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(somewhere i have never travelled, gladly beyond_(E. E. Cummings 1894 –1962)

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(somewhere i have never travelled, gladly beyond_(E. E. Cummings 1894 –1962)

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somewhere i have never travelled, gladly beyond
any experience, your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near

your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skillfully, mysteriously) her first rose

or if your wish be to close me, i and
my life will shut very beautifully, suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;

nothing which we are to perceive in this world equals
the power of your intense fragility: whose texture
compels me with the colour of its countries,
rendering death and forever with each breathing

(i do not know what it is about you that closes
and opens; only something in me understands
the voice of your eyes is deeper than all roses)
nobody, not even the rain, has such small hands

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The Poem: "Love's Function Is To Fabricate Unknownness"

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The Poem: "Love's Function Is To Fabricate Unknownness"

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love's function is to fabricate unknownness

(known being wishless;but love, all of wishing)

though life's lived wrongsideout,sameness chokes oneness

truth is confused with fact,fish boast of fishing

and men are caught by worms(love may not care

if time totters,light droops,all measures bend

nor marvel if a thought should weigh a star

—dreads dying least;and less,that death should end)

how lucky lovers are)whose selves abide

under whatever shall discovered be)

whose ignorant each breathing dares to hide

more than most fabulous wisdom fears to see

(who laugh and cry)who dream,create and kill

while the world moves;and every part stands still:

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E. E. Cummings

1894 –1962

anyone lived in a pretty how town
(with up so floating many bells down)
spring summer autumn winter
he sang his didn’t he danced his did.

Women and men(both little and small)
cared for anyone not at all
they sowed their isn’t they reaped their same
sun moon stars rain

children guessed(but only a few
and down they forgot as up they grew
autumn winter spring summer)
that no one loved him more by more

when by now and tree by leaf
she laughed his joy she cried his grief
bird by snow and stir by still
anyone’s any was all to her

someones married their everyones
laughed their cryings and did their dance
(sleep wake hope and then)they
said their nevers they slept their dream

stars rain sun moon
(and only the snow can begin to explain
how children are apt to forget to remember
with up so floating many bells down)

one day anyone died i guess
(and noone stooped to kiss his face)
busy folk buried them side by side
little by little and was by was

all by all and deep by deep
and more by more they dream their sleep
noone and anyone earth by april
wish by spirit and if by yes.

Women and men(both dong and ding)
summer autumn winter spring
reaped their sowing and went their came
sun moon stars rain

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-EXPLICAÇÃO SOBRE EVELINE

-SOBRE A HONORIA (FILHA DE CHARLIES)

-SOBRE O POEMA 'ANYONE LIVED IN A PRETTY HOW TOWN

-NOTAS DO POEMA 'I WILL WADE OUT'.

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Where enjambment appears in the poem:

Lines 9-10: "few / and"

Lines 10-11: "grew / autumn"

Lines 11-12: "summer) / that"

Lines 19-20: "they / said"

Lines 22-23: "explain / how"

Lines 23-24: "remember / with"

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The best anyone lived in a pretty how town study guide on the planet. The fastest way to understand the poem's meaning, themes, form, rhyme scheme, meter, and poetic devices.

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Written by James Joyce

the characters presents the paralells that the city have; EX: she is paralysized, lives like a caged animal. Caged animal is a metaphor, the cage is representation of Dublin and the relationship the place and Eveline.

all was superficial in order to maintain a certain normality;

Dublin has a society that do not evolve;

The narrator is precised saying that she lives with her violent father (a narcissist). Eveline is a slave living to work and maintain her father. He is also addicted to alcohol.

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Anyone - does not refer to 'he' or 'she', because both are excepcional (they fall in love).

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I

Whenever in this city, screens flicker

with pornography, with science-fiction vampires,

victimized hirelings bending to the lash,

we also have to walk . . . if simply as we walk

through the rainsoaked garbage, the tabloid cruelties

of our own neighborhoods.

We need to grasp our lives inseparable

from those rancid dreams, that blurt of metal, those disgraces,

and the red begonia perilously flashing

from a tenement sill six stories high,

or the long-legged young girls playing ball

in the junior highschool playground.

No one has imagined us. We want to live like trees,

sycamores blazing through the sulfuric air,

dappled with scars, still exuberantly budding,

our animal passion rooted in the city.

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Poem nº1 -

Reflects about how love brings pain (conflicts not just in the relationship, but also in our society, leaving scars on us)

The sexual expectation

Daily cruelties and facing them (keep going)

Love and relationship is not separable from reality (bad things in society have everything to do with us)

We are real

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they were different

“how town” - the way they all live/it all happens

following just a specific path

focused on appearances

they are shallow/mediocre

they are all the same

it’s about what society wants them to be

children = their spirits have not been broken (yet)

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How town - how do you live, how do you behave, etc (it is a town about HOW);

It is a town who cares about APPEARENCES, it does not matter if you are happy or not;

They are Anyone and Noone because they are less than people, less than men and women;

Not anyone or noone (both marginalized), but someone (with status) in a how town;

A love poem regarding a couple (anyone - her / noone - him);

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Anyone lived in a pretty how town - E. E. Cummings 

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Anyone lived in a pretty how town - E. E. Cummings 

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O poema se passa numa cidade chamada 'Howtown'. Nesta cidade, todos se comportavam da mesma maneira monótona, como num ciclo padronizado: nascer, crescer, trabalhar, casar, ter filhos, morrer, sem possibilidade de mudança.

Os personagens principais são 'Anyone' e 'noone', são pessoas comuns que se apaixonam um pelo outro e dão um sentido para aquela monotonia corriqueira. Até que um dia 'anyone' morre e 'noone' se vai com ele. Todos da cidade os viam como estranhos - marginalizados -, só quem tinha visibilidade era 'someone', alguém com dinheiro.

O poema é cheio de antíteses e ao longo de todo o poema há um sino que toca, simbolizando a passagem do tempo e a vida se esvaindo. Outras marcas também demonstram essa ideia, como a passagens dos dias, estações, etc: o dia se tornando noite, estrelas aparecendo no céu e chuva caindo.

Apenas as crianças eram capazes de se admirar do amor que 'anyone' e 'noone' sentiam um pelo outro, pelo fato de que eles ainda viam brilho, fascínio e encanto pela vida e não conformidade.

Ao crescerem e se tornarem adultos, porém, eles deixaram de ver o amor como algo encantador e passaram a ter um olhar de monotonia e mesmice, e isto se repete de geração em geração.

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II

I wake up in your bed. I know I have been dreaming.

Much earlier, the alarm broke us from each other,

you’ve been at your desk for hours. I know what I dreamed:

our friend the poet comes into my room

where I’ve been writing for days,

drafts, carbons, poems are scattered everywhere,

and I want to show her one poem

which is the poem of my life. But I hesitate,

and wake. You’ve kissed my hair

to wake me. I dreamed you were a poem,

I say, a poem I wanted to show someone . . .

and I laugh and fall dreaming again

of the desire to show you to everyone I love,

to move openly together

in the pull of gravity, which is not simple,

which carries the feathered grass a long way down the upbreathing air.

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Somewhere i have never travelled, gladly beyond

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Somewhere i have never travelled, gladly beyond

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The author is assuming that the eyes can speak;

The glued implies that there is no touch because there is no gap, no motion between your body part to another thing;

The representation of a love to a child;

Unknownness = surprise, fear (you cannot exemplify, you cannot clarify);

Love is something related to redemption, the love can redeem us humans fromm barbarism;

Love = wishing = life;

It´s a paradox (fragility is a form of power)

Fragility has country in itself;

Despite all bad things in life, love is a place still standing, it is a place of life (love does not fear death);

When we are wisdom we should fear nothing because we know everything, but even the wisdom fear it, but not the lovers;

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deal with love in daily life

against society

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Erotic for Lorde: goes against racionale and reason, which are the things that guide our society and are the culprit of all bad things in society (wars, crimes, violence). The erotic is related to deep and honest feelings, to truly knowing yourself and not being afraid to act on our desires and wants. It's about being guided by desire and feelings (and therefore love), not by reason.

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despite the chaos, love is still wishing, representing that the life is occuring

love does not fear death "i produce the unknowness"

It´s a paradox (fragility is a form of power)

Fragility has country in itself;

Wish is life, is what moves us. Wish by eyes, wish by spirit.

Wishless - You can only wish if you are alive. The opposite of desire is death.

Unknownness - produce something that reason can not produce.

“Men are caught by worms” - Os homens estão sendo pescados - está tudo trocado, nada mais faz sentido.

Function/Fabric - Palavras estranhas no mesmo verso - São coisas que podem ser objetivadas/fabricadas. It’s a paradox, because love can’t be fabricated.

Unknownness - Something you cannot label, stereotype. It causes fear, surprise, expectation, but cannot be consumed (Consumido, comprado).

Love is wishing = life.

Reason - Fabrication / Function.

Rationalism

Knowledge - wishless - death

Love is related to redemption.

“Dreads dying least, and less, that death should end.” - Apesar de todo o caos no mundo, o amor continua sendo “a place”. The place of wishes, the place of life.

“Whose ignorant … wisdom fears” - wisdom fear to see - opposing ignorant people who love and wish people who not love.

“while the world moves, and every part stands still.”

This poem is circular, a never ending poem. Termina com dois pontos (:) e pode se conectar ao começo.

Love relationship - There’s a division between people who love and society.

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I Will Wade Out

i will wade out
till my thighs are steeped in burning flowers
I will take the sun in my mouth
and leap into the ripe air
Alive
with closed eyes
to dash against darkness
in the sleeping curves of my body
Shall enter fingers of smooth mastery
with chasteness of sea-girls
Will i complete the mystery
of my flesh
I will rise
After a thousand years
lipping
flowers
And set my teeth in the silver of the moon

Cummings se relaciona com o poema de Lorde ao expor em seu poema o poder feminino demonstrado pela força do erotismo, de conhecer a si mesmo e usar esta ferramenta como uma maneira de acabar com a opressão social imposta sobre as mulheres. Ele abraça a causa feminina e apoia a força advinda disso.

Além disso ele compara os corpos das mulheres relacionando-os com a natureza: flowers, sun, moon, etc, e encontra sentido e se sente completo amando as 'sea-girls': 'Will i complete the mystery' dando prazer a elas.

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- Full short story

- SparkNotes Full Plot Summary

- Video Analysis 1

- Video Analysis 2

Charlie Wales (35) returns to Paris after being away for (presumably) a year and a half of seeking and maintaining sobriety. He seeks to get in touch with his sister-in-law Marion Peters and her husband Lincoln Peters, who currently have legal guardianship of Honoria Wales (9) since her mother Helen passed away and Charlie went away to a sanitarium to seek his sobriety. The story unfolds around Charlie's attempts to convince Marion to give Honoria's guardianship back to him.

Throughout the story, Charlie meets with Duncan Schaeffer and Lorraine Quarrles again. However, he doesn't seem too excited for this encounter, since Duncan and Lorraine seem to still be living a life of drinking and partying - which is what Charlie is recovering from after Helen's passing.

Though young, Honoria knows she wants to live with her father again, and this makes Charlie both happy and hopeful. Marion, however, doesn't seem to take this much into consideration regarding giving back her guardianship. She blames Charlie for the passing of her sister Helen, and was never really fond of him, which makes the whole process much more difficult for Charlie, who needs to show and convince Marion not only of his sobriety, but also of his capability to take proper care of Honoria.

One evening, while at Marion and Lincoln's house to discuss Honoria's guardianship, Charlie gets a visit from Duncan and Lorraine (both drunk) who came over to invite him for dinner since Charlie left the Peters' address at the bar exactly so they could visit him. Because of Marion's thoughts on Charlie, the discussion was already leaning towards her side more than his, and the surprise visit only made things more difficult. Marion was upset and decided to postpone the whole conversation, pushing the topic aside.

Though Marion was almost giving in and accepting to give Honoria's guardianship back to Charlie, the surprise visit only made her upset and reminded her of an aspect of Charlie's past she doesn't like. Once the couple left, angry that Charlie wouldn't have dinner with them, Marion also left to her room. She let Lincoln know she changed her mind about the matter, and he then let Charlie know.

The story ends with Charlie at the bar, thinking back on his past with Helen. He calls Lincoln to talk about Honoria, but gets the answer that this conversation was to be postponed for around six months. Upset, he returns to the bar and thinks about how the only thing he can currently do for Honoria is buying her things, though he understands is not ideal, but he wants and will come back for her.