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starting together and being precise where we come in for the triplets from measures 2-8.

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In measures 53 and 54 we rushed a lot.

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42 to 56, counting and tuning, off tune and off beat in some measures.

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We could play more together on the triplets starting at 53 to 54

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The tripplets in measures 53-54 didnt stay strong the whole way through.

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The high notes and triplets being divided correctly and in time and together from measures 53-56.

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The rhythm is a bit awkward at measure 47 and at 51 it is written forte but it was too quiet to actually hear. At 101 the triplets were played too fast compared to the tempo.

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making sure we are counting from m. 72-75, and not missing a whole part

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In measures 71-72 we could have played together better, it was rushed

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Matching pitch (m. 64). Hitting every note in the faster sections (m. 42-56).

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The tuning and counting/ coming in on time for measures 87-97.

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from measures 86-97 matching pitches and being precise when we enter.

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In measures 2-8, we can improve on being on time for the slurs. In measures 47-51, we can improve on being on time and making sure that the tone quality is in tune and consistent. In measure 101, we need to work on correct notes and intonation.

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Measure 46 needs to be practiced more and brought out. 64- 79 pitch needs to be worked on.

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Better tuning and matching in measures 45-48
Stay on Tempo in 84-86
Better tuning in 87-89
Triplets need to be together in 101-102

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38-40 quarter notes need to be brought ot more
46-48 tone improvement
53-54 triplets need to be played together
75 entrance needs to be more solid
101 triplets need to be played together

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m 42-53: chimes need to be louder
m 3-8: xylo needs to be louder
m 122-end: tom tom needs to on time together with the band

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Trill in 122 should be stronger

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Starting together with the triplets in measures 2-8. Getting the correct fingerings for measures 54-56. On pick up to measure 105, we need to start together, better timing. We also need to work on the scale on measure 108.

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-Snare intro needs to be smoother, start with faster and looser rolls.
-M. 22 missed hits
-Rolls in 61/62 uneven and not accented in the right area
-Measures 105-121 snare needs improvement
-121-135 snare needs medical attention it was so bad

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I feel like we need more confidence in m.64 and better pitch.

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the part at measure 36, was offbeat, and wasn't synchronized, later in the section from 47 to 56 is still sloppy. The section at 87 is about of tune, really sharp in most spots. the end was a little out of tune but not nearly as bad as 87.

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coming in on the correct beat and holding the notes at their full value/not holding them over. at m. 42 and m. 64 we were not together

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92-97 More attack on accents, 130-135 more dynamic power. Overall more dynamic range throughout.

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The dynamics were rough in the section between 105 and 109. The 3/4 section at the end did not stay in time with the rest of the band very well either.

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We need to make sure we are all matching tune throughout the whole song, especially the end. We have to make sure we are in the right dynamic in square 3.

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at section 3, flutes fade out, it's a lot harder to hear them after that point. at section 5 we could play a little louder as well, and in section 6 we aren't playing together. Last not is also bit out of tune.

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We need to work on the dynamics throughout the whole song. We also need to work on playing and going in together on measure 29. I feel like we should work on the ending more.

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In measures 21-23 and 79-81 we need to pay attention to rythmic accuracy.

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Measure 46, the rhythmic accuracy was off and some took the eighth notes quick while others took them slow. The last whole note was out of tune and needs more adjusting.

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At measure 126- 133 the rhythmic accuracy wasn't there and needs more work.

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intonation / tuning measure's 50-59
especially 58-59.

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coming in with the right rythm in measures 17-20 and 57-70 and tuning for the slow part at 98.

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In measures 127-131 we need to play louder.

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We need to play out in m. 18-25. Making sure we are matching pitch throughout, especially in the louder sections (m.26).

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Making sure we are always moving together, specifically the sixteenth notes in m. 20, 78, and 83. More confidence in m. 41-49.

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Overall we could have more dynamic contrast and make the notes more smooth and connected.

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We need to play out so that you can hear our part in 136-144.

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Our tone throughout the whole piece could be better, we don't sound together because of our tone

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Right after the slow part, we could have been a little louder. It was hard to hear the 2nd and 3rd parts.

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In the last note of the song we need to make sure that chord is tuned.

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In measures 17-23 we have to make sure our rhymes are accurate and we are coming in at the right time. In 49-56

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the chimes could be a little louder in measure 52, and could blend better with the band in the last measure

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M 53-55: timpani needs to be louder (marked at fff)
m53-55:timpani slowed down during solom 142-144: timpani needs to follow dynamic marking and crescendo starting from p

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Tenor saxophone needs to stay more in tune.  At 2 Tenor and bassoon needs to play a little bit louder then at 3 also.
M 36-38 Saxophones need to be louder
At 6 bassoon and tenor need to match

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M 44 the + of 1 needs to be more noticeable
M 47-48 saxophones need to blend better
M 105 saxophones need to be a little louder
M 126 and 128 there needs to be more of a crescendo

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some parts of the song were covered by other instruments, mh section could have played a bit lounder to be herad but even still we got drowned out. dynamics are big too