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Seen on my drawing class: Quanta

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© 2018 Colossal, all rights reserved. We try our best to attribute images, videos, and quotes to their creators and original sources. If you see something on Colossal that is misattributed or you would like removed, please contact us. Colossal participates in affiliate marketing programs and may earn a commission on sales through links to Etsy, Amazon, Society6, and iTunes.

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'Experimenting with letterforms is a natural part of making, often born out of enthusiasm rather than commercial or practical imperatives'
Tony Brook

SPIN/Adventures in Typography looks at the typographic flotsam and jetsam of Spin's creative process. It's a repository for trains of thought, itches that needed to be scratched, as well as fresh new ideas. It continues the conversation started with the studio's 2015 monograph SPIN 360° [Unit 19].

SPIN/Adventures in Typography is a visual record of Spin's creative interests and outputs - combustive explorations not afraid to plunge into the abstract, teetering on the edge of legibility. A journal boisterous with typographic riffs, remixes, and rearrangements - SPIN/Adventures in Typography is an invitation to engage in conversation, an ellipses rather than a full stop.

'The reason we chose the journal format is because it encourages us to keep pushing-to keep trying new things.'Tony Brook

SPIN/Adventures in Typography [Unit 31]
Soft back, 52pp, screen printed envelope, £18
Edition of 1000
Size: 258mm x 203mm
Cover: Cut short foiled book cloth
Paper stock: 100gsm Fedrigoni Free Life Cento.
One colour throughout
Binding: Staple bound
Special features: Three covers, black, white, silver. One colour Silkscreened plastic sleeve.

Order now for immediate delivery
Ships postage free worldwide.

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SPIN/Adventures in Typography (Issue 001)

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'Experimenting with letterforms is a natural part of making, often born out of enthusiasm rather than commercial or practical imperatives'Tony BrookSPIN/Adventures in Typography looks at the typographic flotsam and jetsam of Spin's creative process. It's a repository for trains of thought, itches that needed to be scratched, as well as fresh new ideas.

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Sophie Calle (born 9 October 1953) is a French writer, photographer, installation artist, and conceptual artist. Calle's work is distinguished by its use of arbitrary sets of constraints, and evokes the French literary movement of the 1960s known as Oulipo. Her work frequently depicts human vulnerability, and examines identity and intimacy.

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zhihui Su
https://weibo.com/ahuile
https://www.artstation.com/su116861261
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Share via Artstation Android App, Artstation © 2018

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Divided in 5 subfolders
link: https://pin.it/whdbxnpqkmipbw

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Used this images to study the diferent shapes western buildings had, this way I could design my own ones

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by working as a "first-person artist" who incorporates her life into her works and, in a way, redefines the idea of the author

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Maxwell Hagege:
A mix between realistic and stylized paiting, found it very interesting

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Loved the color pallete

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Color pallete

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Kevin's talk was my favorite one as my subject of interest on part @ is moving image
Kevin told about all the paths we could take by doing moving image, it opened to me a lot of questions and doubts of what BA course I want to do on moving image

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They spent the hole talk telling about their work, but the most important thing was at the end, when I spoke with one of the integrants about the concept art career. They said that tarting with concept is very difficult starting with animation for example is a much easier path, as the demand for animators is much bigger