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Evaluation of my choreography and Charlotte's performance.

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Evaluation of my choreography and Charlotte's performance.

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Choreography -
Devices (repetition, elevation, dynamics, climax)
Performance -
Facial expressions, characteristics. Knowledge of choreography.

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Perfecting and tweaking sections of the choreography for Charlotte to remember.

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I taught Charlotte the Jazz section quickly but she didn't feel 100% comfortable with it so I decided to record me doing the Jazz section so Charlotte had it on record so that she could perfect it outside of rehearsals.

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From 31.01.18-21.02.18 we focused on the slow Lyrical Jazz section.

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This inspired me to add the slow arm movements at the beginning of the piece.

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MUSE- FEELING GOOD - Jazz Choreography by Alya Semenova

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This inspired me to add jumps and to make the dance very leg based as I know what Charlotte is capable of. The idea of suspending specific movements was also gained from this inspiration.

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The song was originally written by Lesley Bricusse and Anthony Newley for the 1965 premiere of the musical titled 'The Roar of the Grease paint - The smell of the Crowd'. However it was covered and sang by Nina Simone which brought great publicity to it.
'Feeling Good' lyrics are often misinterpreted by the listeners - the song does reveal a lot of different lyrics that provide you with an idea about every day life. Life is unpredictable and has ups and downs - this song ensures you know that it is possible to start over and keep going.
The song is all based upon moving on and moving forward in life - I will interpret this into choreography by adding quite a bit of travelling and using the space effectively. The use of levels will be effective as I feel this will show the ups and downs in life that we all have to overcome.

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Motif
Motif developed
Repetition
Climax (when music changes)
Balances
Use of kicks
Fragmentation
Representation of music
Pure dance
Facial Expressions

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'Feeling Good' the song, is my stimulus as I felt this song had alot of meaning behind it in which I can show throughout the performance when choreographing on Charlotte.

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I really enjoyed choosing music but it was a hard task as I liked 'Feeling Good' by Muse for the fastness and beats within but liked the idea of Lyrical Jazz to Michael Buble's version. With them both being the same song but different versions, I then had an idea that I could edit both together which will make the piece entertaining for both Charlotte to dance and the audience to watch.

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Today was hard for me to choreograph as I am still unable to do the rehearsal for solos due to me recovering from surgery. However, I hope to be dancing by next week to be able to show Charlotte the choreography and style I have chosen for her to perform at Unite. I was able to have a conversation with Charlotte about the piece - the style and chosen music so that she was aware and to check she was comfortable doing that style.

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I decided to teach the sections separate then put them together once I had edited the music. Our first rehearsal in which we were able to learn the Lyrical Jazz section of this piece. Charlotte was easy to work with as she has good movement memory which meant it didn't take long to rehearse this piece.

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Contemporary - Love Me Like You Do
Lyrical/contemporary - Never Enough
Lyrical - Incomplete
Jazz - Feeling Good Muse
Lyrical Jazz - Feeling Good Michael Buble