powerful emotional impact, while the blocks of grey, pink, orange, white, and yellow create rhythm and balance within this intensity. Every time I look at it, I seem to discover new details, and this sense of depth draws me in.

The piece makes me think about the coexistence of order and chaos. It’s both precise and full of vitality, as if expressing a hidden life force within geometry. It prompts me to reflect on how something structured can also be warm and emotional.

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What I find most moving about this piece is her canvas appear so lively, with various shapes competing for space. While her creations often seem spontaneous, full of freedom and whimsy, a closer look reveals a strict underlying structure, with the composition carefully controlled. The seemingly random and irregularly curved lines are, in fact, deliberate and purposeful.

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Discontinuous Structural Articulation by Lucia di Luciano 

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Discontinuous Structural Articulation by Lucia di Luciano 

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This is the artwork I chose to focus on because the series of patterns creates an illusion that comes together as a cohesive piece. It resembles textiles or a quilt-like design. The patterns in this artwork are crafted using household paint and mathematical components, combining the familiarity of physical art with the structure and precision of math. I find it compelling when art is interdisciplinary, as it becomes relatable and appealing to audiences beyond the traditional art field. From this work, I interpreted that the digital age can sometimes create a disconnect between technology and reality, symbolized by the irregularities and breaks in the patterns. However, it also demonstrates how STEM, specifically math and technology can serve as a powerful medium for artistic expression.

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The artefact I chose from the exhibition was one of the Four Double Mirrors in the blue and red pixel room. The work is by Aegentinian artist Julio Le Parc, exposed on 1996-2016. The mirrors are made of wood and plastic, and have surfaces that fragment the viewers perception. The reason I chose this work is because I think that, as reflected by the mirror, our own perception of self and the meaning of being human definitely can become distorted under the influence of technology. Whether it's a matter of body image or even devices used in the body (e.g. cyborgs, TED talk "I listen to color").

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This installation consisted of streams of light being projected through a series of perforated sculptures, creating a mesmerising constellation. The artist in question described space as an intensity of light which made me think of elemental pleasures and the power of emotion. I liked the balletic dance between reflection and refraction. It made ask: How might we fuse the sensorial with the solar to create dynamic forms of artistic expression?

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I chose White Fields (1964) by Gunther Uecker as my piece. I was initially drawn to the simplicity of it that contrasted the dramatic and almost overwhelming light, sound, color, and movement of many of the other pieces. An overall theme I found in all of the pieces and how they combined to form different atmospheres in each room centered around dark versus light, movement vs stillness, and the feelings of either anxiety or calm that can be created by these things. I thought it was interesting how it mirrors the way that technology is capable of bringing out either feelings of unease or even fear, or feelings of familiarity and comfort. White Fields was a combination of all of these elements. The white color of the entire piece brings about that feeling of ease and comfort while the nails invoke feelings of unease. The way that the nails were positioned cast shadows both within the piece and along the walls around it, highlighting the contrast of bright light and shadow without having any real technology incorporated into the piece directly. I also thought about how the use of such rudimentary tools (hammer and nails) showcased the origins of technology and what we started out with to be able to get to the more flashy aspects of it. I think all of this represents a sort of collaboration of elements to create one piece which reminds me of the way that artists, engineers, and more have collaborated to create technology, pieces of art, buildings, and every step in human history to get us to where we are now.

The architecture of the building also stood out in relation to this piece. While the museum showcases modern art, its architecture seems to be more rudimentary. The exposed beams with large nails that stick out in obvious ways and the harsh concrete contrast the more modern color and high technology of the pieces within it. So, I really liked how this piece also tied into the atmosphere of the building that it lies in.

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Jiatong Liu

You can call me Teresa as well.✌️

Please feel free to contact me if there's any questions or if you wanna chat with Chinese student!

ins:T_forteresa

Email:teresa2387@163.com

大家有什么问题可以在寒假项目学生群里直接说就行，我看到之后就会反馈给老师们的！提前祝大家小年快乐哇！

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Her works, characterized by concentric circles and contrasting colors, create mesmerizing optical illusions that seem to pulsate and shift before the viewer's eyes. That’s a huge reason why I chose her work. This dynamic interplay of form and perception directly engages with how the brain processes visual information.

Her works capitalize on the brain's tendency to seek patterns and create meaning from visual stimuli. The repetitive circular motifs and contrasting colors induce a state of perceptual instability, challenging the viewer's ability to perceive a stable image. The brain, constantly seeking to make sense of the fluctuating patterns, creates a sense of movement and depth where none truly exists.

Furthermore, Apollonio's use of color and light further amplifies this effect. The juxtaposition of contrasting colors and the interplay of light and shadow create a sense of visual transience, with the appearance of the artwork constantly shifting and evolving. This dynamic interplay of light and color not only engages the viewer's visual system but also evokes a sense of wonder and disorientation.

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Her works, characterized by concentric circles and contrasting colors, create mesmerizing optical illusions that seem to pulsate and shift before the viewer's eyes. That’s a huge reason why I chose her work. This dynamic interplay of form and perception directly engages with how the brain processes visual information.

Her works capitalize on the brain's tendency to seek patterns and create meaning from visual stimuli. The repetitive circular motifs and contrasting colors induce a state of perceptual instability, challenging the viewer's ability to perceive a stable image. The brain, constantly seeking to make sense of the fluctuating patterns, creates a sense of movement and depth where none truly exists.

Furthermore, Apollonio's use of color and light further amplifies this effect. The juxtaposition of contrasting colors and the interplay of light and shadow create a sense of visual transience, with the appearance of the artwork constantly shifting and evolving. This dynamic interplay of light and color not only engages the viewer's visual system but also evokes a sense of wonder and disorientation.

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I choose "The Wher Roject"by blater Fliasson. I chose it because it's an immersive installation that uses light and

minors to create a sur -like effect. It blurs the line between art and the viewers

experience, making you feel as if you're part of a diterent world. Lt shouss how art can tangom a gallery space into a place of wonder and self-reflection.

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Think of field notes as a collaborative freelance project. What would you like your role to be?

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Think of field notes as a collaborative freelance project. What would you like your role to be?

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Innovation & Strategy:

Abby Deeds

Bryna Eigenfeld

Ashley Greene

Jiatong Liu

Sarah Fey

Branding & Design:

WeiYe Li

Yicheng Zhu

Wanying Qu

Connie Chen

Ni Hao

Sihan Guo

Yuxian Miao

Zishan Mai

Enqi Li

Shuoyi Chen

Yaotong Zhou

Jiangychen

Michelle G

Angela

Marketing & communication:

Maria Garcia

Fiona Xue

Frank Zhao

Research & Editorial:

Izzie Ballon

Ella Maré

Jade Nikita

Maggie Evans

Project Management:

Mila Dijkstra

Ella Larson

Molly Donegan

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Hello all! My name is Molly Donegan and I am a class representative. I am so excited to get to know you all and to grow in creativity together this semester. If you have any question about anything or if you need anything else please just let me know and always feel free to reach out to me! All of my contact information will be listed below.

Phone number: +1 (913) 424 6592

Email address: mollykdonegan@gmail.com

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London Music shared by Natasha Natarajan

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London Music shared by Natasha Natarajan

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Poll: How much of a difference is there of the "Risk and Reward" for artist of the digital age and the artist before the technological revolution?

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Poll: How much of a difference is there of the "Risk and Reward" for artist of the digital age and the artist before the technological revolution?

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Has the career "artist" always been unsustainable? Where are the risks? What makes an artist successful?

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Drop videos of your explorations here!

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Drop any recordings/voice memos of your explorations here!

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Questions for Final Project: Please respond before 1pm this Wednesday the 15th. 

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Questions for Final Project: Please respond before 1pm this Wednesday the 15th. 

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What do you want from the course?

What do you want to showcase?

Who is your desired audience?

Questions/Comments and concerns:

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Quick Look - Communication Final Project

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Quick Look - Communication Final Project

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The following is how things will be communicated and shared for the Final Project.

Video, Image, and Sound Uploads: Google Drive Folders. We will also continue to use the field notes powerpoint (found in the creative industries shared google doc) so please make sure you are doing both uploads . Using the powerpoint will help different groups understand concepts, perspectives, and goals.

Main Channel of Communication: Padlet Channels for each group and a main communication channel for all.

Questions: Please text Project Managers

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Solarpunk combining images from a language designing the future

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https://www.canva.com/design/DAGcQ6QfNDU/zxXPxV-Kyuy8NVZTvbbIqQ/edit?utm_content=DAGcQ6QfNDU&utm_campaign=designshare&utm_medium=link2&utm_source=sharebutton

Edit the Zine here

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Can everyone drop their name and email in the comments please! Thanks!

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Can everyone drop their name and email in the comments please! Thanks!

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Was asked to share some imagist poetry by Oli. Here's a few things to start with... a definition and a few examples

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Was asked to share some imagist poetry by Oli. Here's a few things to start with... a definition and a few examples

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https://www.poetryfoundation.org/poems/56159/this-is-just-to-say

https://www.poetryfoundation.org/poems/162073/fragment-thirty-six

https://www.poetryfoundation.org/poetrymagazine/poems/12675/in-a-station-of-the-metro

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An early 20th-century poetic movement that relied on the resonance of concrete images drawn in precise, colloquial language rather than traditional poetic diction and meter. T.E. Hulme, H.D., and William Carlos Williams were practitioners of the imagist principles as laid out by Ezra Pound in the March 1913 issue of Poetry (see " A Retrospect" and " A Few Don'ts"). Amy Lowell built a strain of imagism that used some of Pound's principles and rejected others in her Preface to the 1916 anthology, Some Imagist Poets. Browse more imagist poets.

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Poems, readings, poetry news and the entire 110-year archive of POETRY magazine.

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Follow us on X (formerly Twitter) to keep up with us @cillondon

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Tweets by cillondon

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Combination of ideas, theme spearheading into a solar punk style conveying a story.

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I’ll remember and tie East London with the graffiti style of art and street art

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As the youngest child of 4, these race car/club jackets were past down to me. I outgrew them and they were given away. It’s so hard to get ahold of these jackets in the states but they are so accessible in East London .

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To me, this artwork/advertisement fits multiple categories, but I decided to put it in commerce because realistically it is an advertisement.

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When thinking about Rhythm I thought about things being together and creating a rhythm, so all the cats were moving but I caught them together.

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Artists putting their art ontop of another's doesn't destroy to the piece it makes it more complex

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A description of what we have done and what we would do with more time

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A London Bike sits outside an Street Advertisement 

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A London Bike sits outside an Street Advertisement 

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There are many messages or themes that I gravitate too in this image. The advertisement itself touches on the idea of and active lifestyle while fusing individuality through personality and beauty. I believe that fashion, art, expressionism are shown in this highly populated traffic area for many who come to shop, grow, and life.

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This was a hard category to choose as there were many examples throughout the tour. I chose this image because I love the symbolism. When I think of a globe I think of something round. Here we can see in the tire. I love the tow couple across from the street holding each other. Their relationship is directly paralleled to each other. They are separated by a road that can symbolize time, space, or any other barrier we may face as humans when it comes to loving each other. The couple in front of the last (in my own head) shows that throughout the space and continuum of time the barriers won’t matter and we can continue to love one another. London is such a diverse place that brings people together and that is in my own hopes is what this image captures.