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There holiday is money get the Chinese to younging get is money. This Chinese get the good red envelope is the money to get is Chinese. This holiday Chinese New Year the money this red envelope. the money is the get, from the Chinese, this the good red envelope is money get is this get the one.

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Angpao is red it had a drawing it said Chinese New Year . It is use to give at Chinese New Year . You can fill it with money and gold , ect .

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Hong Bao is a red envelope that every year kids will get this red envelope and inside is money. They will get it from their parents every year. The meaning of red is good luck. Inside the red envelope, you can put money and other precious stuff. Hong Bao has usually been given in special occasions. We get Hong Bao every Chinese new year.

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Angpao is a red envelope with money that is given during Chinese New Year or other holidays.

The tradition of angpao has evolved into the elderly giving money to the younger ones.

The belief of angpao is that 8 gods turned themselves into coins to protect a couple's children from a demon called "Sui".

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Bali Woven Bags are one of the handicrafts that are sought after by tourists, both local and foreign tourists. The picture of this woven bag is one of the results of Balinese woven bags that are sold on Basangkasa highway, Seminyak

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Angpao is use to give money  at Chinese New year.

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Hongpao is a red packaging use for Chinese New Year. The function is for putting money inside then giving it to a relation. It's red because red means lucky. You can fill it with Gold, Money and other precious thing for Chinese New Year.

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Elements of Culture
1. Artifact : Kain TenunPembuatan kain tenun ini umum dilakukan di Indonesia, terutama di daerah Jawa, Sumatra, dan Kalimantan. Biasanya produksi kain tenun dibuat dalam skala rumah tangga. Beberapa daerah yang terkenal dengan produksi kain tenunnya adalah Sumatra Barat, Palembang, dan Jawa Barat.
2.Kain Tenun adalah kain tradisional dari daerah Jawa, Sumatra, dan Kalimantan, Kain Tenun di buat dari kain warna-warni.
3.Para ahli antropologi menyatakan bahwa kegiatan menenun sudah ada sejak tahun 500SM, terutama di daerah Mesopotamia, Mesir, India, dan Turki. Keberadaan kain tenun tradisional Indonesia diperkirakan berkembang sejak masa Neolitikum (Prasejarah).

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Special thanks for ruiz because i can’t bring any chinese stuffs today but ruiz let me borrow.
Hong pao and ang pao are basically the same and if you don’t believe me, feel free to research or search google anyways lets get start!!
1. Picture
By looking at the picture, you probably think its not ang pao or neither hong pao but its actually ang pao because if you flip it then you can see the ang pao’s proof and evidence.

2. Culture
Fun fact, ang pao and hong pao is from china and do you know that some people in indonesia are chinese relatives.
Ang pao and hong pao is usually used to celebrate chinese new year and giving money.

3. Meanings
Ang pao is used to celebrate chinese new year and giving people like i said and do you know that ang pao have their own story and meanings.
The meanings of ang pao is hong pao like i said in the top

4. Respect
We need to respect other cultures also we can’t make fun of other by their looks.
We need to also be thankful there is unique and many cultures out there.

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Artifact:Angpao
Angpao is a traditional for Chinese to celebrate Chinese new year.Angpao can also called:Amplop merah.Also,Angpao can give us from father,mother,grandpa and grandma when chinese new year comes.Chinese new year also to share father’s Angpao and my Angpao.

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The batik is the material of the place in the cloth the shirt or the batik asked the place. Beragam Acara. The are is batik the place the asked. The batik the asked the lampauing a place the are is the batik get place is the lampau, is the all the asked this batik the placed. The are I got is the lampau is the batik. “The lampau is the batik. Sehingga mereka itu perkerjaan is batik or lampau. Sebagai masa lampau is the batik ditemui is the really lampau. Because the are is batik as the lampau. The are is lampau asked the batik convey the as padmasana Al the towering. Pada masa lampau is batik all the place. I get to lampau is batik is the padmasana is towering the place. I get to batik is the lampau is above I get the lampau is the batik. The ragam is located is batik is place the lampau the is batik. The padmasana is the towering the lampau is batik get the located is lazim. The local is the batik. Berbagai is the lampau is batik get the laziming the are is the batik get the lampau is the batik. Get the batik is the lampau, there is the local the ragam is the batik. The lampau is local the lampau, the is the batik get the lazimed this the lazim get the ragam is the really the lampau is the batik. The lazim is the get is batik I thought the is the lampau is the batik. The batik is the really get the lampau is the got the really is lampau. I get to masa is batik the lampau. Pada masa the batik get the lampau is the get to really is batik is the lampau. I get the batik is the lampau asked the batik. “The batik is the lampau is the really the asked the batik.Pada masa batik is the lampau I get the batik is the lampau is the batik”. I the is the batik is the lampau is the batik. Sehingga is the batik get to lampau is the batik. Mereka itu is the lampau get the batik. Pada masa is the batik I get to lampau is the batik.

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Artifact:hong pao
Is a traditional  amplop merah yang biasanya berisikan sejumlah uang sebagai hadiah menyambut tahun baru Imlekseorang kasim Tiongkok yang dikirim ke misi diplomatik seberang laut pada masa pemerintahan Kaisar Yongle alasan mengapa teh disebut Da Hong Pao yang berarti Jubah Merah Besar dalam bahasa Indonesia. Seorang penulis perjalanan, adalah teh gunung Wuyi tumbuh di Pegunungan Wuyi. Teh ini adalah teh yang sangat teroksidasi, sejenis teh oolong berwarna merah.

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Hongpao which means red envelope, packet or pocket is a gift given to people on holidays, and special occasions. Also on Chinese New Year. Adults give children these money filled envelopes. People that are married will pass out these red envelopes while people not married will be given these every year.

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This is a hóngbāo this is a red envelope you will get it every chinese new year,your parent and your grandparents will give you.This hongbao is a gift of money packed into a red packet. Red is considered a symbol of luck, life and happiness.
What is the origin of hongbao?

According to Chinese Legends, the demon Sui would come on New Year’s Eve to harm children. Before red packets, people used to tie together eight coins with red string and place them under children’s pillows before they slept. This was known as 压岁钱 (yāsuìqián) in Chinese, literally ‘suppressing ghost money’, and was thought to ward off the evil spirit as children slept.

Traditional:The Chinese red envelope also called angpao or angbao is a traditional attribute of important celebrations in eastern countries such as China, Japan, Vietnam, and South Korea.

Belief: Its tradition to give the gift of a bright, beautiful red envelope (known as 紅包, hóngbāo) to your friends and family. But not just any old envelope. These are filled with money - and symbolize good wishes and luck for the new year ahead.

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Element of culture
Artifact: hongbao
Hongbao is a red envelope fill with money inside. Usually we get hongbao every year. Every year kids will get hongbao from their parents. Hongbao is a sign of good luck or you are lucky.
People think the evil spirit is scared the color red so, the keep think it can keep them save.

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Red envelopes or angpao in Mandarin are small red and gold packets containing money given to children, family members, friends and employees as a symbol of good luck. They are gifts presented in social and family gatherings like weddings, holidays and more. The red color of the envelope symbolizes good luck and is symbol to ward off evil spirits.

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Elements of culture
Artifact: Angpao
Angpao is a red envelope where inside there is money.
Angpao and the Chinese New Year are the embodiment of prosperity.
1.Tradition:
"(Angpao) is a tradition in which Chinese people who are married provide sustenance to their children and their parents. We actually get angpao every year.
2.Beliefs:
A angpao is a gift of money packed into a red packet. Red is considered a symbol of luck, life and happiness.

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Hong bao is a tradition to give the gift of a bright, beautiful red envelope to your friends and family. And inside of hong bao is money
They are gifts presented at social and family gatherings such as weddings or holidays such as Chinese New Year. The red color of the envelope symbolizes good luck and is a symbol to ward off evil spirits. It is also gifted when a person is visiting as a gesture of kindness for visiting. The act of requesting red packets is normally called tao hongbao

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Hong Pao is a red envelope. When Chinese New Year our parents and grandparents will give us. Do you why it’s color red? If you don’t then I will tell you, so at China they believe that red color will give us good luck and protect our house from evil spirits . Do you want to know why the red color give us good luck and protect house from evil spirits ? So 100 years ago there is a monster that like to scared people and one day the villager that stay at that city say to the leader , leader can please make this monster gone? Then the leader you all just go to the that hill then I will make that monster go. Then that night the leader  put some red lights then the monster scared of the red color. So since that day the monster didn’t show up again. That what Chine peoples believe that red color give us good luck and protect our house from evil spirits.

So when Chinese New Year there also a lot of rules  that we cannot do like cleaning the house cause they believe if we clean the house then  that’s an if throw away the luck but there is more rules not just that.

Hong Pao: Red Envelope
Color: Red
Meaning: Give a luck and protect our house from evil spirits
We need when Chinese New Year

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This is angpao/红 包 which is a red envelope usually inside a hong pao is money. And these red evelopes are given to people,family and friends at chinese New year.Chinese people love the color red, and red envelopes are way to send good wishes and luck.

𝐵𝓎 : 𝑅𝓊𝒾𝓏

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Red envelopes, more commonly known as Hong Bao (in Mandarin), are gifts presented at social and family gatherings such as weddings or holidays such as Chinese New Year. The red color of the envelope symbolizes good luck and is a symbol to ward off evil spirits. It is also gifted when a person is visiting as a gesture of kindness for visiting. The amount of money contained in the envelope usually ends with an even digit, in accordance with Chinese beliefs; odd-numbered money gifts are traditionally associated with funerals. An exception exists for the number nine, as the pronunciation of nine (九) is homophonous to the word long (久), and is the largest single digit. There is also a widespread tradition that money should not be given in fours, or the number four should not appear in the amount, such as in 40, 400, and 444, as the pronunciation of the word four (四) is similar to the word death (死). When giving money, new crispy bills are normally given instead of old dirty bills.

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For ethnic Chinese, the celebration of Chinese New Year is a big day to look forward to.

Belief: Both the young and old ones are immersed in the lively Chinese New Year. Gathering with family is one of the options to celebrate the Chinese New Year. All will dissolve in the tightness of togetherness. On the sidelines, the most anticipated tradition emerged, which is giving out angpao (Red Envelope). This tradition complements the excitement of the Chinese New Year.

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 Istilah angpao dalam kamus berbahasa Mandarin didefinisikan sebagai "uang yang dibungkus dalam kemasan merah sebagai hadiah; bonus bayaran; uang bonus yang diberikan kepada pembeli oleh penjual karena telah membeli produknya; sogokan". Hong memiliki arti marga Hong; merah, populer, revolusioner, bonus". Bao memiliki arti "menutupi, membungkus, memegang, memasukkan, mengurusi, kontrak, kemasan, pembungkus, kontainer, tas, menerima  bungkusan

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 Istilah angpao dalam kamus berbahasa Mandarin didefinisikan sebagai "uang yang dibungkus dalam kemasan merah sebagai hadiah; bonus bayaran; uang bonus yang diberikan kepada pembeli oleh penjual karena telah membeli produknya; sogokan". Hong memiliki arti marga Hong; merah, populer, revolusioner, bonus". Bao memiliki arti "menutupi, membungkus, memegang, memasukkan, mengurusi, kontrak, kemasan, pembungkus, kontainer, tas, menerima  bungkusan

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From Ethan

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1. Artifact : Hong Bao
Hongbao are gifts presented at social and family gatherings.  These are filled with money - and symbolize good wishes and luck for the new year ahead.
2. Tradition
Hongpao is a gift given during holidays such as Chinese New Years or for special occasions such as a wedding, a graduation, or the birth of a baby.
3. Belief
The red color of the envelope symbolizes good luck and is a symbol to ward off evil spirits.

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Batik is an Indonesian technique of wax-resist dyeing applied to the whole cloth. This technique originated from the island of Java, Indonesia. Batik is made either by drawing dots and lines of the resist with a spouted tool called a canting, or by printing the resist with a copper stamp called a cap.Batik Nasional perlu diketahui masyarakat Indonesia. Hari Batik Nasional diperingati sejak batik diakui sebagai warisan budaya Corak ragam batik yang mengandung penuh makna dan filosofi akan terus digali adalah kain Indonesia bergambar yang pembuatannya secara khusus dengan menuliskan atau menerakan malam pada kain itu, kemudian pengolahannya diproses dengan cara tertentu yang memiliki kekhasan.[1] sebagai keseluruhan teknik, teknologi, serta pengembangan motif dan budaya yang terkait, oleh UNESCO telah ditetapkan sebagai Warisan Kemanusiaan untuk Budaya Lisan dan Nonbendawi (Masterpieces of the Oral and Intangible Heritage of Humanity) sejak 2 Oktober 2009.[2] Sejak saat itu, 2 Oktober ditetapkan sebagai Hari Batik Nasional.

Batik
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Batik dari Surakarta di Jawa Tengah; sebelum 1997
Jenis
Seni Kain
Bahan :Kain, sutra, kapas
Tempat asal: Indonesia
Teknik seni kain yang mirip batik dapat ditemukan pada berbagai kebudayaan di dunia seperti di Nigeria, Tiongkok, India, Malaysia, Sri Lanka dan daerah-daerah lain di Indonesia. Batik pesisir Indonesia dari pulau Jawa memiliki sejarah akulturasi yang panjang, dengan corak beragam yang dipengaruhi oleh berbagai budaya, serta paling berkembang dalam hal pola, teknik, dan kualitas pengerjaan dibandingkan batik dari daerah lain.

Batik dianggap sebagai ikon budaya penting di Indonesia. Masyarakat Indonesia mengenakan batik sebagai busana kasual dan formal yang dapat digunakan dalam beragam acara.Secara etimologi, istilah "batik" berasal dari bahasa Jawa Perempuan-perempuan Jawa pada masa lampau menjadikan keterampilan mereka dalam membatik sebagai mata pencaharian, sehingga pada masa lalu pekerjaan membatik adalah pekerjaan eksklusif perempuan sampai ditemukannya "Batik Cap" yang memungkinkan masuknya laki-laki ke dalam bidang ini. Ada beberapa pengecualian bagi fenomena ini, yaitu batik pesisir yang memiliki garis maskulin seperti yang bisa dilihat pada corak "Mega Mendung", di mana di beberapa daerah pesisir pekerjaan membatik adalah lazim bagi kaum lelaki. Ragam corak dan warna batik dipengaruhi oleh berbagai pengaruh budaya lokal dan asing. Awalnya, batik memiliki ragam corak dan warna yang terbatas, dan beberapa corak hanya boleh dipakai oleh kalangan tertentu, misalnya kalangan keraton. Namun batik pesisir menyerap berbagai pengaruh luar, seperti para pedagang asing dan para penjajah. Warna-warna cerah seperti merah dipopulerkan oleh etnis Tionghoa, yang juga memopulerkan corak phoenix. Bangsa penjajah Eropa juga mengambil minat kepada batik dan hasilnya adalah corak bebungaan yang sebelumnya tidak dikenal (seperti bunga tulip), benda-benda yang dibawa penjajah (gedung atau kereta kuda), dan warna-warna kesukaan mereka seperti warna biru. Batik tradisonal tetap mempertahankan coraknya dan masih dipakai dalam upacara-upacara adat karena biasanya masing-masing corak memiliki arti atau lambang masing-masing.Semula batik dibuat di atas bahan dengan warna putih yang terbuat dari kapas yang dinamakan kain mori. Dewasa ini batik juga dibuat di atas bahan lain seperti sutera, poliester, rayon dan bahan sintetis lainnya. Motif batik dibentuk dengan cairan lilin dengan menggunakan alat yang dinamakan canting untuk motif halus, atau kuas untuk motif berukuran besar, sehingga cairan lilin meresap ke dalam serat kain. Kain yang telah dilukis dengan lilin kemudian dicelup dengan warna yang diinginkan, biasanya dimulai dari warna-warna muda. Pencelupan kemudian dilakukan untuk motif lain dengan warna lebih tua atau gelap. Setelah beberapa kali proses pewarnaan, kain yang telah dibatik dicelupkan ke dalam bahan kimia untuk melarutkan lilin.Sebuah warisan kesenian budaya orang Indonesia, khususnya daerah Jawa yang dikuasai orang Jawa dari turun temurun. Batik Jawa mempunyai motif-motif yang berbeda-beda. Perbedaan motif ini biasa terjadi dikarnakan motif-motif itu mempunyai makna, maksudnya bukan hanya sebuah gambar akan tetapi mengandung makna yang mereka dapat dari leluhur mereka, yaitu penganut agama animisme, dinamisme atau Hindu dan Buddha. Batik Jawa banyak berkembang di daerah Solo atau yang biasa disebut dengan batik Solo, Yogyakarta atau biasa disebut Batik Jogja dan Kota Pekalongan atau yang biasa disebut Batik Pekalongan.

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1. Artifacts: A pura is a Balinese Hindu temple,[1] and the place of worship for adherents of Balinese Hinduism in Indonesia. Puras are built in accordance to rules, style, guidance and rituals found in Balinese architecture. Most puras are found on the island of Bali, where Hinduism is the predominant religion; however many puras exist in other parts of Indonesia where significant numbers of Balinese people reside. Mother Temple of Besakih is the most important, largest and holiest temple in Bali.[2] Many puras have been built in Bali, leading it to be titled "the Island of a Thousand Puras".

2. Traditional: Unlike the common towering indoor Hindu temples of the Indian Subcontinent, puras are designed as an open air place of worship within enclosed walls, connected with a series of intricately decorated gates between its compounds. These walled compounds contain several shrines, meru (towers), and bale (pavilions). The design, plan and layout of the pura follows the trimandala concept of Balinese space allocation.[3] Three mandala zones arranged according to a sacred hierarchy:

Nista mandala (jaba pisan): the outer zone, which directly connects the pura compound with the outer realm, and the entrance to the temple. This zone usually takes the form of an open field or a garden that can be used for religious dance performances, or act as an additional space for preparations during religious festivals.Madya mandala (jaba tengah): the middle zone of the temple, where the activity of adherents takes place, and also the location for supporting facilities of the temple. In this zone usually several pavilions are built, such as the bale kulkul (wooden Slit drum tower), bale gong (gamelan pavilion), wantilan (meeting pavilion), bale pesandekan, and bale perantenan, the temple's kitchen.Utama mandala (jero): the holiest and the most sacred zone within the pura. This enclosed and typically highest of the compounds usually contains a padmasana, the towering lotus throne of the highest god, Acintya (the Sang Hyang Widhi Wasa, or "All-in-one God", in modern Balinese), the pelinggih meru (a multi-tiered tower-shrine), and several pavilions, such as bale pawedan (vedic chanting pavilion), bale piyasan, bale pepelik (offering pavilion), bale panggungan, bale murda, and gedong penyimpenan (storehouse of the temple's relics).

However, the layout rules for arrangements the facilities of the two outer zones, nista mandala and madya mandala, are somewhat flexible. Several structures, such as the bale kulkul, could be built as outer corner tower; also, the perantenan (temple kitchen) could be located in the Nista mandala.

There are two types of gates within Balinese architecture: the split gate, known as candi bentar,[4] and the roofed tower gate known as paduraksa or kori agung. Both types of gates have specific roles in Balinese architectural design. Candi bentar is the gate used in the nista mandala, while the kori agung is employed as the gate between the madya mandala and Utama mandala inner compounds. The rules for gate types are also valid for non-religious compounds such as puri, nobles' and kings' residences.

3. Belief: The Sad Kahyangan, Sad Kahyangan Jagad or the "six sanctuaries of the world" are the six holiest places of worship on Bali. According to Balinese beliefs, they are the pivotal points of the island, and are meant to provide spiritual balance to Bali. The number of these most sacred sanctuaries always adds up six, but depending on the region, the specific temples that are listed may vary. A list of the Sad Kahyangan may include

:)

Extra any types of Pura : There are several types of pura, each serving certain functions of Balinese rituals throughout the Balinese calendar. The Balinese temples are arranged according to the physical and spiritual realm of Balinese people, which corresponds to kaja-kelod sacred axis, from mountain tops the realms of gods, hyang spirits, the middle fertile plain the realm of humans and other beings, all the way to the beach and ocean, and the many realms in Indonesia.

Pura kahyangan jagadPura that are located in the mountainous region of the island, built upon mountain or volcano slopes. The mountains are considered as the sacred magical and haunted realm, the abode of gods or hyang.[5] The most important pura kahyangan in Bali is Mother Temple of Besakih complex on the slopes of Mount Agung. Another example is Pura Parahyangan Agung Jagatkarta on slopes of Mount Salak, West Java.Pura tirta"Water temples", a type of pura that other than religious function, also have water management function as part of Subak irrigation system. The priests in these temples have authority to manage the water allocation among rice paddies in the villages surrounds the temple. Some tirta temples are noted for its sacred water and having petirtaan or sacred bathing pool for cleansing ritual. Other water temple are built within lakes, such as Pura Ulun Danu Bratan. The best example of this type of temple is Pura Tirta Empul.Pura desaA type of pura dedicated to the worship of Brahma the Gods and deities, that are located within villages or cities, serving as the center of Balinese people's religious activities.Pura pusehA type of pura dedicated to the worship of Vishnu.Pura dalemA type of pura dedicated to the worship of Shiva, Durga, Mother nature, Banaspatiraja (barong), Sang Bhuta Diyu, Sang Bhuta Garwa, and other deities, Usually Shiva's shakti, Durga, is venerated in this temple. In human life cycle, the temple is connected to rituals concerning death. It is also common for a pura dalem to have a big tree like a banyan tree or a kepuh which is usually also used as a shrine. The Pura Dalem is typically located next to the graveyard of the deceased prior to ngaben (cremation) ceremony.Pura mrajapatiA type of pura to worship prajapati (the lord of people) or the cosmic might. Most often, in this temple Shiva is worshipped in his form as prajapati.Pura segara"Sea temples", a pura that are located by the sea to appease the sea Gods and deities. It is usually important during the Melasti ritual. One example of this type of temple is Pura Tanah Lot and Pura Uluwatu.

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Etymology: The term pura originates from the Sanskrit word (-pur, -puri, -pura, -puram, -pore), meaning "city", "walled city", "towered city", or "palace", which was adopted with the Indianization of Southeast Asia and the spread of Hinduism, specially in the Indosphere. During the development of the Balinese language the term pura came to refer to a religious temple complex, while the term puri came to refer to palace, the residence of kings and nobles, similar to Javanese kratons.

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Bali has a number of important "sea temples" (Balinese: pura segara), which were founded in the 16th century by a Majapahit Brahmin from Java, named Nirartha, to honour the gods of the sea.[10] Each of the temples is traditionally said to be visible from the next, forming a 'chain' around the coast of Bali. Many of the most important sea temples are located along the south-west coast of the island. The temples' positions were meant to provide a chain of spiritual protection for the Bali island.

Listed counterclockwise from Nirartha's legendary point of arrival in Bali, some of the most prominent Balinese sea temples include:

Pura Pulaki near Pemuteran, northeast of Gilimanuk (8°8′44″S 114°40′50″E).Pura Gede Perancak, to the south of Negara (8°24′5″S 114°36′40″E).Pura Rambut Siwi, to the east of Negara (8°24′11″S 114°45′59″E)
At this site Nirartha is said[by whom?] to have made a gift of a lock of his hair, which was worshipped. Rambut Siwi translates as 'worship of the hair'[11] and the tale is reminiscent of the Buddhist story of Gautama giving eight hairs to Tapussa and Bhallika, which are now enshrined at Shwedagon.Pura Tanah Lot, west of Canggu and south of Tabanan city where two puras were built on a coastal rock overlooking the Indian Ocean as the shrine to honor sea deities. (8°37′16″S 115°5′12″E).Pura Luhur Uluwatu, at the southwestern extremity of the Bukit Peninsula (8°49′44″S 115°5′7″E). This is the only Balinese sea temple that is also one of the six Balinese directional temples.Pura Mas Suka, at the southern tip of the Bukit Peninsula, near Greenbowl Beach (8°50′52″S 115°10′11″E).Pura Sakenan on Serangan island, an island between Tanjung Benoa and Sanur (8°43′31″S 115°13′47″E).
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( Thank for scrolling this long :D )

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# data[].attributes.body
Elements of culture
Batik is an ancient art form of Indonesia made with wax resistant dye on fabrics. Indonesian coastal batik (batik pesisir) made in the island of Javahas a history of acculturation, a mixture of native and foreign cultures. It is a newer model compared to inland batik, and it uses more colors, though the patterns are a lot less intricate.
1.Tradition:
On your first visit to a batik store or factory you will undoubtedly experience an overwhelming stimulation of the senses - due to the many colors, patterns and the actual smell of batik. Only through repeated visits and a bit of study will the types of designs and their origins become apparent.
Batik is very important to Indonesians and many people wear it to formal or casual events. Batik is commonly used by Indonesians in various rituals, ceremonies, traditions, celebrations, and even in daily uses.
2.Beliefs:
Javanese ceremonies are abound with the use of batik as expressions of love and happiness. At weddings, the sekar jagad, literally meaning flowers of the universe may be worn by the bride, groom, or given as a gift to convey the message of heartfelt joy at having found one another.

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Batik adalah hasil karya bangsa Indonesia yang merupakan perpaduan antara seni dan teknologi oleh leluhur bangsa Indonesia. Batik Indonesia dapat berkembang hingga sampai pada suatu tingkatan yang tak ada bandingannya baik dalam desain/motif maupun prosesnya. Corak ragam batik yang mengandung penuh makna dan filosofi akan terus digali dari berbagai adat istiadat maupun budaya yang berkembang  di Indonesia. Motif Batik menurut Kamus Besar Bahasa Indonesia, motif adalah corak atau pola. Motif adalah suatu corak yang di bentuk sedemikian rupa hinga menghasilkan suatu bentuk yang beraneka ragam.

Motif batik adalah corak atau pola  yang menjadi kerangka gambar pada batik berupa perpaduan antara garis, bentuk dan isen menjadi satu kesatuan yang mewujudkan batik secara keseluruhan. Motif-motif batik itu antara lain adalah motif hewan, manusia, geometris, dan motif lain. Motif batik sering juga dipakai untuk menunjukkan status seseorang. Membatik merupakan tradisi turun-menurun.

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The batik is a material of making a clothes. The batik can be lot of place different is the place. The batik of the difference of to be lot places in the making a clothes of materials.

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Batik Kawung adalah motif batik yang bentuknya berupa bulatan mirip buah kawung (sejenis kelapa atau kadang juga dianggap sebagai aren atau kolang-kaling) yang ditata rapi secara geometris. Kadang, motif ini juga ditafsirkan sebagai gambar bunga lotus (teratai) dengan empat lembar mahkota bunga yang merekah. Lotus adalah bunga yang melambangkan umur panjang dan kesucian.

Terdapat beberapa pendapat mengenai asal kata kawung, di antaranya sebagai berikut:

Kawung dalam bahasa Jawa berarti buah pohon aren/kolang-kaling.
Kawung dalam bahasa Jawa berarti daun pohon aren, umumnya digunakan untuk melinting rokok.
Kawung berasal dari kata bahasa Jawa, kwangwung atau dalam bahasa Indonesia dikenal sebagai kumbang tanduk.
Salah satu pendapat kata kawung berasal pada kata bahasa Jawa suwung, yang artinya kosong. Jenisnya biasanya motif-motif Kawung diberi nama berdasarkan besar-kecilnya bentuk bulat-lonjong yang terdapat dalam suatu motif tertentu dan/atau kombinasi dengan motif batik lain. Berdasarkan ukuran, beberapa motif kawung dinamai dengan nama-nama koin yang beredar pada zaman penjajahan Belanda. Urutan berikut agaknya diragukan karena koin picis bernilai 10 sen menduduki ukuran motif terkecil, sementara bribil yang bernilai setengah sen berukuran lebih besar. Beberapa sumber tidak sepakat tentang nilai dan besar koin-koin yang digunakan untuk membagi ukuran batik motif kawung ini. Sementara, sumber lain tidak membaginya berdasarkan ukuran semata, melainkankan desainnya. Kawung Picis adalah motif kawung yang tersusun oleh bentuk bulatan yang kecil. Picis adalah mata uang senilai 10 sen yang bentuknya kecil. Meskipun disebut berasal dari bentuk uang koin bernilai 10 sen, sumber lain menyatakan bahwa kata picis dimaknai sebagai sekadar sesuatu yang kecil. Kawung Bribil adalah motif-motif kawung yang tersusun oleh bentuk yang lebih besar daripada kawung Picis. Hal ini sesuai dengan nama bribil, mata uang yang bentuknya lebih besar daripada picis. Bribil berarti setengah sen dalam kamus bahasa Jawa. Sumber lain menyatakan motif bribil atau gidril adalah nama mata uang yang terbuat dari nekel, nilainya sama dengan lima sen. Sumber lainnya lagi mengatakan bribil bernilai 25 sen. Kawung Sen adalah kawung yang bentuknya bulat-lonjong lebih besar daripada Kawung Bribil, sesuai dengan koin satu sen yang zaman kolonial yang lebih besar dari bribil. Meskipun demikian, sumber lain menyatakan bahwa Kawung Sen, Kawung Bribil dan Kawung Gidril adalah motif kawung yang sama, dan disebut tirinspirasi dari koin sen, sementara motif kawung Picis tidak. Kawung Kemplong adalah jenis motif kawung yang terbesar. Rancangan utama batik kawung tetap bertahan, tetapi mendapatkan modifikasi, dan tidak mendapatkan ragam hias lain selain isen-isen. Bentuk dari motif batik Kawung beton ini berhias dengan bentuk empat bulatan dengan dua buah titik segi empat. Di antara empat bulatan terdapat empat bagian yang seolah-olah dibatasi garis silang. Pengertian Beton pada Motif Kawung Beton berasal dari nama biji buah nangka dalam bahasa Jawa, buah nangka yang berada di dalam memiliki makna simbol tentang perbuatan yang baik tidak selalu ditampilkan di luar.

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Songket adalah jenis tenun tradisional Indonesia yang berasal-usul dari Palembang di Sumatra Selatan.Songket digolongkan dalam keluarga tenunan brokat.Songket ditenun dengan tangan menggunakan emas dan perak.Benang logam metalik yang tertenun belatar kain menimbulkan efek kemilau cermelang

# data[].attributes.body
Batik[n 1] is an Indonesian technique of wax-resist dyeing applied to the whole cloth.[1][4][2] This technique originated from the island of Java, Indonesia.[3]Batik is made either by drawing dots and lines of the resist with a spouted tool called a canting,[n 2] or by printing the resist with a copper stamp called a cap.[n 3][5] The applied wax resists dyes and therefore allows the artisan to colour selectively by soaking the cloth in one colour, removing the wax with boiling water, and repeating if multiple colours are desired.[3]

BatikBatik from Surakarta in Central Java province in Indonesia; before 1997

Type

| Art fabric

Material

| Cambrics, silk, cotton

Place of origin

| Indonesia[1][2][3]

Batik

UNESCO Intangible Cultural Heritage
Batik craftswomen in Java drawing intricate patterns using canting and wax that are kept hot and liquid in a small heated pan,
on 27 July 2011

Country

| Indonesia

Domains

| Traditional craftsmanship, oral traditions and expressions, social practices, rituals and festive events

Reference

| 170

Region

| Asia and the Pacific

Inscription history

Inscription

| 2009 (4th session)

List

| Representative List

Written batik (batik tulis) and stamped batik (batik cap)

Education and Training in Batik

UNESCO Intangible Cultural Heritage
Museum Batik Pekalongan, Central Java

Country

| Indonesia

Domains

| Traditional craftsmanship, oral traditions and expressions, social practices, rituals and festive events

Reference

| 318

Region

| Asia and the Pacific

Inscription history

Inscription

| 2009 (4th session)

List

| Register of Good Safeguarding Practices

Education and training in Indonesian Batik intangible cultural heritage for elementary, junior, senior, vocational school and polytechnic students, in collaboration with the Batik Museum in Pekalongan

This article contains letters from the Javanese script.Without proper rendering support, you may see question marks, boxes, or other symbols instead of Javanese characters.

Batik is an ancient art form of Indonesia made with wax resistant dye on fabrics.[6][7] Indonesian coastal batik (batik pesisir) made in the island of Java has a history of acculturation, a mixture of native and foreign cultures.[8] It is a newer model compared to inland batik, and it uses more colors, though the patterns are a lot less intricate. This is because inland batik used to be made by select experts living in palace areas, while coastal batik can be made by anyone.[9]

Batik is very important to Indonesians and many people wear it to formal or casual events. Batik is commonly used by Indonesians in various rituals, ceremonies, traditions, celebrations, and even in daily uses.[10]

On October 2, 2009, UNESCO officially recognized the batik (written batik (batik tulis) and stamped batik (batik cap)) as a Masterpiece of Oral and Intangible Heritage of Humanity from Indonesia, and encouraged the Indonesian people and the Indonesian government to safeguard, transmit, promote, and develop the craftsmanship of batik.[1] Since then, Indonesia celebrates "the National Batik Day" (Indonesian: Hari Batik Nasional) annually on October 2. Nowadays, Indonesians wear batik in honor of this ancient tradition.[10]

In the same year, UNESCO also recognized "Education and training in Indonesian Batik intangible cultural heritage for elementary, junior, senior, vocational school and polytechnic students, in collaboration with the Batik Museum in Pekalongan" as Masterpiece of Oral and Intangible Heritage of Humanity in Register of Good Safeguarding Practices List.[11]

Contents

EtymologyEdit

The word batik is Javanese in origin. It comes from the Javanese ambatik that consist of ambameans "wide" or "large", and tik or nitik means "dot" or "make a dot".[1][5][12] The word bathikanalso means "drawing" or "writing" in Javanese.[13] When the word is absorbed to Indonesian and also Malay the "th-" sound is reduced to a "t-" sound more pronouncable to non-Javanese speakers.

The word batik is first recorded in English in the Encyclopædia Britannica of 1880, in which it is spelled as battik. It is attested in the Indonesian Archipelago during the Dutch colonial period in various forms such as mbatik, mbatek, batik and batek.[14][15][16] Batik known as euyeuk in Sundanese, cloth can be processed into a form of batik by a pangeyeuk (batik maker).[17]

HistoryEdit

Jlamprang or ceplok batik motif of clothes of 13th-century East Javanese Prajnaparamita statue resembles batik, National Museum of Indonesia, Jakarta

Batik is an ancient fabric wax-resist dyeing tradition of Java, Indonesia.[18] The art of batik is most highly developed and some of the best batiks in the world still made there. In Java, all the materials for the process are readily available – cotton and beeswax and plants from which different vegetable dyes are made.[19] Indonesian batik predates written records: G. P. Rouffaer argues that the technique might have been introduced during the 6th or 7th century from India or Sri Lanka.[20]On the other hand, the Dutch archaeologist J.L.A. Brandes and the Indonesian archaeologist F.A. Sutjipto believe Indonesian batik is a native tradition, since several regions in Indonesia such as Toraja, Flores, and Halmahera which were not directly influenced by Hinduism, have attested batik making tradition as well.[21]

The existence of the oldest Batik activities came from Ponorogo which was still called Wengker before the 7th century, the Kingdom in Central Java learned batik from Ponorogo. Because of this, Ponorogo batik is somewhat similar to batik circulating in Central Java, except that the batik produced by Ponorogo is generally dark black or commonly called batik irengan because it is close to magical elements. so that it was developed by the kingdoms in Central Java and Yogyakarta.[22]

Pre-1867 Javanese batik probably from the Semarang workshop owned by Carolina Josephina von Franquemont (1817-1867). This sarong was purchased by the King of Siam during a state visit, most likely c. 1871. There are few surviving pieces of 19th-century commercial batik wearing-apparel.

Based on the contents of the Sundanese Manuscript, Sundanese people have known about Batiksince the 12th century. Based on ancient Sundanese manuscript Sanghyang Siksa Kandang Karesian written 1518 AD, it is recorded that Sundanese having batik which is identical and representative of Sundanese culture in general. Several motif are even noted in the text, based on those data sources the process of Batik Sundanese creation begins step by step.[23]

Rouffaer reported that the gringsing pattern was already known by the 12th century in Kediri, East Java. He concluded that this delicate pattern could be created only by using the canting, an etching tool that holds a small reservoir of hot wax invented in Java around that time.[21] The carving details of clothes worn by East Javanese Prajnaparamita statues from around the 13th century show intricate floral patterns within rounded margins, similar to today's traditional Javanese jlamprang or ceplok batik motif.[24][better source needed] The motif is thought to represent the lotus, a sacred flower in Hindu-Buddhist beliefs. This evidence suggests that intricate batik fabric patterns applied with the canting existed in 13th-century Java or even earlier.[25] By the last quarter of the 13th century, the batik cloth from Java has been exported to Karimata islands, Siam, even as far as Mosul.[26][page needed]

In Europe, the technique was described for the first time in the "History of Java", published in London in 1817 by Stamford Raffles, who had been a British governor of Bengkulu, Sumatra. In 1873 the Dutch merchant Van Rijckevorsel gave the pieces he collected during a trip to Indonesia to the ethnographic museum in Rotterdam. Today the Tropenmuseum houses the biggest collection of Indonesian batik in the Netherlands. Displayed at the Exposition Universelle at Paris in 1900, the Indonesian batik impressed the public and artists.[20]

The Dutch Indo Europeans and Chinese settlers were active in developing batik, particularly coastal batik, in the late colonial era. They introduced new patterns as well as the use of the cap (copper block stamps) to mass-produce batiks. Between 1811 and 1946, there was a breed of batik known as Batik Belanda. Which was basically a batik industry ran by the Indo Europeans in the East Indies. The patterns and styles reflected European style and taste with a fusion of local indigenous culture. It was quite successful, as such several prominent batik ateliers appeared and was exported to Singapore, and the Netherlands. The industry itself collapsed after WW II and the Indonesian independence.[27]

In the 1920s, Javanese batik makers migrating to Malay Peninsula (present-day Malaysia, South Thailand, and southern tip of Myanmar) introduced the use of wax and copper blocks to its east coast.[28]

In Subsaharan Africa, Javanese batik was introduced in the 19th century by Dutch and English merchants and batik makers. The local people there adapted the Javanese batik, making larger motifs with thicker lines and more colours. Locally it is known as African wax prints or Dutch wax prints. In the 1970s, batik was introduced to Australia, where aboriginal artists at Erna Bella have developed it as their own craft.[29]

In Africa, it was originally practised by the Yoruba tribe in Nigeria, Soninke and Wolof in Senegal.[20]This African version, however, uses cassava starch or rice paste, or mud as a resist instead of

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What your seeing, is my batik shirt
1. Artifact
Im not sure, what artifact is this but my mom gived it to me because today is batik friday but im still not sure if this is a batik.
The batik im wearing looks really unique, intressting and beautiful and i appriciate the batik i got.

2. Tradition
Like i said, i don’t know what type of batik am i but i bought it from HM but if this is traditional, i guess thats mean its real batik.

3. Belief
For belief, im still confused with it but when i understand, i will make sure to edit

4. Uses and creativity
Batik is not just for shirt but other kinds of things such as for decorations and for making you warm and happy.
Batik decorations can be lots of thing and do you know that even some people use batik for table.

5. Thanks
We should appriciate what batik we have and we should’nt hate it and be amberrased about it also God is here to protect us.

6. Topics
Ignore it
Indonesia, batik, hm, school, cita hati, school work, project, info, information, shopping, traditional, tradition, culture, culturely ect

. (:

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1. Cobek dan ulekan adalah sepasang alat yang telah digunakan sejak zaman purbakala untuk menumbuk, menggiling, melumat, mengulek, dan mencampur bahan-bahan tertentu (misalnya bumbu dapur, rempah-rempah, jamu, atau obat-obatan). Istilah cobek merujuk kepada sejenis mangkuk sebagai alas untuk kegiatan menumbuk atau mengulek, sementara ulekan merujuk kepada benda tumpul memanjang seperti pentungan yang dapat digenggam tangan untuk menumbuk atau mengulek suatu bahan. Baik cobek ataupun ulekan biasanya dibuat dari bahan yang keras, misalnya kayu keras, batu, keramik, atau logam.

2. Cobek dan ulekan tertua telah digunakan manusia sejak kurun 35,000 tahun SM.[1] Alat ini adalah salah satu alat tertua yang digunakan manusia sejak zaman batu. Beberapa temuan arkeologi menunjukkan benda-benda batu yang digunakan sebagai alat untuk menumbuk. Sebagai contoh, artefak batu yang ditemukan di Yunani dari kurun 3200 sampai 2800 SM, menunjukkan alat untuk mengekstraksi atau menumbuk zat pigmen pewarna yang diambil dari batu-batuan.

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This my grandpa's statue. Every year my family and I will clean them up. This is Chinese statue. In google is says “People often think of Chinese statues as a symbol of good luck. ”

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1.batik used as a material to clothe the human body, its uses also include furnishin fabrics, hevy canvas wall hangings, tablecloths and household accessories. Batik techniques are used by famous artists to create batik paintings which grace many homes and offices.
2.batik is a very old clothing its around 2000 years old.

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 Batik adalah kain Indonesia bergambar yang pembuatannya secara khusus dengan menuliskan atau menerakan malam pada kain itu, kemudian pengolahannya diproses den

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a method (originally used in Java) of producing colored designs on textiles by dyeing them, having first applied wax to the parts to be left undyed.

"a visual artist specializing in batik"

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I think this is an african plant….. OH WELL

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Elements of Culture
1. Artifact: Batik Parang Clothes
Parang comes from the Javanese word, namely pereng or slopes. The motifs are arranged like the letter "S" like sea waves that are unbroken and intertwined.
2. Tradition:
Tradition of using Batik Parang clothes is applied in
a. wedding ceremony,
b. tedak sinten ritual:
The tedak siten ceremony is performed when a girl or boy is 245 days old. tedak means "to step", and "siten" comes from the word siti which means "land or earth". So, tedak siten has the meaning of "stepping on the earth".

This ceremony describes the readiness of a child to face a successful life in the future, with God's blessing and guidance from parents, since his childhood.
2. Beliefs
Parang batik has a very deep message. Parang itself means slope or cliff, so this batik has a diagonal slanted pattern. Based on the motif that resembles the letter "S" without discontinuity, it means that you should not give up on navigating the ark of life even though there are many twists and turns that must be passed and continue to strive to improve yourself to be better.

The Parang batik motif depicts the resilience of the Indonesian people, the maritime world, and family values.