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https://milliedalvand.wixsite.com/millie-d-studio3

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https://avigayilash.wordpress.com/

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Year 3 WORKS / DOCUMENTATION - MAGIKMEGAN

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A matter of uncertainty Most BeautifulPersonification It's a consumerist world an antidote to cynicism (unfinished project) OTHER POPULAR ARTICLESNATURELorem Ipsum Dolor Sit Amet Consectetur The Kurykans, a Siberian tribe who inhabited the area in the sixth century, gave it a name that translates to "much water".READ MORETRENDSBest 5 examples of Digital Photography of the modern...

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https://jessicaartstudio.wordpress.com/

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https://art4studio1.art.blog/594-2/

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Screw It In Textile sculpture, 170 x 30 cm, 2021. Click here for details What I Was Wearing Mixed media, consisting of clothing, latex, plaster, cardboard and silicone, 40 x 40 x 30 cm, 2021. Click…

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Documentation and statement/Blog

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Simone Hocherman : Statement and Documentation. 

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Simone Hocherman : Statement and Documentation. 

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Fine Art Studio including CMS Formative Assessment

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https://orb-tulip-padh.squarespace.com/

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Natasha Davis ; Documentation and statement blog 

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Natasha Davis ; Documentation and statement blog 

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https://www.tumblr.com/blog/milliejohnsonart

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Explore trending topics on Tumblr. See all of the GIFs, fan art, and general conversation about the internet’s favorite things.

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platinum-piccolo-39aa.squarespace.com

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Gabby Aljaradat - Statement and documentation 

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Gabby Aljaradat - Statement and documentation 

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https://ceryscartwrightartstudio3.art.blog/

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Victor Sausset - Website, Artist Statement and Documentation

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Victor Sausset - Website, Artist Statement and Documentation

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I am a third year student, coming from a French and English background, studying and working towards a BA of Art at the University of Reading.

My studio practice uses drawing, painting, and graphic mark-making as a means towards exploring multi-cultural and global subjects, using my own symbology, figurative and geometrical elements, and automatic doodling as a vehicle for my expression and exploration of politics and meaning.

I have presented some work in an exhibition context and have designed commission pieces for customers previously. I aim to deliver a high standard in service in that regard.

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I am a third year student, coming from a French and English background, studying and working towards a BA of Art at the University of Reading. My studio practice uses drawing, painting, and graphic mark-making as a means towards exploring multi-cultural and global subjects, using my own symbology, figurative and geometrical elements, and automatic doodling as a vehicle for my expression and exploration of politics and meaning.

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Chayse Matthews Statement and Documentation:

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Chayse Matthews Statement and Documentation:

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https://artblog924965236.wordpress.com

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https://fajarkstudio3.wordpress.com/

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Documentation and Statement are on my website

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Annabelle Smith Statement and Documentation

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Annabelle Smith Statement and Documentation

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Statement and Documentation- Luisa Denney

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Statement and Documentation- Luisa Denney

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My documentation is on my website- linked at the top of the document.

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Charlotte Weston - Statement and documentation 

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Charlotte Weston - Statement and documentation 

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Statement and Documentation Studio 3 spring Term

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Briar Thorpe - Statement and Documentation 

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Briar Thorpe - Statement and Documentation 

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https://briarthorpeart.wordpress.com/

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Blog | Julia Hopkinson Studio Work (juliabafineartstudioblog.com)

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Studies from Rubén's oil paintings 'The Landing of Maria de' Medici at Marseille' & 'Venus and Cupid Warming Themselves', pencil on paper, 21 x 29.7cm, 2021

A Walk with Acceptance, acrylic and charcoal on canvas, 39 x 57cm, December 2021

Be Gentle, acrylic and ink on unprimed canvas, November 2021

Meat Vessel, Acrylic and ink on paper, October 2021

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Studies from Rubén's oil paintings 'The Landing of Maria de' Medici at Marseille' & 'Venus and Cupid Warming Themselves', pencil on paper, 21 x 29.7cm, 2021 A Walk with Acceptance, acrylic and charcoal on canvas, 39 x 57cm, December 2021 A Walk with Acceptance, detail and install shots Be Gentle, acrylic and ink on unprimed...

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This link will lead you to my documentation and website Apollo Art

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"Reimagining the face of horror with a pulp art spin"

Throughout this year so far, I've continued to develop the idea of my current project. I aimed to reimagine the face of classic horror literature. I began my project with the idea of working on how women are displayed in the horror genre, in novel and later film adaption. My ideas have developed over the term so far as I began to explore artists whose work follow a pulp art style or explore the genre. As the term began, I experimented with a series of media, pencil, pen, paint etc. recreating graphic novels and developing the imagery into my own paintings.

So far, I've created a series of oil paintings, I chose oil as my medium as it is an area, I'm confident in, but I feel working with oils can give a piece a softer more realistic look when displayed amongst other works. The art of pulp horror is a style that began to develop throughout the late eighteen hundred and into the early twentieth century, so using a medium like oil made me give my pieces a sense of history and meaning.

As I began to develop this idea, and research into other artists that hold these same ideas I do, I came across a book called 'The Art of Pulp Horror' by Stephen Jones, this illustrated novel has heavily influenced my work so far, and I feel it will continue to do so, mainly due to it holding a series of works and the history of the pulp art genre.

As I began to select work for my exhibition, I chose to create a series of works, 6 to be exact. As I wanted it to look like they all flowed together as a limited series of graphic novels. I created a list of novels and began to explore them, reading each novel and creating a series of sketches, then referencing film adaptions before creating thumbnails, and deciding on which pieces I wanted to display and paint larger for my exhibition.

I would like the viewer to engage with my work as one would looking at magazines on a new stand, or books on a shelf. The cover of a book often grabs the viewers' attention, before the context can come to mind, where they then pick up the novel and read the blurb. As my works visually come across as blown-up graphic novels with minor details, such as, a logo, barcode, and price. Due to the visual elements of my pieces, they could come across as graphic novels and I'm hoping my presentation facilitates this and grabs the viewers' attention for longer than a passing glance.

Throughout this year so far, my work has developed, but I feel as if I've lost my original meaning and theme I wanted to work towards, the key decisive moments for me were choosing which novels are popular that people would know of, but not overused and tarnished by the media. I found it difficult to collect a series of works where the viewer would know or read at least one of them.

As I develop my work further into the spring term, I'm working with the same themes and ideas, however I'm going to research into films that are based on true stories, I've compiled a short list so far, but I will continue to develop this further. I plan on creating 6 pieces once again as it is the average number for a limited series of works. I'm also going to head back towards my original ideas and work with the display of women within the horror genre, I hope to display a series of emotions and depth into each piece, to further develop my ideology.

In conclusion, I have begun to develop a series of works following the horror genre within novel and film and will continue to work on with this theme into the new term, further exploring the true stories within film.

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"Reimagining the face of horror with a pulp art spin" Throughout this year so far, I've continued to develop the idea of my current project. I aimed to reimagine the face of classic horror literature. I began my project with the idea of working on how women are displayed in the horror genre, in novel and later film adaption.

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This link will take you to the documentation and statement on the website JustCos.Art

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Art Student University of Reading Ceramics | JustCos.Art | England

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Welcome the Just Cos.Art site. Here you will find the Autumn Term's work including the Statement, Documentation of the Studio 2 Independent Studio Project, Modules on Drawing Skills and Visual Thinking and Material Writing, All the Material Sessions, Fieldwork and Tutorials. Plus extra projects.

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City of Woe – Site Title (wordpress.com)
By Ollie Scanlon

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Maddy Chelmis: Documentation and Statement Blog 

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Maddy Chelmis: Documentation and Statement Blog 

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https://healing1411.wordpress.com/documentation/

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(it needs updating!)