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It's very interesting that the studio system isn't the norm in another countries, and the focus is so heavy on the "authorship, of the director. I wonder if such a system will spread to the US, or possibly eclipsed by the studio system in the future.

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I wonder how many potential masterful films are currently shelved.

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Shelving films seems to present a unique opportunity. If the writer and or director and or writer is pitching the film, putting it on the shelf gives a lot more time for them to develop the idea. It would be cool to see a concept vastly improve from pre to post shelving.

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Shooting on location, generally, seems incredibly expensive. I wonder what the general consensus is for whether or not capturing an authentic setting is worth the extra cost. Like the rolling hills in lord of the rings, for instance.

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It's incredibly cool how the producers still remember how many days it took them to shoot their films. From that alone you can tell how much they cared for, and worked for these films. It really puts into perspective how much passion goes behind even the simplest of films.

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As far as budgeting goes, it seems the relationship between the creative and director has to be incredibly open with one another. The compromises required by both for the sake of a better film seems exponential.

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To avoid going over budget, is it common for producers to raise even more money for the film during its production? And if so, how effective might that approach be?

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Children seem incredibly difficult to work around when it comes to filming, as per their 4 hour a day work limit. It leads me to appreciate Children's films a lot more as such, considering the intense scheduling challenges on part of the producer in order to make the time work for what they need.

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I haven't seen any Woody Allen films, but the way their producer talks about their process really makes me want to. Their relationship as a director and producer comes across as incredibly healthy.

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Films based off of real life events seem really difficult to make. Far more than films based off of fictional things

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The European style of filmmaking comes across as incredibly interesting and healthy to me. I'd love to work there some day to see what it's like in person.

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How do shy people make movies? It seems impossible with how much direct communication is required.

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I wonder if relatability or quality is more effective towards the perception of a film

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I wonder how, as a creative, I can connect my partners better with the work at hand, to where they'll feel incredibly passionate about and really want to make something of quality.

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I wonder what the best celebrity/creatives are in Hollywood. Who are the famous people other creatives really love to work with?

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Producing seems to be the hardest and most important job of a film.

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Being able to build relationships is probably the primary reason why different filmmakers are successful.

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As I get older, I come to realize more and more just how much of a team effort film really is.

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I wish people beyond just the director and actors could get more credit and recognition from the general public.