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Claude Monet Impression: Sunrise Oil on Canvas 1872

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Monet uses bright yet blurred, muted toned within his work to convey a sunrise. The sunrise itself is not an exact replica, but instead uses simplistic shapes to show movement of the water. The work is also very gestural, as you are able to see the brushstrokes within the sky. Although there is shadowing in the use of color, the shadows aren't dark, and the piece has a lighter, less detailed depiction.

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This depiction of simplistic forms in Matisse's work leads to the abstraction era through its lack of detail and focus on color. There are only 4 colors total used within this piece, black, red, blue, and aqua. These colors are all lacking value and relay more on their pigment to create the mood, rather than the actual depiction being shown.

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Kazimir Malevich Supremacist Painting, Eight Red Rectangles Oil on Canvas1915

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This “zero degree” painting, uses simplistic colors and shapes to represent communism's red against the royalist white in Russia. The shapes convey meaning while still relying on minimalism. The sharp shapes are not straight and even but instead lean into each other, making the piece not as uniform. There are plain solid colors, without any value.

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Alexander Rodchenko, Pure Red Color, Pure Yellow Color, Pure Blue Color, Oil on Canvas, 1921

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Pure Red Color, Pure Yellow Color, Pure Blue Color

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Pure Red Color, Pure Yellow Color, Pure Blue Color

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This piece relays on color and the representation of color. The solid, bright primary colors show that art does not have to have meaning but instead can rely on the paint itself, rather than what it is portraying. This directly leads to abstraction due to its lack of value and representation of how art is perceived.

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Mark Rothko, Lavender and Mulberry, Oil on Paper, mounted on fiberboard      

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In this abstraction work Rothko uses color and some value gradients to portray emotion. This piece is meant to be a reflection work for the audience to connect to. Although this work is based on color alone it uses technique and application of paint to covey its emotion. The work takes after the previous works in the case of relying on how the actual paint depicts the work and the emptions that arise because of it.