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- The textbook Chapter 36: Gothic Art and Architecture in Europe: 1200–1400 has some very valuable information on Gothic art and a timeline of evolution within the form. https://wwnorton.com/dashboard/digital-products

-  This brings a lot of history and information about the type and where it stands today.  https://www.theartstory.org/movement/gothic-art-and-architecture/history-and-concepts/

- This source talks about the different items that can be fallen under the Gothic style category implemented by different cultures. Not just one thing is Gothic art. Anything can be with incorporated cultures as well.
https://artincontext.org/gothic-art/

- I have found lots of valuable info in the Metro Museum.
https://www.metmuseum.org/search-results?q=gothic+art

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I chose to make my theme, "Gothic Art." I chose this because it is by far the most beautiful art to me. When people think of the word goth they think of just dark makeup and emo drawing that are dark and mysterious. By viewing my map of Europe I will show 6 different types of gothic art work that incorporate different cultural styles being implanted in gothic art. All these pieces range and progress through the years. I show many different types that beat the stereotype of evil, dark, and emo. By viewing my padlet I show how detailed, patient, bright, and unique gothic art is. One of my favorite brands is a brand called chrome hearts and I believe they incorporate a lot of gothic style art and their cross copies some styles and uniqueness of similar crosses made by gothic style influenced artists. You will be seeing how broad gothic style art is by looking through my map of Europe and see how not one piece is particularly the same and influenced by different cultures as well.

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Gothic Windows in the Ruins of the Monastery at Oybin ca. 1828

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Gothic Windows in the Ruins of the Monastery at Oybin ca. 1828

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This is the Gothic Windows in the Ruins of the Monastery at Oybin made by Carl Gustav Carus. (German, Leipzig 1789–1869 Dresden)It was made in ca. 1828 in an abandoned church. It is considered Oil on canvas. The Dimensions of this piece are: 17 x 13 1/4 in. (43.2 x 33.7 cm)
Frame: 21 3/4 x 17 7/8 x 2 1/4 in. (55.2 x 45.4 x 5.7 cm) It is considered and classified under Paintings and credited to
" Purchase, 2005 Benefit Fund, and Anna-Maria and Stephen Kellen Foundation and Eugene V. Thaw Gifts, 2007" The accession number is 2007.192.  I love this piece because it adds to how many different art pieces can fall under the gothic art category. At first look, I didn't think this was a painting at all but it really ties into the first and second pieces of the pallet because it is a painting of a window and incorporated both glass and doorway.   This is the oldest piece though and it shows how it incorporates both early and modern gothic styles.

https://www.metmuseum.org/art/collection/search/439122

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Pendant brooch in the form of a Gothic Crossca. 1880

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Pendant brooch in the form of a Gothic Crossca. 1880

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Thisis the Pendant brooch in the form of a Gothic Cross made by Carlo Giuliano .(Italian, active England, ca. 1831–1895)
It was made in  ca. 1880 and the culture is  British, London. This piece was made with Gold. The dimensions of this are 2 3/8 x 2 3/8 x 9/16 in. (6.1 x 6.1 x 1.4 cm) It falls under the Metalwork-Gold and Platinum, Jewelry category and the credit line is
Gift of Judith H. Siegel, 2014. I found this in the Metro Museum where I found the largest selection of gothic style art and th assertion number is 2014.713.8. I chose this piece because it is a different category than all the other pieces I have touched on and shows how something so small can have so much detail and tiny marks. I love this because gothic style makes things so much more extrevegant than they actually are. For example this cross could easily be two line but in every side the artist implemented so much style and character to show viewers how when designing in gothic style they don't hold back and go all out.

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This is Saint Stephen made by Ans Leinberger (German, active 1510–1530) in
ca. 1525–30 Made in Lower Bavaria and was twisted with south german culture to make this piece. It was made with Limewood with traces of paint and was Overall: 33 x 21 1/2 x 8 1/2in. (83.8 x 54.6 x 21.6cm) It is a  Sculpture-Wood sculpture and the Credit Line would be Bequest of Gula V. Hirschland, 1980. I found this sculpture in the Metro Museum and the Accession Number is  1981.57.2a, b I wanted to incorporate a sculpture in my theme because of how interesting and broad gothic art can be. Anything can be gothic incorporated including sculptures like these. What I found cool about this was how 3 different pieces were carved and eventually put together to make this. It was carved of mostly wood but the paint was used in certain parts. Looking at the sculpture I don think any of the body was painted on. The artist captured the different textures in the wood by carving in certain ways to get different colors and textures. At first glance, it looks like the paint was only used on the face to make the man look more alive.

https://www.metmuseum.org/art/collection/search/466084

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This is the Gothic Doorway made between ca. 1520–30 where it was made in Poitou, France even though this fits my theme as gothic art it can be found in the French culture category. This entire piece was made with limestone. The dimensions of this doorway are  175 x 106 in. (444.5 x 269.2 cm) The classifications it falls under are Installations. The Credit Line falls under the Cloisters Collection, 1940. I found this piece of art in the Metro Museum and the object number is 40.147.3. I chose this piece because of the beautiful details within the doorway. For personally I always judge a house, building, or any structure by the focal point which is always the door. This door is so detailed and symmetrical that it is hard not to stare for a long time to capture every detail.

https://www.metmuseum.org/art/collection/search/471237

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Exeter Cathedral (St. Peter), facing west. England, c. 1270–1350.

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Exeter Cathedral (St. Peter), facing west. England, c. 1270–1350.

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I chose to include this piece at the Exeter Cathedral because of it becaustiful design and to me its what I think about when thinking about my theme. The vaulted ceilings are so beautiful to look atbcause to me it looks like a skeleton ribcage. I have always been a fan of detailed being but this is absolutely beautiful and the windows bring it all together to make it the beautiful cathedral it is. its made of  local stone, including Purbeck Marble and was built around 1270-1350. "Exeter was established as the base of Legio II Augusta under the personal command of Vespasian. Exeter became a religious centre in the Middle Ages. Exeter Cathedral, founded in the mid 11th century, became Anglican in the 16th-century English Reformation."( https://www.exeter-cathedral.org.uk/our-building/conservation-of-the-cathedral/)

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 Rose window and lancets, Chartres Cathedral, north transept. France, c. 1220–1230.

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 Rose window and lancets, Chartres Cathedral, north transept. France, c. 1220–1230.

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I wanted to include this piece of art because it represents an aspect of my these that most people wouldn't think would be a part of my theme because of the colorfulness and brightness of this piece. My goal by including the Rose Window would be to introduce to the audience the many types and styles that fall into the category, not just the stereotypical style. I chose this piece because of how colorful and how much is happening within each window. Each section tells its own story and represents that story through color and pattern.

The History of Art: A Global View, Volume One- Gothic Art

kaitlyn.berry309@myci.csuci.edu

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