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Research

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Pre Production Plans

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Studio Evaluations

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Audio Files

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Screenshots

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i had around 30 tracks in my logic project - all of which were live audio recordings 

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mixer view for the project (excluding drum tracks)

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In Kick mic processing - this mic was meant to capture more click and attack of the drum. theres a healthy boost at 3-4khz using the pultec EQ

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the out kick was used to capture the body and punch of the kick drum. when blended with the other kick mic i got a very full, big kick drum sound

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the snare had lots of ringing frequencies and so i had to use a lot of EQ to cut them out

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parallel drum compression. I used a tape saturator plugin to give it a bit of warmth and bite

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i side chained a multiband compressor from the bass guitar to the kick drum so only the frequencies under 100hz duck when the kick is hit

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Lead guitar plugin chain. I used the API graphic EQ trick to give it more presence by boosting 500hz heavily and 4khz as well

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vocal plugin chain. I used quite a bright microphone so i used an EQ to tame some of those high frequencies.

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Research

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Pre Production Plans

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Studio Evaluations

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Audio Files

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Screenshots

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this project had 50+ tracks so organisation was key. this meant clear labelling and colour coding instruments

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the settings for the plugins i used on bass. having a mono chorus was super important as i didn't want to change the stereo placement of the bass

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this was my plugin chain for the chorus vocals. it was  being sent to bus 11 which was my vocal delay

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these are the plugins settings i used to create the telephone vocal effect during the verse

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these were the plugins i used for my in kick mic. i used heavy EQ on this mic to create a clicky kick sound

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these were the plugins i used for the out kick mic, i blended this with the other mic to create a punchy, clicky kick sound

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Snare plugin chain. i used a very aggressive pultec EQ along with a WD76 FET compressor to achieve that punchy grunge snare sound that i was looking for

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i used a subtle tape saturator on my Mix Bus to emulate the sound of it being recorded onto tape like how 90s grunge music was recorded

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Research

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Pre Production Plans

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i used the DI signal i took from the guitars to create a clean tone that i could blend with the mics on the Marshall to create a wet/dry tone

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i spliced the last word off the chorus and put it into a new track with these plugins. the tape delay helps create texture as the next section is very sparse

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Studio Evaluations

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Audio Files

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Screenshots

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i used a combination of MIDI and live recordings on this track

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I processed the drums in a separate logic project and then bounced them down to import into quick sampler

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i side chained a noise gate from a 40hz sine wave to the kick drum to give it extra low end sub 

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i sent the drum tracks to a distorted buss to create a parallel distortion sound

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this is the kick drum in quick sampler with some EQ to help it fit into the mix

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i added some extra percussion - this is a shaker and a tambourine playing a 3 against 4 poly-rhythm 

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i side chained the bass guitar to the kick drum to give the kick space in the mix. i also cut out the low sub frequencies so it didn't clash with my synth bass

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this is the synth bass i made in VITAL. i blended a sine and sawtooth wave together to create it as well as adding some chorus

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i added a stereo delay to the electric guitars with a big chorus it give it a slight detuned effect

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i automated a HPF and LPF on the stereo out to create a filtering effect during the bridge section