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First attempt at live-action stop-motion animation

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First attempt at live-action stop-motion animation

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Doing stop-motion animation is a very interesting thing, although the repetitive shape of clay is a very boring thing, but after finishing all the work to see the film is a very satisfying thing.

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First group collaboration on live-action stop-motion animation

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First group collaboration on live-action stop-motion animation

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At the beginning, I thought that there would be some contradictions in teamwork, so I was afraid of teamwork, but this teamwork was very smooth. As a model, the classmates were very cooperative, fixed and moved smoothly. The director and the peers who helped to set the action were very hard and needed to run back and forth. But everyone had a good time.

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In the second group cooperation, I chose to be an actor, and I found it was not an easy thing. You need to be fixed in one place and then move gradually, which puts a high demand on body control, which is a big challenge for me.

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Clay is an amazing material, and in the process of making stop-motion animation, I found that clay can be transformed into any shape I want, which is a very convenient material.But clay has its drawbacks. It takes time and effort to get the clay back to its original shape when you're not ready to shoot again.

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This short film has long inspired me about stop-motion animation, and made me realize the diversity of clay and the wonderful effect of using crisp sounds contrary to such a soft material.

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DISTORTION. A Stop motion Animation by Guldies

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This is my first step to see stop-motion animation, and it is my enlightenment work of stop-motion animation. It makes me realize the diversity and plasticity of clay, and also makes me have a strong interest in stop-motion animation

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Shadow play is a traditional technique with good visual perception. It allows characters to move and do actions freely by fixing their joints, which can be applied to my paper-cut stop-motion animation. The treatment of furniture and architecture in the video can also be applied here. It is a clever way to reduce the workload by putting different faces of furniture on the same paper to form a unified whole.

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【中国戏曲学院】定格动画短片《锁麟囊》_哔哩哔哩_bilibili

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中国戏曲学院大三设计作业剧本设计：@小米芝麻酱 分镜设计：@爱吃土豆的小冉 人物设计：@好想吃爆浆鸡排 场景设计：@lllmkk 导演：@lllmkk @小米芝麻酱 @爱吃土豆的小冉 @好想吃爆浆鸡排 摄影：@lllmkk @小米芝麻酱 @爱吃土豆的小冉 @好想吃爆浆鸡排, 视频播放量 27760、弹幕量 59、点赞数 2805、投硬币枚数 1279、收藏人数 1373、转发人数 169, 视频作者 lllmkk, 作者简介 ，相关视频：2025乙巳蛇年春晚迟小秋《锁麟囊》团圆这才是人生难预料，【教授为什么好】因为像男旦！，【京剧】旦角五大流派《苏三起解》-“梅尚程荀张 ” 联唱，灯教授的高潮名场面，【迟小秋】｜春晚有心意｜《锁麟囊•春秋亭》流水，“这才是人生难预料”刘桂娟《锁麟囊》娟子虽然疯批，却实在美丽，【审美对比】迟小秋VS张火丁《锁麟囊·团圆》电影对比，【京剧】《锁麟囊》张火丁 2004年央视春晚，程砚秋大师“这才是人生难预料”锁麟囊原版大团圆 1946年天蟾逸夫舞台实况录音，迟小秋《红拂传》屁股坐子+卧鱼儿，高深莫测的艺术！

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"Kubo and the Two Strings" made me realize that stop-motion animation is not simply moving frame by frame, but can be as delicate and powerful as a movie. The characters in the movie have natural and smooth expressions. It turned out that 3D printing was used to replace different face parts, which made me learn more efficient expressions. The dynamics of fabric, paper and even water were also realistic, breaking my imagination of stop-motion materials. What surprised me most was the super-large skeleton monster, which made me understand that stop-motion animation can also make grand scenes and fierce battles, and made me want to try to show the tense confrontation scenes in this way.

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Although this stop-motion animation short film was made a long time ago, I think it is still a high-quality short film. It is a novel idea to use inedible items in real life to make food, which gives the audience a visual impact.A high-quality picture with a matching sound effect makes a high-quality short film. This also tells me that a good sound effect is also very important for stop motion animation.

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Fresh Guacamole by PES | Oscar Nominated Short

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The paper cut stop motion was first tried. I feel that the paper-cut animation will be more complicated than the stop-motion animation I learned before. If the paper-cut is not fixed, it will move with my placement, which is a relatively big influence on the production of stop-motion animation

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I used AE to add background for stop-motion animation. AE is a very convenient software. I am trying to get familiar with it. And I also ask help from Aaron.

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Try using different software to add  the background

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Try using different software to add  the background

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I tried to use another Chinese software to add the background, but i found that this software was not as covenient as AE for keying. However, it was still a different experience.

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I feel that the texture of my shooting of live-action stop motion animation is quite different from that of my direct video shooting. It's a very magical experience.

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I tested some effects, but i don't think they are very satisfactory. I'm planning to rethink the production process.

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add the background for the cut out animation

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add the background for the cut out animation