# data[].attributes.body
Pan's Labryinth is host to many metaphors, one mainly being the labyrinth in which Ofeila is increasingly drawn towards it throughout the film.

# data[].attributes.attachment_link.title
Pan's Labyrinth Ofelia's First Visit to see the Faun

# data[].attributes.body
Ofelia as a character throughout the film is accepting in many ways of a plethora of unnatural phenomena, this acceptance in a way comes from her childlike wonder in accepting things they way it comes to her.

# data[].attributes.body
Her first task to retrieve a key from the belly of a toad.

# data[].attributes.attachment_link.title
Pan's Labyrinth: Ofelia and the Toad in the tree

# data[].attributes.body
Although we know Ofelia to be a somewhat sheltered child with a big imagination, it's still surprising to see her pull through a pretty dirty and rough first task as ordered by the faun. Mainly though, in the process of getting the Toad to smaller her magic stones she addresses herself as a Princess, its something that the faun had told her yet for her to be convinced and assume responsibility would only be something Ofelia would accept and do. As if she was made, or the real incarnate Queen of an underground realm.

# data[].attributes.body
Ofelia and Vidal stand juxtaposed to one another in a unique way. Ofelia is a visionary that seemingly lives in her world, she is very sheltered from the reality around her. Vidal is exactly the opposite, he is a harsh realist who lives too much in the moment to have any mercy on those around him.

# data[].attributes.body
Ofelia's reaction to the mark of the Moon on her shoulder, proving that she is born of the moon.

# data[].attributes.body
This is our initial introduction into who Vidal really is, it comes naturally as a shock and his behavior remains consistent throughout the film.

# data[].attributes.body
Many supernatural settings and characters are presented to us in Pan's Labyrinth, almost hinting to these very things being real.

# data[].attributes.headline
Ofelia's first reaction to the Afterlife

# data[].attributes.subject
Ofelia's first reaction to the Afterlife

# data[].attributes.body
After her death she has passed all tasks and is ready to take up the throne in the afterlife.

# data[].attributes.body
The last scene may be the most important, as their are many angles and perspectives in which we can view it. As life fades for Ofelia in the 'real world' she finally finds herself at home in the afterlife, yet this isn't something experienced by those in the 'real world' so the reaction to her death is very tragic and sad.

# data[].attributes.attachment_link.title
Pan's Labyrinth   last scene and credits