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'Working from Home' explores the idea that entertainment appears as a refuge from work but due to the culture industry, entrenched by late capitalism, leisure has become a prolongation of work. This digital collage represents the consumerist overlap between work and leisure.

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explores how audiences are categorised and sorted by the culture industry.

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Explores the idea that products of creative industries are all produced using the same formula to create considerable profits, and that consumers blindly support this technique

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Uses the metaphor of an aeroplane to depict how information and advertisements are repetitively spoon-fed to consumers - who are then trapped in an endless cycle of passive consumption.

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Advertisement and mass media has implemented societies desirable physical ideologies to convince the average, everyday consumer that bigger lips, expensive underwear and fad diets will transform you into the celebrity figures used in these projects, when in reality, the consumers are being manipulated by these unrealistic beauty standards and corrupted by greedy companies that are putting a price on societies biggest insecurities.

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Unique Interpretations to the MARVEL-lous Repetitive Media

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Unique Interpretations to the MARVEL-lous Repetitive Media

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The piece focus on the repetition seen in media - particularly with the superhero genre and the cliches it produces. However it also offers a differing perspective to Adorno and Horkheimer's ideas by suggesting that consumers can actively choose if they will continue to consume or not.

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Post images of your print collages, digital collages and storyboards here! All posts and comments must be done in your own name.

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Adorno and Horkheimer’s description of the culture industry’s treatment of temptation is an ideal metaphor for their overall economic critique. They theorised that the culture industry suppresses and enslaves people by inciting in them a desire for material goods, in order to achieve 'perfection.' However this ideal is never attained, and people continue buying mass-produced goods. Just as the sexual encounters observed in movies and fashion advertisements are titillating, yet unattainable, the culture industry’s unfulfilled promises of perfection are similarly unresolved.

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This piece captures the repetitive marketing styles of big companies and the way that the public goes along with it. Marketing has become about cheap prices and sales and not about the quality of the item. The bright red sale stickers on stores often cloud people's judgement, fueling the consumerist mindset.

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Aesthetic Sublimation & The Broken Promise of Desire

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Aesthetic Sublimation & The Broken Promise of Desire

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Through the use of repressing a whole and exposing lust to consumers the culture industry successfully advertises by highlighting our wants and desires but always making sure what we lust for can never be fully attained- I chose vogue magazines to represent these theories through bodies and human desire as images of want and desire however also always never fully attainable

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I went for the print collage option, and made this piece in response to 'the end of the individual' ideas explored in the Frankfurt School.

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Friday Night Live: Our Night Off In the Digital Age

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Friday Night Live: Our Night Off In the Digital Age

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A satirical piece that takes into the consideration the passive absorption of media through what is considered "leisure". This illustrates how media is a form of human work based on profit and status, and reduces the autonomy of consumers. This relates to the essay's idea of a "prolongation of work"