# data[].attributes.attachment_link.title
Pathway in Monet's Garden In Giverny - Claude Monet - Google Arts & Culture

# data[].attributes.attachment_link.description
Google 아트 앤 컬처는 Google Cultural Institute와 제휴한 주요 박물관과 자료실 2,000여 곳의 콘텐츠 등 전 세계의 소중한 자료를 온라인으로 제공합니다.

# data[].attributes.attachment_link.readable_text
In 1883 Monet moved his household, his two sons along with Alice Hoschedé and her children, to the rural community of Giverny, where he leased a house that he was able to purchase seven years later. In early 1893, he acquired a swampy area across the railroad tracks abutting his property and petitioned the village council for permission to divert a small stream into it. But it was only toward the end of that decade that he turned to the garden he had created there as a rich source of artistic inspiration.

In 1899, Monet painted 12 works from a single vantage point, focusing on the arching blue-green bridge and the microcosm of his water garden. Among the 12 works was the National Gallery's _Japanese Footbridge_. Monet designed and built the landscape that appears in the painting-from the bridge to the pond and its shape, to the water lilies and other plantings. The artist, who as a leader of the impressionists had espoused the spontaneity of directly observed works that capture the fleeting effects of light and color, had in these later paintings subjected a nature he re-created to sustained, meditated scrutiny.

When Monet exhibited these paintings at Durand-Ruel's gallery in 1890, a number of critics mentioned his debt to Japanese art. More telling, the impenetrable green enclosure-heightened in the National Gallery painting by the placement of the top of the bridge's arch just below the painting's top edge-harkens back to the _hortus conclusus_ (closed garden) of medieval images, while also evoking a dreamlike contemplative zone consonant with symbolist literature, especially poems such as "Le Nénuphar blanc" by Stéphane Mallarmé. Gustave Geffroy described this effect in his review of the exhibition (_Le Journal_, November 26, 1900), speaking of "this minuscule pool where some mysterious corollas blossom," and "a calm pool, immobile, rigid, and deep like a mirror, upon which white water lilies blossom forth, a pool surrounded by soft and hanging greenery which reflects itself in it."

# data[].attributes.attachment_link.title
The Japanese Footbridge - Claude Monet - Google Arts & Culture

# data[].attributes.attachment_link.description
In 1883 Monet moved his household, his two sons along with Alice Hoschedé and her children, to the rural community of Giverny, where he leased a house that he was able to purchase seven years later.

# data[].attributes.attachment_link.title
The Japanese Footbridge and the Water Lily Pool, Giverny - Claude Monet, French, 1840 - 1926 - Google Arts & Culture

# data[].attributes.attachment_link.description
Google 아트 앤 컬처는 Google Cultural Institute와 제휴한 주요 박물관과 자료실 2,000여 곳의 콘텐츠 등 전 세계의 소중한 자료를 온라인으로 제공합니다.

# data[].attributes.attachment_link.readable_text
After Claude Monet moved to Vétheuil, a small village on the Seine about sixty-five kilometers north of Paris in 1878, the lush landscape of fields and meadows became the focus of his work. In his Vétheuil landscapes, human presence is often only indirectly suggested through motifs such as roads or buildings in the distance that can be vaguely made out. Here, for example, the village's steep church tower shines brightly behind the row of trees.

Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more

# data[].attributes.attachment_link.title
Landscape in Ile Saint-Martin - Claude Monet - Google Arts & Culture

# data[].attributes.attachment_link.description
After Claude Monet moved to Vétheuil, a small village on the Seine about sixty-five kilometers north of Paris in 1878, the lush landscape of fields and mea...

# data[].attributes.attachment_link.readable_text
About Printemps à Vétheuil

In order to paint the transient effects of light as directly as possible Monet mainly worked outdoors. He had to work quickly to 'capture' a particular moment in a constantly changing scene. This painting was thus painted in great haste. He stippled his subject with great virtuosity in order to give, quite literally, an impression of a day in springtime.

# data[].attributes.attachment_link.title
Spring in Vethuil - Claude Monet - Google Arts & Culture

# data[].attributes.attachment_link.description
About Printemps à Vétheuil In order to paint the transient effects of light as directly as possible Monet mainly worked outdoors. He had to work quickly to 'capture' a particular moment in a constantly changing scene. This painting was thus painted in great haste.

# data[].attributes.attachment_link.readable_text
With Manet's assistance, Monet found lodging in suburban Argenteuil in late 1871, a move that initiated one of the most fertile phases of his career. Impressionism evolved in the late 1860s from a desire to create full-scale, multi-figure depictions of ordinary people in casual outdoor situations. At its purest, impressionism was attuned to landscape painting, a subject Monet favored. In _Woman with a Parasol - Madame Monet and Her Son_, his skill as a figure painter is equally evident. Contrary to the artificial conventions of academic portraiture, Monet delineated the features of his sitters as freely as their surroundings. The spontaneity and naturalness of the resulting image were praised when it appeared in the second impressionist exhibition in 1876.

_Woman with a Parasol_ was painted outdoors, probably in a single session of several hours' duration. The artist intended the work to convey the feeling of a casual family outing rather than a formal portrait, and used pose and placement to suggest that his wife and son interrupted their stroll while he captured their likenesses. The brevity of the moment portrayed here is conveyed by a repertory of animated brushstrokes of vibrant color, hallmarks of the style Monet was instrumental in forming. Bright sunlight shines from behind Camille to whiten the top of her parasol and the flowing cloth at her back, while colored reflections from the wildflowers below touch her front with yellow.

Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more

# data[].attributes.attachment_link.title
Woman with a Parasol - Madame Monet and Her Son - Claude Monet - Google Arts & Culture

# data[].attributes.attachment_link.description
With Manet's assistance, Monet found lodging in suburban Argenteuil in late 1871, a move that initiated one of the most fertile phases of his career. Imp...

# data[].attributes.body
1. 나만의 정원 만들기

2. 원하는 계절 선택하고 장면 캡쳐하기

3. 제목: 자기 이름 + 이미지 파일 올리기

# data[].attributes.headline
정태경 가을 ㅎㅎㅎㅎㅎㅎㅎㅎㅎㅎㅎ

# data[].attributes.subject
정태경 가을 ㅎㅎㅎㅎㅎㅎㅎㅎㅎㅎㅎ

# data[].attributes.headline
김태이 여름 매매맴ㅁㅁㅁㅁ

# data[].attributes.subject
김태이 여름 매매맴ㅁㅁㅁㅁ