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https://www.ngv.vic.gov.au/virtual-tours/haring-basquiat/
VIRTUAL TOUR!!!!
Join my google meet at 10:30 to go with Ms. Nasar:
https://meet.google.com/tki-wvgu-wnp?authuser=2

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Here is a tour of the Metropolitan Museum of Art that my sixth graders did this year. Be sure to check out the map, time machine, and video sections for some wonderful art and different ways to explore what you are interested in finding. https://www.metmuseum.org/art/online-features/metkids/explore

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https://artsandculture.google.com/partner/van-gogh-museum

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VIRTUAL TOUR! SEE A MUSEUM IN PARIS
https://artsandculture.google.com/partner/musee-dorsay-paris

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A video that takes you INSIDE a painting

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A video that takes you INSIDE a painting

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https://artsandculture.google.com/asset/poppy-field/xQGTinA-MPxcVg

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Poppy Field - Claude Monet - Google Arts & Culture

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When he returned from England in 1871, Monet settled in Argenteuil and lived there until 1878. These years were a time of fulfilment for him. Supported by…

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This is one that is amazing

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This is one of my favorite pieces of art that I ever created. It is a reduction linoleum cut. To make it, I first carved away the white parts from a flat piece of linoleum. Then I rolled the surface with the lightest gray ink and printed it onto paper. Then, I cleaned the block and carved away what I wanted to keep the lightest gray, and inked the linoleum again with the next lightest gray and printed it over the first printing. I kept doing that about five times going from light gray to black until I formed the whole image. I made a run of three prints of this image, and gifted one of them to a friend. I still have the other two.

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One thing I wish about this year is that I had seventh grade for art. I have seen some amazing artworks from some of my students, but I would like to see more. Please post your work so I can see what you can do. I know there are many wonderful artists in 7th grade.

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https://10mosttoday.com/wp-content/uploads/2013/09/The_Scream.jpg

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To be honest Im just curious of wondering was this the exact same chair he uses to draw in or is this just one of his chairs that he uses to draw from.

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Sculpture from The Renovated Musee d'Orsay

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Sculpture from The Renovated Musee d'Orsay

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I love the way he uses oil pastels like no other. I had to try to create art like him once and honestly, no one does it better than Van Gogh. This is one of his amazing art pieces and I just love the way he made it look so real with oil pastels!

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This art work was my favorite cause it shows and represents the streets of ny

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A piece of art that caught my eye is the Arearea. Information about this art work is from, https://artsandculture.google.com/asset/arearea/nAHq1cbXN_aFlg .

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Hi everyone. I still want to see more of your artwork. Here is another of mine.

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I love this art video by Dali & DISNEY...it's called Destino.

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I love this art video by Dali & DISNEY...it's called Destino.

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This is one of my favorite pieces of art. It feels very dreamlike.

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Salvador Dali - Destino. Walt Disney (2003)

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Billie Eilish did a collaboration with another one of my favorite artists: TAKASHI MURAKAMI

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Billie Eilish did a collaboration with another one of my favorite artists: TAKASHI MURAKAMI

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He is a very inspired by anime and japanese culture.

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UNIQLO Presents: Billie Eilish by Takashi Murakami For UNIQLO UT

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Some more Anime inspired art by MURAKAMI!

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Some more Anime inspired art by MURAKAMI!

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T: The New York Times Style Magazine Singapore

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Takashi Murakami, as a Tour Guide of His Own Exhibition

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This is one of my favorite exhibits ever!

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Diana Craig Patch: It is a very exciting story how Dendur came to the Metropolitan, founded in this incredible UNESCO campaign to save the Nubian monuments, which allowed Dendur to survive.

Egypt and the Sudan in 1959 went to UNESCO once they realized that the building of the Aswan Dam was going to create a lake that was going to flood 2,000 square miles of water. All of the settlements and cemeteries and temples and shrines and churches were going to disappear.

I looked at what was going on in the world at that time, because I remember what it was like. The world was not a friendly place at the time that this campaign kicked off, and the fact that UNESCO got all of these countries together-50 countries contributed money, technical expertise, and equipment to help the Egyptians and the Sudanese save, at least record, these monuments. The result was they were able to save these monuments as well-nineteen in Egypt and three in Sudan-and the Egyptians committed antiquities to the countries that helped the most. And the United States made the greatest contribution, so we got first choice: the Temple of Dendur.

Quite a few institutions argued as to why it should come to their institution, but the Metropolitan's argument was the strongest. It discussed setting the temple inside a building; you could see it day and night, and it would be next to one of the greatest collections of Egyptian art in the world.

Henry Fischer, who was the curator of Egyptian Art, went to Egypt to pack up the temple because it was all disassembled. It was shipped back to the United States on the S.S. Concordia Star, brought to the Museum, and they were put in an air structure in what is today the area of the Petrie Court. The blocks were conserved and organized and they reconstructed the temple just like it was in antiquity.

It is a classic temple layout. The first rooms you move into are open. It rises up towards the back, the sanctuary, and this is where the god lives. It's dedicated to the great goddess Isis, but it is also dedicated to two brothers, and they're humans that have been deified.

We know that Dendur was once painted, so the Digital department and the Egyptian department decided to do a project where we would recreate virtually what we thought the colors on Dendur were in antiquity.

People come to Dendur all the time to enjoy not only the architecture but the space and the setting, so it's not just an antiquity-this whole gallery has become part of New York.

And it's a story that's very relevant today. We worry about how we're going to save monuments around the world, and it's critical that we do this because all of these things are the result of human creativity, and that needs to remain.

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The Temple of Dendur: Celebrating 50 Years at The Met

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Diana Craig Patch: It is a very exciting story how Dendur came to the Metropolitan, founded in this incredible UNESCO campaign to save the Nubian monuments, which allowed Dendur to survive. Egypt and the Sudan in 1959 went to UNESCO once they realized that the building of the Aswan Dam was going to create a lake that was going to flood 2,000 square miles of water.