# data[].attributes.body
a church of the Gesù Nuovo, or of the Trinità Maggiore, is a basilical church of Naples, located in Piazza del Gesù Nuovo facing the Obelisk of the Immaculate and the Basilica of Santa Chiara. Among the highest concentrations of Baroque painting and sculpture in which some of the most influential artists of the Neapolitan school are published. Inside is the body of San Giuseppe Moscati, canonized by Pope John Paul II in 1987

# data[].attributes.body
The obelisk or Spire of the Immaculate is located in Piazza del Gesù Nuovo.

Its construction dates back to the 18th century (work began in 1746), when the Jesuits, in the person of Francesco Pepe, entrusted the project Giuseppe Genoino, who then entrusted the works to Giuseppe Di Fiore, aided by the Jesuit architect Filippo D'Amato , among the most famous Italian architects of the time.

Initially, in the place chosen to build the spire was placed the equestrian monument dedicated to Filippo V, a 1705 work by Lorenzo Vaccaro, to celebrate the visit of the king to the city in 1702. The statue, however, was destroyed by the people only two years after its location, when, in 1707, the Austrian troops occupied Naples.

The new structure, paid for thanks to a collection among the faithful, develops upwards inspired by the numerous festive machines of the time and is decorated with marble sculptures by Matteo Bottiglieri and Francesco Pagano.

After the base decorated with flowers and drapery, go up to the first level, where four pairs of putti are sculpted with the emblems of the Immaculate. Further up, we find the portraits of four Jesuit saints: Sant’Ignazio di Loyola and San Francesco Saverio, by Bottiglieri, San Francesco Regis and San Francesco Borgia, created by Pagano. At the same height the reliefs are carved with four evangelical episodes linked to Mary: the Annunciation, the Birth of the Virgin, the Presentation at the Temple and the Assumption. Moving towards the apex, we find four other putti and, subsequently, two ovals with the busts of San Luigi Gonzaga and San Stanislao Kotska; finally, at the top, the copper statue of the Immaculate is placed.

Some legends, associated with the monument, narrate that, together with the biblical episodes and the sculptures of the various saints, blasphemous figures recalling death were also made, which, however, would be visible only from certain angles and in particular conditions of light.

# data[].attributes.attachment_link.title
da Montesanto a Piazza del Gesù Nuovo, 80134 Napoli NA - Google Maps

# data[].attributes.body
San Francesco di Paola is a church in Naples. It is located at the west side of Piazza del Plebiscito, the city's main square.

In the early 19th century, King Joachim Murat of Naples (Napoleon's brother-in-law) planned the entire square and the large building with the colonnades as a tribute to the emperor. When Napoleon was finally dispatched, the Bourbons were restored to the throne of Naples. Ferdinand I continued the construction - finished in 1816 - but converted the final product into the church one sees today. He dedicated it to Saint Francis of Paola, who had stayed in a monastery on this site in the 16th century.

The church is reminiscent of the Pantheon in Rome.

# data[].attributes.body
The Royal Palace of Naples (Italian: Palazzo Reale di Napoli, Neapolitan: Palazzo Riale ‘e Napule) is a palace, museum, and historical tourist destination located in central Naples, southern Italy.
It was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.

# data[].attributes.body
The Real Teatro di San Carlo (Royal Theatre of Saint Charles), its original name under the Bourbon monarchy but known today as simply the Teatro di San Carlo, is an opera house in Naples, Italy. It is located adjacent to the central Piazza del Plebiscito, and connected to the Royal Palace.
It is the oldest continuously active venue for public opera in the world, opening in 1737, decades before both the Milan's La Scala and Venice's La Fenice theatres.[1]

# data[].attributes.body
The basilica has its entrance on Via Benedetto Croce, rising on the north-eastern side of Piazza del Gesù Nuovo, opposite the church of the same name and adjacent to that of the Poor Clares, once the latter being part of the monastic complex of Santa Chiara.

It is the largest Gothic basilica in the city, characterized by a monastery that includes four monumental cloisters, archaeological excavations in the surrounding area and several other rooms in which the homonymous Opera Museum is housed, which in turn includes the visit also the nuns' choir, with remains of Giotto's frescoes, a large refectory, the sacristy and other basilical rooms.

# data[].attributes.body
Galleria Umberto I is a public shopping gallery in Naples, southern Italy. It is located directly across from the San Carlo opera house. It was built between 1887–1891, and was the cornerstone in the decades-long rebuilding of Naples — called the risanamento that lasted until World War I. It was designed by Emanuele Rocco, who employed modern architectural elements reminiscent of the Galleria Vittorio Emanuele II in Milan. The Galleria was named for Umberto I, King of Italy at the time of construction. It was meant to combine businesses, shops, cafes and social life — public space — with private space in the apartments on the third floor.