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Haruomi Hosono

Born: July 9, 1947, Tokyo, Japan.

Cultural Context: Grew up in post-war Japan’s economic recovery and cultural openness, blending Eastern and Western influences.

Key Phases & Career

1. Early Exploration (1960s-1970s)

Bands:

Apryl Fool (1969): Psychedelic rock covers

Happy End (1970-1972): Merged folk-rock with Japanese lyrics, pioneering "City Pop" (Kazemachi Roman).

Identity Quest: Explored "Japanese-ness" via Okinawan folk/Western fusion (East Wind).

2. Yellow Magic Orchestra (YMO) Era (1978-1983)

Electronic Innovation: With Ryuichi Sakamoto and Yukihiro Takahashi, merged synths and Eastern motifs, defining Techno-Pop Global Impact: First Japanese electronic group to achieve international fame; influenced Kraftwerk, Daft Punk.

3. Solo & Experimental Work (1980s-Present)

Ambient Music: Watering a Flower (1984), designed for department stores, inspired Brian Eno.

Film Scores: Scored Hayao Miyazaki’s Nausicaä of the Valley of the Wind (1984).

Genre Fusion: Explored world music (Coincidental Music), Brazilian jazz (Paraiso), and electronic folk (Hochono House).

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beware verwoerd

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malabar hotel

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kokoroko

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https://www.vice.com/en/article/haruomi-hosono-guide-playlists-essay/

https://www.discogs.com/release/12607006-Haruomi-Hosono-Tadanori-Yokoo-Cochin-Moon

https://www.youtube.com/watch?v=2dBJcB8kSPk

https://niewmedia.com/en/artists/haruomi-hosono/

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yellow magic orchestra memoriabilia

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Haruomi’s Hosono’s debut solo concert at the Barbican June 23rd 2018. His collaborators Takahashi and Sakamoto joined him to play ‘absolute ego dance’ from their project Yellow Magic Orchestra. This was the final time the three would ever appear together publicly before both Takahashi and Sakamoto’s deaths in 2023

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Haruomi’s Hosono’s debut solo concert at the Barbican June 23rd 2018. His collaborators Takahashi and Sakamoto joined him to play ‘absolute ego dance’ from their project Yellow Magic Orchestra. This was the final time the three would ever appear together publicly before both Takahashi and Sakamoto’s deaths in 2023

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hosono was previously in a bamd called the yellow magic orchestra featuring himself Ryuichi Sakamoto, and Yukihiro Takahashi.

this is their instruments for their world tour in 1981

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secondary reasearch on films and documentaries 

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secondary reasearch on films and documentaries 

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graphic/ illustration work by tadanori yokoo

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graphic/ illustration work by tadanori yokoo

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graphic design/ illustration work by tadanori yokoo

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https://archive.org/details/CHSDM1998444MattFlynn

born 1936, one of japans most successful graphic designers and illustrators

became interested In psychadelia in 1960s

retired in 1981 and now does painting and works more as a fine artist

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documentary on youtube all about him - archival series|light in attic records

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documentary on youtube all about him - archival series|light in attic records

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https://m.youtube.com/watch?v=RsD_iVrLETI

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The Haruomi Hosono Archival Series | Light In The Attic Records

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Cover image produced by illustrator Tadanori Yokoo  who accompanied Hosono on his trip to India. Due to illness, only this cover was illustrated rendering the album Hosono’s solo project. Album is a conceptual soundtrack for a non existent Bollywood film

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Cover image produced by illustrator Tadanori Yokoo  who accompanied Hosono on his trip to India. Due to illness, only this cover was illustrated rendering the album Hosono’s solo project. Album is a conceptual soundtrack for a non existent Bollywood film

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music video - john carrol & haruomi hosono 

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music video - john carrol & haruomi hosono 

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https://m.youtube.com/watch?v=TLxa-jEgAgY

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John Carroll Kirby & Haruomi Hosono - Fuku Wa Uchi Oni Wa Soto (feat. The Mizuhara Sisters)

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the album cover art for cochin moon featuring malabar hotel.

the album was originally supposed to be a collaboration between haroumi hosono (music artist) and illustrator tadanori yokoo. it was supposed to be a collaboration inspired by a trip they were taking to India however tadanori yokoo fell ill on the trip so only ended up creating the album cover artwork for the album

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another photo from the trip advisor of malabar hotel

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the song was inspired by a trip to India and was named after the hotel they stayed at for the first duration of the trip, this was the hotel.

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Codes for different sounds in the song.

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MALABAR HOTEL - Haroumi Hosono instrumentation primary research 

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MALABAR HOTEL - Haroumi Hosono instrumentation primary research 

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Museum number

1999,1202,0.1.8

british museum

Object: The month of Bhadrapada or Bhadon. August/September.

Painting from an album bound in red striped fabric containing 14 miniatures; with 11 Baramasa (Song of the seasons) paintings (paintings 2 to 12), 1 from Mewar, 2 from thikanas. Opaque watercolour on paper.

The month of Bhadrapada or Bhadon is the monsoon season. Dark, grey clouds and flashes of lightning dramatically coloured gold and orange portray the atmosphere of the rainy season. The predominant use of grey in this illustration conveys the atmosphere of menacing clouds on the horizon. In the foreground, elephants break trees and lions and tigers roar, emphasizing the unsettled nature of the monsoon season.

1700-1725 (circa)(circa)

painted on textile and paper

South Asia: India: Rajasthan: Jaipur: Amber

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Description

Seiko 'Talk-Liner' alarm, quartz clock/speaking clock in white plastic case; on the top a black plastic oblong button for activating the speaking clock; to the left a black plastic circular button for alarm on/off; on the front an oblong black plastic button to activate auto-speaking and series of holes for the speaker; rectangular glazed aperture on back shows time on digital display; below are small push-buttons for setting the alarm, time and volume; complete with operating instructions, guarantee and card presentation box; when acquired contained two batteries.

Made by: Seiko

Museum number

1991,0110.1

British museum

made in japan in 1991

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Poster. On paper. Boy playing with electric plugs and making computers explode.

Middle East & North Africa Modern Art

1991

Museum number

1992,0730,0.80

British museum

Findspot

Found/Acquired: Kuwait

Asia: Middle East: Arabia: Kuwait

Dimensions

Length: Length: 69.80 centimetres

Width: Width: 49.30 centimetres

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Object: Landscape Symbols, Cottlesbridge print

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Abstracted landscape in square format, with sparsely-placed markings on light ground, a small tree at left and a thick, deeply-etched vertical line from top; 2nd state. 1975
Drypoint and engraving with electric hand engraving tool and roulette, printed on Arches paper by fred Williams

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Description

Card game specially made for the British Empire Exhibition for the Western Electric Company; 152 cards and book of rules in box. 1924
Lithograph printed in colours

from British museum

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martha

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Museum number

1962,1231,0.13.29

british museum

Description

Opaque watercolour painting of Kamadhenu, the wish-fulfilling cow, who suckles Śiva’s bull Nandi and the Devi’s tiger. This composite creature has the body of a cow, the sumptuous tail of a peacock, the horns of a bull, the face of a woman and multicoloured wings. A long plait of hair, decorated with a tassel at the end, is visible near the front hoofs, and her long neck and her head are bedecked with jewels. Metal decorations cap the tips of the horns. The ocean, teeming with aquatic life, is contained inside her belly: this probably hints at her bountiful and nurturing nature. A chakra (discus) is drawn on her rump.

Painted in: Thanjavur

Asia: South Asia: India: Tamil Nadu: Thanjavur District: Thanjavur

Height: Height: 22.60 centimetres

Width: Width: 17.60 centimetres

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haruomi hosono - about the artist and piece

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haruomi hosono - about the artist and piece

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haruomi hosono - narrative implications 

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haruomi hosono - narrative implications 

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floss

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wrong one! it won’t let me delete ! my b

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wrong one! it won’t let me delete ! my b

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Martha