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A person or individual chosen to act as a character in a work of film, theatre or other.

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Multiple definitions, for our context drama refers to a theatre play with emotion and "drama"

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A group of actors who perform as a whole rather than individually, done to make a play more meaningful.

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The personality or "part" that an actor plays in a play.

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Done or performed without previous preparation, essentially a form of improv.

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Occupying the role of a character, usually in a play or other form of entertainment.

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Clearly speaking or pronouncing words.

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An observation or remark made by a character to the audience that is not heard by the other characters.

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Clear and understandable pronunciation of words.

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The stage movements each character makes during the play or scene.

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When an actor loses concentration while performing and is not in character.

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To do something duh, as a noun used to describe a section of a play or something.

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Facing your body towards the audience.

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The sign to do something.

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Words spoken by an actor.

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Crossing the stage.

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Left side of stage from perspective of performer

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Right side of stage from performer perspective

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Reading script for the first time ever

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Rehearsing without a script because you know your lines

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Rehearsing WITH a script because you don't know your lines

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Activities actors do on stage

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The moment an actor gets on stage

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The point or place where an actor leaves the stage IN CHARACTER

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In charge of all aspects of production

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A practice performance shortly before actual performance where every detail is worked out.

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A technical rehearsal during which the actors are not present. Usually a stage manager call cues to test lights, sounds, props, ect.

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What drives the behavior of a character.

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What the character is trying to achieve.

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When all of the stage lights go out at once.

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Something that stands in the way of a character getting what they want. It can be either physical, emotional, or situational.

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An actor trying out for a role by either performing a short piece or reading a script in front of a director or casting agent.

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When an actor is invited to come back for a second audition

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Selecting which actors will play characteristics

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The solution to the conflict in a play/the wrapping up of events

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Information about what has happened before the action of the play begins; the set up

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Physical vocal or mental activity used to prepare an actor for a performance.

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An actor who is versed (skilled) in another actors part, ready to step in if needed.

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Taking everything off the set, usually after the final performance.

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Underlying meaning or thoughts an actor has that are not explicitly stated during a performance.

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The person backstage in charge of everything technical on stage. Technical liaison backstage during the play.

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The clothing worn by the actors who are performing characters in a show.

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Waiting for audience laughter to die down before continuing the play.

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Lights used in the auditorium used before the show, after and during intermission.

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A short play with a beginning, middle and end- usually has no intermission.

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Warning for actors to assume their position before a play or scene begins.

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The principle character around whom the story revolves

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A character who exists to work or go against the main character.

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Events of a play, also the order of events

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Type of solo speech, exposing the characters thoughts without breaking the fourth wall. an actor USUALLY alone, speaks their inner thoughts.

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Stage picture created by actors posing motionless.

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A chart that tracks the clothing worn by each character in each scene

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Examining a character's traits to inform costume choices.

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Using costume elements to convey a deeper meaning for the character or play.

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Creating a costume that gives the impression of historical accuracy without being an exact replica.

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The outline/shape of a body (with or without a costume).

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How fast or slow an actor speaks.

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How soft or loud one speaks.

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How clear one speaks, not mumbled or lazy.

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Actors vocal range.

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Performers should stand up straight.

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Asking "How would I react if I were in this situation" to stimulate natural, personal responses.

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Defining what the character wants in a scene (objective) and their overarching goal for the entire play (super objective).

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Thoroughly understanding the world of the play, including the time, location, and previous events.

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The hidden, unspoken meaning behind lines, which drives the action.

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Using specific physical movements to trigger emotional responses, supported by a relaxed, focused state.

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66. Circles of Attention/Public Solitude

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66. Circles of Attention/Public Solitude

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Intense concentration on the immediate, internal, or scene-partnered world, ignoring the audience.