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Characteristics and Style of Impressionism

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Characteristics and Style of Impressionism

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There was no one unifying Impressionist style, but the artists associated with Impressionism did share similar modern approaches to painting. Rather than be confined to a studio, many Impressionists preferred to paint en plein air in the countryside outside of Paris; this approach required the artists to work quickly but allowed them to capture the fleeting impressions of light. The artists used short, visible dabs of paint to capture the overall impression of their subject, choosing not to pay particular attention to the fine details. Instead of using black and gray paint to depict shadows, the painters paired complementary colors. The paints themselves were also brighter than those used in previous eras, due to the invention of synthetic pigments. The artists applied new layers of paint over layers that were still wet, which softened the forms and supplied a unique intermingling of colors. The layers were rarely transparent – instead, the application added opaque dimensions of color.

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Quick, loose brush strokes.

Bright paintings.

“En plein air” (Painting Outside)

Relative color.

Clearer picture from further away.

Bold Brush Strokes. Thick short strokes of bright colour. ...

No Use Of Black. Pure impressionism avoids the use of black paint. ...

No Mixing of Paint. ...

Lighting. ...

Influence of Photography. ...

Painting Outdoors. ...

7. Japanese Print Influence. ...

Everyday Paintings of Life.

small, visible brushstrokes that offer the bare impression of form, unblended color and an emphasis on the accurate depiction of natural light.

They used jagged, distorted lines; rough, rapid brushwork; and jarring colours to depict urban street scenes and other contemporary subjects in crowded, agitated compositions notable for their instability and their emotionally charged atmosphere.

Se caracteriza por su persistente experimentación con la iluminación (similar al luminismo). El manejo de la luz se considera como un factor crucial para alcanzar belleza y balance en la pintura. os pintores impresionistas utilizaron pinceladas rápidas, espontáneas, flojas, grandes. Esta técnica les separaba de la pintura de estilo tradicional, que exigía pinceladas invisibles para hacer la pintura de gran realismo. El movimiento impresionista apuesta por una pincelada fragmentada y el uso de colores complementarios puros yuxtapuestos entre sí. La pincelada impresionista rompe los contornos y se centra en crear la mezcla óptica de los colores en la retina del espectador.

https://www.youtube.com/watch?v=3yz5FXXDCqA&t=26s

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¿Cómo se pintaba en el impresionismo?

¿Que tecnicas se usan en el impresionismo?

¿Qué necesita un impresionista para lograr su arte?

Jul 6, 2017 · Cuadro de impresionismo espatulado con Acrílicos Decorativos AD y Esmalte al agua AD con la Profesora Lilian Bonaguro Línea de productos ...

Jan 31, 2020 · Antes de que surgiera esta tendencia en el arte, los artistas pintaban en su taller. Observaban su entorno; especialmente el paisaje y luego lo ...

Washington DC (Hagerstown MD), Virginia

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Please click here if you are not redirected within a few seconds. ¿Cómo se pintaba en el impresionismo? ¿Que tecnicas se usan en el impresionismo? ¿Qué necesita un impresionista para lograr su arte? Jul 6, 2017 · Cuadro de impresionismo espatulado con Acrílicos Decorativos AD y Esmalte al agua AD con la Profesora Lilian Bonaguro Línea de productos ...

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The thing is, impressionist artists were not trying to paint a reflection of real life, but an ‘impression’ of what the person, light, atmosphere, object or landscape looked like to them. And that’s why they were called impressionists! They tried to capture the movement and life of what they saw and show it to us as if it were happening before our eyes.

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Some of the main impressionist artists are Claude Monet, Berthe Morisot, Camille Pissarro, Alfred Sisley, Auguste Renoir, Mary Cassatt and Edgar Degas.

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Impressionism describes a style of painting developed in France during the mid-to-late 19th century; characterizations of the style include small, visible brushstrokes that offer the bare impression of form, unblended color and an emphasis on the accurate depiction of natural light. The founding Impressionist artists – including Claude Monet, Camille Pissarro, Alfred Sisley and Edgar Degas, among others – were united by their desire to cast off the strict rules of academic-style painting. In particular, the artists sought independence from the Académie des Beaux-Artsand its annual Salon (which was, at the time, considered the greatest art show in the Western world).

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Paisaje de otoño en el estilo del impresionismo. ilustración del vector.

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Compra imágenes y fotos : Paisaje de otoño en el estilo del impresionismo. ilustración del vector. Image 32254188.

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Fauvism was known for bold, vibrant, almost acidic colours used in unusual juxtaposition, and an intuitive, highly gestural application of paint. The artists of Fauvism were experimenting with the ways in which colour could be liberated from subject matter. Use of colour for its own sake, as a viable end in art. Rich surface texture, with awareness of the paint. Spontaneity – lines drawn on canvas, and suggested by texture of paint. Fauve artists used pure, brilliant colour aggressively applied straight from the paint tubes to create a sense of an explosion on the canvas.he fauvists favored pairing complementary colors, like purple and yellow, magenta and green, or orange and blue. These colors are on opposite sides of the color wheel and were often picked for the main color palette of fauvist paintings as well as used at high saturations.

1.  Use of colour for its own sake, as a viable end in art.

2.  Rich surface texture, with awareness of the paint.

3. Spontaneity – lines drawn on canvas, and suggested by texture of paint.

4. Use of clashing (primary) colours, playing with values and intensities.

5. Varied subject matter – picking out elements of genre scenes, landscapes, inside studios, etc.

6. The colour and the object painted was the real subject, whether still life, landscape, etc.

Use of colour for its own sake, as a viable end in art. Rich surface texture, with awareness of the paint. Spontaneity – lines drawn on canvas, and suggested by texture of paint.

1. se bright, saturated colors. Mixing colors to tone them down is not required. Straight from the tube is encouraged.

2. Don't worry about creating the illusion of deep space. The Fauves were less concerned about space than using color expressionistically for its emotional content. Because the colors in a Fauve painting are of similar saturation or intensity, the pictorial space appears flatter, with objects seeming to be closer to the surface of the painting.

3. Remember that warm colors such as red, orange, and yellow tend to come forward in a painting, and cool colors - blues, greens, purples - tend to recede. Use this effect for defining form - use warm colors in the highlights and cool colors in the shadows. This will help your painting to read a bit more three-dimensionally.

4. You can also use warm colors for the foreground and cooler colors for the background.

a colores brillantes y saturados. No es necesario mezclar los colores para atenuarlos. Se recomienda utilizar colores directos del tubo.
No te preocupes por crear la ilusión de espacio profundo. A los fauves les preocupaba menos el espacio que utilizar el color de forma expresiva por su contenido emocional. Como los colores de un cuadro fauve tienen una saturación o intensidad similar, el espacio pictórico parece más plano, y los objetos parecen estar más cerca de la superficie del cuadro.
Recuerda que los colores cálidos, como el rojo, el naranja y el amarillo, tienden a aparecer en un cuadro, y los colores fríos, como el azul, el verde o el morado, tienden a retroceder. Utiliza este efecto para definir la forma: usa colores cálidos en los puntos de luz y colores fríos en las sombras. Esto ayudará a que tu cuadro se lea con un poco más de tridimensionalidad.
También puedes utilizar colores cálidos para el primer plano y colores fríos para el fondo.

El fauvismo era conocido por sus colores vivos y vibrantes, casi ácidos, utilizados en una yuxtaposición inusual, y una aplicación intuitiva y muy gestual de la pintura. Los artistas del fauvismo experimentaban con las formas en que el color podía liberarse del tema. El uso del color por sí mismo, como un fin viable en el arte. Riqueza de la textura de la superficie, con conciencia de la pintura. Espontaneidad: líneas dibujadas en el lienzo y sugeridas por la textura de la pintura. Los artistas fauvistas utilizaban colores puros y brillantes aplicados directamente de los tubos de pintura para crear una sensación de explosión en el lienzo.Los fauvistas favorecían el emparejamiento de colores complementarios, como el morado y el amarillo, el magenta y el verde, o el naranja y el azul. Estos colores se encuentran en los lados opuestos de la rueda del color y a menudo se elegían para la paleta de colores principal de los cuadros fauvistas, además de usarse con altas saturaciones.

Uso del color por sí mismo, como fin viable en el arte.
Riqueza de la textura de la superficie, con conciencia de la pintura.
Espontaneidad: líneas dibujadas en el lienzo y sugeridas por la textura de la pintura.
Utilización de colores (primarios) opuestos, jugando con los valores y las intensidades.
Temática variada: se recogen elementos de escenas de género, paisajes, interiores de estudios, etc.
El color y el objeto pintado son el verdadero tema, ya sea una naturaleza muerta, un paisaje, etc.

https://youtu.be/EsMI60i2ZpM
https://youtu.be/SdQob39v2s0

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Paisaje Fauvista: Pintando con colores expresivos

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Art has always been a passion of mine. I love that it encompasses everything from creativity to realism. I used to love walking through art museums (though I am a little unsure about going through them with my kids...yet). I loved examining the different painting styles and trying to put a story to the paintings. We will do this a bit in this Art Lesson for Elementary where we work on Fauvism Art Activities for Kids.

This post contains affiliate links. By purchasing through these links, you help support the family behind Arts & Crackers at no added cost to you! Thank you!

Have you ever gone to a small event, and you showed up early, so you asked if there was anything you could help with? I do this a lot. Asking if there is a way I can be useful is just part of my personality.

Recently, I did this when we went to one of the events at the library. I thought I was going to help carry supplies to the classroom, but I ended up leading the class. It was a simple painting activity that we kept mostly kid-led, but the main instructor had taken a job elsewhere and was no longer available to teach.

Since I am an artist (and had showed some of my work), I was asked to teach the upcoming homeschool event where they planned on doing more painting. Being the person I am, I couldn't just do another painting activity. This wasn't just their typical activity time; this was the homeschool event.
I had to make it educational.

Fauvism Art Activities for Kids: Art Lessons for Elementary

Faced with the task of setting up a homeschool class with no clear curriculum or instructions or theme at all, I did what any creative, self-respecting homeschool teacher would do...I looked to my kids for advice.

I knew I wanted our Art Lessons for Elementary to highlight a specific style or model art after a specific artist. I looked online for some of the most fun styles from some artists I remember having neat art that I knew the kids would do well with. I pulled out a few examples and brief definitions of the art styles and showed my kids.

Out of all of their options, they decided they wanted to learn about Fauvism. As it turns out, this is not one of the more well-known art styles, so it offered a great opportunity to research and teach the kids something totally new.

We kept this art activity pretty simple, and I planned the slideshow presentation to be educational, interactive, fairly short, and to allow us plenty of time to work on our artwork after. I had an hour time slot, and it worked out absolutely perfectly.

Our art class/homeschool event had a pretty big turnout compared to usual. I would say there were at least fifteen kids there actually participating (there were several more younger kids who didn't participate, as well as parents). The kids ranged in age from preschool to upper elementary. Even older kids would have enjoyed this, but the class usually takes kids up to age 12.

Now, I am not magical. I have no clue how this happened...but somehow I had the entire group of kids (of all ages, remember) interacting, respectful, and fully-attentive during our elementary art class. They were listening closely, answering questions, and soaking it all in. It was actually a really great experience (and not as crazy as I thought it would be).

They all really were interested in learning about Fauvism, and the slideshow helped get them going. I've included a video of our Fauvism Art Activity for Kids (me teaching) so you can see how I added to the basic slideshow to keep the kids involved and interested (hint: we made silly faces, examined things closely, and more). If you use an ad blocker, you will need to disable it before you can see the video, because of the way it is uploaded here.

Supplies Needed:

Fauvism Art Activity Brief; We Discuss:

What it is

When it was popular

How it got its name

What characterizes it

Which artists used this style

Most common art materials used for this style

Names of popular paintings in this style

How to do your own painting

Throughout the presentation, we learned about more than Fauvism. We learned some French words and pronunciations, we learned about cool and warm colors (a color wheel may come in handy), we learned about saturation, we learned that oil and water do not mix, we learned about emotions, we learned how to turn something meant to be negative into a positive, we learned a little about goldfish...it was a pretty packed lesson!
You can go even more in-depth if you have any fun knowledge to add!
P.S. a laser pointer was super handy to have with the big projector screen. A teacher pointer may work too.

Check out my Art Lessons for Elementary: Fauvism slideshow presentation to learn more about Fauvism, and use the slideshow to teach your child or students!

Look for our video to watch me teach the class! (My head is cut off in much of the video...but it's the content that counts! Right? Also, it's "'CHAIR'ing Cross Bridge" - I pronounced it slightly wrong in the video.) If you use an ad blocker, you will need to disable it before you can see the video, because of the way it is uploaded here.

In the slideshow, I showed two different photographs they could choose from for their design. Some did two drawings. Some finished the set drawing (a hot air balloon), then created something totally different. Some combined elements of both photographs into their one drawing.

We tried to choose bold colors and use small dashes (or thick, short dashes) to fill things in. We kept things simple. If you are able to color along with the kids so they can see how you are doing it, that would do even better. I had every intention to color along, but forgot to bring along a hard surface to hold and color on.

The kids may not have all done "perfect" Fauvism paintings to match the style and what was taught, but they definitely learned a lot and enjoyed trying the style out. Some added their own creative ideas. I quizzed my kids afterwards on the artists, the painting, and the style we discussed in our Fauvism Art Activity. They remembered most of it! My 8-year-old even called it "The best experience ever"!

If the children want their artwork preserved (because oil pastels never fully dry), you can either spray them with special sealant or you can simply frame them to protect them. Learn more about sealing oil pastel paintings here.

When the children finish their paintings, ask them what bold colors they used. Ask them to tell you what emotion/mood their artwork shows. And definitely don't forget to share the finished products with me! Tag my page @ArtsCrackers on your public Instagram or Facebook page so I can see it!
Read also: Fingerprint Flowers Canvas Art and Artist Palette Sugar Cookies

Looking for more? View these categories!

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Fauvism Art Activities for Kids: Art Lessons for Elementary

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Art has always been a passion of mine. I love that it encompasses everything from creativity to realism. I used to love walking through art museums (though I am a little unsure about going through them with my kids...yet). I Read It!

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The Cubist style emphasized the flat, two-dimensional surface of the picture plane, rejecting the traditional techniques of perspective, foreshortening, modeling, and chiaroscuro and refuting time-honoured theories that art should imitate nature. The Cubist style emphasized the flat, two-dimensional surface of the picture plane, rejecting the traditional techniques of perspective, foreshortening, modeling, and chiaroscuro and refuting time-honoured theories that art should imitate nature.

1. Look at the light. Instead of shading and blending, in Cubism, you will use the light to create shapes. Outline, in geometric shapes, where the light falls in your painting.

2. Also, use geometric lines to show where you would generally shade in a painting.

3. Don't be afraid to overlap your lines.

a style of art that stresses abstract structure at the expense of other pictorial elements especially by displaying several aspects of the same object simultaneously and by fragmenting the form of depicted objects.

1

Pick kid-friendly art materials.[10] You want to choose materials that kids will find easy to work with and that won’t create a large mess.

Washable acrylic paints work well for painting with kids. You can also create a "painting" masterpiece with markers, crayons, or colored pencils.

Choose a large sheet of art paper or a notebook of paper to make your Cubist style painting.

You’ll also need paintbrushes, and a pencil and eraser.

2

Choose the subject for your piece. This could be something simple like a vase of flowers or even a single flower.[11] You’ll first draw this subject, and then use lines to break it up.

Choose something you have on hand. You want to practice drawing from life instead of just drawing from your imagination.

Practice making small sketches of your subject in a sketchbook. You want to decide exactly how you will draw it for your final painting

3

Sketch your final subject drawing on your art paper. You should draw lightly with your pencil so that if you make a mistake, you can erase it and start again.

As you are sketching, remember that your drawing doesn’t have to be completely realistic.

It’s okay to overlap lines and exaggerate features. You’re just going to make it even more abstract.

4

Break up bigger shapes in your drawing. Use a pencil and a ruler to draw straight lines in all directions. Use your creativity to decide where to place them.

You don’t want large areas of blank space in your drawing.

You also don’t want to create too many areas with a bunch of tiny geometric shapes.

5

Paint the shapes in your drawing.[12] You want to paint each of the sections you created individually. Experiment with using your brush in different directions to create texture.

Use black or brown paint to create thin outlines around the shapes you made.

Try to stick to using only a few different colors.

https://www.youtube.com/watch?v=dJzRjWm6PaI

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El estilo cubista enfatiza la superficie plana y bidimensional del plano pictórico, rechazando las técnicas tradicionales de perspectiva, escorzo, modelado y claroscuro y refutando las teorías tradicionales de que el arte debe imitar a la naturaleza. El estilo cubista pone el acento en la superficie plana y bidimensional del plano pictórico, rechazando las técnicas tradicionales de perspectiva, escorzo, modelado y claroscuro y refutando las antiguas teorías de que el arte debe imitar a la naturaleza.
Observa la luz. En lugar de sombrear y difuminar, en el cubismo se utiliza la luz para crear formas. Delinea, con formas geométricas, dónde cae la luz en tu cuadro.
Utiliza también líneas geométricas para mostrar los lugares en los que generalmente sombrearías en un cuadro.
No tengas miedo de superponer tus líneas.
Un estilo de arte que hace hincapié en la estructura abstracta a expensas de otros elementos pictóricos, especialmente mostrando varios aspectos del mismo objeto simultáneamente y fragmentando la forma de los objetos representados.

1
Escoge materiales artísticos adecuados para los niños[10] Debes elegir materiales con los que los niños puedan trabajar fácilmente y que no creen un gran desorden.
Las pinturas acrílicas lavables funcionan bien para pintar con los niños. También puedes crear una obra maestra de "pintura" con marcadores, crayones o lápices de colores.
Elige una hoja grande de papel artístico o un cuaderno de papel para hacer tu cuadro de estilo cubista.
También necesitarás pinceles, y un lápiz y una goma de borrar.

2
Elige el tema de tu obra. Puede ser algo sencillo, como un jarrón de flores o incluso una sola flor[11]. Primero dibujarás este tema y luego utilizarás líneas para dividirlo.
Elige algo que tengas a mano. Quieres practicar el dibujo del natural en lugar de dibujar sólo de tu imaginación.
Practica haciendo pequeños bocetos de tu sujeto en un cuaderno de bocetos. Quieres decidir exactamente cómo lo vas a dibujar para tu cuadro final.
3
Esboza el dibujo del motivo final en tu papel artístico. Debes dibujar ligeramente con el lápiz para que, si te equivocas, puedas borrarlo y empezar de nuevo.
Mientras dibujas, recuerda que tu dibujo no tiene que ser completamente realista.
No pasa nada por solapar líneas y exagerar rasgos. Sólo conseguirás que sea aún más abstracto.
4
Rompe las formas más grandes de tu dibujo. Utiliza un lápiz y una regla para dibujar líneas rectas en todas las direcciones. Usa tu creatividad para decidir dónde colocarlas.
No quieres grandes áreas de espacio en blanco en tu dibujo.
Tampoco quieres crear demasiadas áreas con un montón de pequeñas formas geométricas.
5
Pinta las formas de tu dibujo[12]. Quieres pintar cada una de las secciones que has creado individualmente. Experimenta usando tu pincel en diferentes direcciones para crear textura.
Utiliza pintura negra o marrón para crear contornos finos alrededor de las formas que has hecho.
Intenta utilizar solo unos pocos colores diferentes.

Traducción realizada con la versión gratuita del traductor www.DeepL.com/Translator

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Abstract Impressionism is an art movement that originated in New York City, in the 1940s. It involves the painting of a subject such as real-life scenes, objects, or people (portraits) in an Impressionist-style, but with an emphasis on varying measures of abstraction. Valuing freedom, spontaneity and personal expression, the movement naturally produced a variety of technical and aesthetic innovations. hey often use degrees of abstraction; i.e., they depict forms unrealistically or, at the extreme end, forms not drawn from the visible world (nonobjective).

How to paint abstract impressionism

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Abstract impressionism combines two different art styles into one. While abstract artworks rely on conveying the imagination of the artist, impressionist artworks show a unique perspective on the objects. When they are combined together, you get amazing artworks. The following tips will help you in creating one of these:

Break your color

Having a consistent color scheme might not work if you are creating an impressionist artwork. Many artist of this era used to break the color in different parts. Using different shades of the same color with clear distinctions enhances the complexity of the artwork considerably. Esteemed impressionist artists used multiple colors in their paintings for a composed and complete look.

When employed correctly, your artwork will look complete with few colors from a distance. On the other hand, when inspected closely, your artwork will look complex filled with numerous colors used. The different shades of the same color or closely associating colors can be used together without mixing for successful implementation.

Focus on the brushstrokes

Using bold brushstrokes is a common technique among the impressionist artists. The visible brushstrokes add a unique feel to the painting. You can keep them visible by not focusing on the finesse. Apart from that, you can choose to use bigger brushes for better visibility and looks. This technique can be applied to any kind of abstract impressionist artwork. You can use it for a completely abstract image as well as for an object-inspired piece.

The brush strokes can be used to distinguished between the different sections of the painting as well. Coupled with another color, these brushstrokes can give a magnificent effect to the artwork. Numerous impressionist artworks used this technique so you can take a look at them to get inspiration.

They used jagged, distorted lines; rough, rapid brushwork; and jarring colours to depict urban street scenes and other contemporary subjects in crowded, agitated compositions notable for their instability and their emotionally charged atmosphere.

Works of this style are often characterized by strong, thick, and gestural brushstrokes and active mark-making. Abstract expressionists tend to fall under two groupings, the first is action painters, and the second is referred to as color field painters

Have a feeling to depict

Abstract artworks differ from the realistic artworks. They focus more on conveying a feeling rather than a message or an object. That is why they are completely different from the realistic impressionism. You will not have a fixed object to show your viewers. If you have, then it will be viewed with a unique perspective. Your artwork should also be focused on conveying a feeling instead of a message.

This simple understanding will ensure that you are able to avoid the fundamental mistake of abstract painting. You will have to rely more on your imagination but it will also make your artwork original and authentic. Remember to experiment with different styles to get the best results. Choose the subject on the basis of your liking. If the object doesn’t spark any inspiration then you don’t need it.

https://www.youtube.com/watch?v=xpfeQvngGOY

https://www.youtube.com/watch?v=XK2Yk5EfYK8

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El impresionismo abstracto es un movimiento artístico que se originó en la ciudad de Nueva York en la década de 1940. Consiste en pintar un tema, como escenas de la vida real, objetos o personas (retratos), con un estilo impresionista, pero haciendo hincapié en distintos grados de abstracción. Al valorar la libertad, la espontaneidad y la expresión personal, el movimiento produjo naturalmente una variedad de innovaciones técnicas y estéticas. a menudo utilizan grados de abstracción; es decir, representan formas poco realistas o, en el extremo, formas no extraídas del mundo visible (no objetivas).

Cómo pintar el impresionismo abstracto
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El impresionismo abstracto combina dos estilos artísticos diferentes en uno solo. Mientras que las obras abstractas se basan en transmitir la imaginación del artista, las obras impresionistas muestran una perspectiva única de los objetos. Cuando se combinan, se obtienen obras de arte sorprendentes. Los siguientes consejos te ayudarán a crear una de ellas:

Rompe el color

Tener un esquema de color consistente puede no funcionar si estás creando una obra de arte impresionista. Muchos artistas de esta época solían romper el color en diferentes partes. El uso de diferentes tonos del mismo color con distinciones claras aumenta la complejidad de la obra de arte considerablemente. Los artistas impresionistas de renombre utilizaban varios colores en sus cuadros para conseguir un aspecto compuesto y completo.

Si se emplea correctamente, su obra de arte parecerá completa con pocos colores desde la distancia. En cambio, si se observa de cerca, la obra de arte tendrá un aspecto complejo con numerosos colores. Las diferentes tonalidades del mismo color o los colores estrechamente asociados pueden usarse juntos sin mezclarlos para una implementación exitosa.

Centrarse en las pinceladas

El uso de pinceladas atrevidas es una técnica común entre los artistas impresionistas. Las pinceladas visibles aportan una sensación única al cuadro. Puedes mantenerlas visibles si no te centras en la delicadeza. Además, puedes optar por utilizar pinceles más grandes para mejorar la visibilidad y el aspecto. Esta técnica puede aplicarse a cualquier tipo de obra de arte abstracta impresionista. Puedes utilizarla tanto para una imagen completamente abstracta como para una obra inspirada en un objeto.

Las pinceladas pueden utilizarse también para distinguir entre las distintas secciones del cuadro. Combinadas con otro color, estas pinceladas pueden dar un magnífico efecto a la obra. Numerosas obras de arte impresionistas utilizaron esta técnica, así que puedes echarles un vistazo para inspirarte.

Utilizaban líneas irregulares y distorsionadas; pinceladas ásperas y rápidas; y colores estridentes para representar escenas urbanas callejeras y otros temas contemporáneos en composiciones agitadas y llenas de gente, que destacan por su inestabilidad y su atmósfera cargada de emoción.

Las obras de este estilo se caracterizan a menudo por sus pinceladas fuertes, gruesas y gestuales y por su marcaje activo. Los expresionistas abstractos tienden a dividirse en dos grupos: los pintores de acción y los pintores del campo de color.

Tienen un sentimiento que representar

Las obras de arte abstractas difieren de las realistas. Se centran más en transmitir un sentimiento que un mensaje o un objeto. Por eso son completamente diferentes del impresionismo realista. No tendrás un objeto fijo para mostrar a tus espectadores. Si lo tienes, entonces se verá con una perspectiva única. Su obra de arte también debe centrarse en transmitir un sentimiento en lugar de un mensaje.

Esta simple comprensión le permitirá evitar el error fundamental de la pintura abstracta. Tendrás que confiar más en tu imaginación, pero también hará que tu obra sea original y auténtica. Recuerda experimentar con diferentes estilos para obtener los mejores resultados. Elige el tema en función de tu gusto. Si el objeto no te inspira, no lo necesitas.

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The basic formal characteristics of Constructivist art, included the use of geometric or technoid primary forms, arranged in a space or surface in harmonious order. Constructivist painters rejected bright, colourful palates and experimented with the effects of light and movement. Constructivist art focused on industrial production. Constructivists used stripped down, geometric forms and modest materials. Their visual language existed of forms that they could draw with practical instruments like compasses and rulers. e art was typically totally abstract, with the emphasis on geometric shapes and experimentation. Constructivist art was optimistic, but would not tend to be emotional in any way and subjectivity and individuality were subsumed in favour of objective, universal forms. The basic formal characteristics of Constructivist art, included the use of geometric or technoid primary forms, arranged in a space or surface in harmonious order. Constructivist painters rejected bright, colourful palates and experimented with the effects of light and movement.Abstract and austere, constructivist art aimed to reflect modern industrial society and urban space. The movement rejected decorative stylization in favor of the industrial assemblage of materials. What Is Constructivist Art? Constructivism was a Russian avant-garde art movement that used geometric shapes and industrial materials. Constructivists created artworks that reflected communist ideals, dedicated to benefiting the common good, and promoted a utopian society.

Una de las principales características por las que se distingue el arte constructivismo es por ser utilizado principalmente con el fin de difundir y propagar mensajes revolucionarios a partir de propagandas, carteles, ilustraciones, fotografías, entre otros medios.

Por otro lado, el arte constructivismo toma un predominio marcado por manejar la tridimensionalidad, motivos de carácter abstractos, formas y figuras geométricas y líneas inclinadas. Este movimiento también enfatizó en el uso de colores en específico, como lo fueron: el azul, el rojo, el amarillo, el blanco, el naranja y el negro. Se hacen constantes alusiones a elementos que simbolizaban el progreso, las formas pesadas y las tonalidades basadas en los colores anteriores.

El constructivismo expone una obra que está en comunicación con el espacio y el ambiente que rodea la pieza, cuenta con una estructura que se percibe como el espacio para materializarse e integrarse con el elemento. Con frecuencia se puede observar que los elementos tienen especialmente formas geométricas, son planas, son líneales y a veces transparentes, enfatizando en su intención.

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Cig Chaumont - Centre international du Graphisme

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Feb 15, 2012 - This Pin was discovered by Giusto Ricciardi. Discover (and save!) your own Pins on Pinterest

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Las características formales básicas del arte constructivista incluían el uso de formas primarias geométricas o tecnoides, dispuestas en un espacio o superficie en orden armonioso. Los pintores constructivistas rechazaban las paletas brillantes y coloridas y experimentaban con los efectos de la luz y el movimiento. El arte constructivista se centró en la producción industrial. Los constructivistas utilizaban formas geométricas despojadas y materiales modestos. Su lenguaje visual consistía en formas que podían dibujar con instrumentos prácticos como brújulas y reglas. El arte era típicamente abstracto, con énfasis en las formas geométricas y la experimentación. El arte constructivista era optimista, pero no tendía a ser emocional en ningún sentido y la subjetividad y la individualidad quedaban subsumidas en favor de formas objetivas y universales. Las características formales básicas del arte constructivista incluían el uso de formas primarias geométricas o tecnoides, dispuestas en un espacio o superficie en orden armonioso. Los pintores constructivistas rechazaban las paletas brillantes y coloridas y experimentaban con los efectos de la luz y el movimiento.Abstracto y austero, el arte constructivista pretendía reflejar la sociedad industrial moderna y el espacio urbano. El movimiento rechazó la estilización decorativa en favor del ensamblaje industrial de materiales. ¿Qué es el arte constructivista? El constructivismo fue un movimiento artístico ruso de vanguardia que utilizaba formas geométricas y materiales industriales. Los constructivistas creaban obras de arte que reflejaban los ideales comunistas, dedicados a beneficiar el bien común, y promovían una sociedad utópica.

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Futurism, hat emphasized the dynamism, speed, energy, and power of the machine and the vitality, change, and restlessness of modern life. The characteristics of futurism are a focus on the technical progress of the modern machine age, dynamism, speed, energy, vitality and change. Futurist painting used elements of neo-impressionism and cubism to create compositions that expressed the idea of the dynamism, the energy and movement, of modern life. Futurism represented a dynamic vision of the future and often portrayed urban landscapes and new technologies, including trains, cars, and airplanes. Focus was placed on creating a unique and dynamic vision of the future and artists incorporated portrayals of urban landscapes as well as new technologies such as trains, cars, and airplanes into their depictions. Futurist painters focused on a palette of bright, unreal colors. They placed colors next to each other for their emotional effect. They used sharp angles and strong lines to convey the sensation of light and speed. Objects captured in motion, represented with repeated parallel lines and spirals to convey dynamism. In fact, repetition, blurring and lines of force, which are used to this day as techniques to convey a sense of movement, were conceived by the Futurists. The two paintings below are among the earliest in history to use such force lines to depict energy and motion. Futurism is an avant-garde art and social movement that originated in Italy. Several manifestos were created in the wake of futurist philosophy and the most important was the Manifesto of Futurism, published by Filippo Tommaso Marinetti in 1909. The attitude towards the past that the Futurist artists had was based on an uncompromising rejection of tradition. On the other side, Futurists were glorifying the cult of youth, industrialization, speed, technology, and modernization. Futurists were often emphasizing the violent component of the struggle for cultural and wider social change. Futurism developed in literature as well as in painting, sculpture, architecture, industrial design, music, film, dance, and fashion.

1. Modernization processes as inspiration and goal
2. Fascination with the phenomenon of speed
3. Relation to the past
4.Glorification of war

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Art and the Motorcycle (2): The Futurists

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Sep 10, 2018 - The only Modern Art movement to celebrate the motorcycle, the Futurists loved speed, noise, and energy, making them perfect chroniclers of motorcycling.

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Aug 18, 2016 - After studying the avant-garde movement of Futurism, in the classes of Grade 9 we decided to reproduce the movement of a figure using the method of overlapping sequences and force lines used by the…

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El futurismo, sombrero enfatizó el dinamismo, la velocidad, la energía y la potencia de la máquina y la vitalidad, el cambio y la inquietud de la vida moderna. Las características del futurismo son el énfasis en el progreso técnico de la era de las máquinas modernas, el dinamismo, la velocidad, la energía, la vitalidad y el cambio. La pintura futurista utilizaba elementos del neoimpresionismo y el cubismo para crear composiciones que expresaran la idea del dinamismo, la energía y el movimiento, de la vida moderna. El futurismo representaba una visión dinámica del futuro y a menudo retrataba paisajes urbanos y nuevas tecnologías, como trenes, coches y aviones. Se centraba en crear una visión única y dinámica del futuro y los artistas incorporaban en sus representaciones paisajes urbanos y nuevas tecnologías como trenes, coches y aviones. Los pintores futuristas se centraron en una paleta de colores brillantes e irreales. Colocaban los colores unos junto a otros por su efecto emocional. Utilizaban ángulos agudos y líneas fuertes para transmitir la sensación de luz y velocidad. Los objetos captados en movimiento, representados con líneas paralelas repetidas y espirales para transmitir dinamismo. De hecho, la repetición, el desenfoque y las líneas de fuerza, que se utilizan hasta hoy como técnicas para transmitir sensación de movimiento, fueron concebidas por los futuristas. Los dos cuadros que aparecen a continuación son de los primeros de la historia en utilizar estas líneas de fuerza para representar la energía y el movimiento. El futurismo es un movimiento artístico y social de vanguardia que se originó en Italia. Se crearon varios manifiestos al hilo de la filosofía futurista y el más importante fue el Manifiesto del Futurismo, publicado por Filippo Tommaso Marinetti en 1909. La actitud hacia el pasado que tenían los artistas futuristas se basaba en un rechazo intransigente de la tradición. Por otro lado, los futuristas glorificaban el culto a la juventud, la industrialización, la velocidad, la tecnología y la modernización. Los futuristas solían hacer hincapié en el componente violento de la lucha por el cambio cultural y social en general. El futurismo se desarrolló tanto en la literatura como en la pintura, la escultura, la arquitectura, el diseño industrial, la música, el cine, la danza y la moda.

1. Los procesos de modernización como inspiración y objetivo
2. Fascinación por el fenómeno de la velocidad
3. Relación con el pasado
4.Glorificación de la guerra

Traducción realizada con la versión gratuita del traductor www.DeepL.com/Translator

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Dadaist art is often characterized by irrationality, humor, and silliness. Marcel Duchamp famously painted a mustache on a postcard of Leonardo da Vinci's Mona Lisa as a means of showing his irreverence for established artistic traditions as well as expressing his own sense of humor.

Humor. Laughter is often one of the first reactions to Dada art and literature. ...

Whimsy and Nonsense. Much like humor, most everything created during the Dada movement was absurd, paradoxical, and opposed harmony. ...

Artistic Freedom. ...

Emotional Reaction. ...

Irrationalism. ...

Spontaneity.

he art of the movement spanned visual, literary, and sound media, including collage, sound poetry, cut-up writing, and sculpture. Dadaist artists expressed their discontent toward violence, war, and nationalism, and maintained political affinities with radical left-wing and far-left politics.
hree ideas were basic to the Dada movement—spontaneity, negation, and absurdity—and those three ideas were expressed in a vast array of creative chaos. Spontaneity was an appeal to individuality and a violent cry against the system

1. Iconoclastic and playful.
Art had long thrived on rebelliousness, but the Dada artists were not just disrespectful, they physically attacked traditional art and defaced it. Dark and irreverent humor was always a theme in their works.
2. Illogical and absurd
Dada artists relied on madness and absurdity to shock their audience. You could find that in a blurred photo with creepy double eyes or a laundry iron with spikes! The iron in particular stands for another common theme in their art, that is the use of everyday objects (next characteristic on the list below).
3. “Readymades”: everyday objects as art
What Dadaists were notorious for was their challenge of the accepted definition of art. They pioneered what became a post-modern feature later in the twentieth-century. Today we call that conceptual or installation art. Theirs was different in the way that they put on display what they considered absurd: a coat rack or a urinal! Then they couldn’t believe it when they were taken seriously. The mass-produced objects, they called “Readymades,” which they would buy from local stores had no aesthetic value, yet when submitted to art exhibits, they were accepted! They philosophized it by declaring, as bizarre as it sounds, that artists no longer need to be the creators of their own art. The most outrageous act in that vein was Marcel Duchamp’s “Fountain.” He bought a porcelain urinal, gave it the humorous title, turned it upside down and signed it “R. Mutt” in reference to the manufacturer and a character in a comic strip. Today we consider it one of the most important works of the last century because it forced us to question our understanding of art. Decades later, Andy Warhol would famously employ similar ordinary objects for art. On another occasion, he mounted a wheel on a kitchen stool and called it “Bicycle Wheel.”
4. Collages and disturbing photomontages
The artistic collage, made up of different materials and fragments of printed text, was a Cubist invention, preceding Dada art by several years, however the Dadaists endorsed it to some extent. The Dada collages you will encounter are not many, and those you find will not be easily distinguishable from the Cubist type. If Cubist artists tried to convince us that a collage of various materials can be refined art, the Dada artists tried to do the opposite, i.e. they were turning that medium into anti-art. They did not even call them collages, that sounded “too artistic.” Instead, they pioneered the now-familiar “photomontages” because it evoked machine production and no personal artistic involvement. (Note: While collages bring together different materials, a photomontage is mainly cut-out photographs.)

Although most of their collages were photomontages, there were a few non-photographic ones like Arp’s iconic work to which he did not give a title. He created the collage by arbitrarily dropping torn rectangular pieces of paper on the canvas, or at least that was his story!

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El arte dadaísta se caracteriza a menudo por la irracionalidad, el humor y la tontería. Marcel Duchamp pintó un bigote en una postal de la Mona Lisa de Leonardo da Vinci para mostrar su irreverencia hacia las tradiciones artísticas establecidas y para expresar su propio sentido del humor.
El humor. La risa suele ser una de las primeras reacciones ante el arte y la literatura dadaístas. ...
Capricho y sinsentido. Al igual que el humor, casi todo lo creado durante el movimiento Dadá era absurdo, paradójico y se oponía a la armonía. ...
Libertad artística. ...
Reacción emocional. ...
Irracionalismo. ...
Espontaneidad.
l arte del movimiento abarcaba medios visuales, literarios y sonoros, como el collage, la poesía sonora, la escritura recortada y la escultura. Los artistas dadaístas expresaron su descontento hacia la violencia, la guerra y el nacionalismo, y mantuvieron afinidades políticas con la izquierda radical y la extrema izquierda.
Tres ideas fueron básicas para el movimiento dadaísta -espontaneidad, negación y absurdo- y esas tres ideas se expresaron en una amplia gama de caos creativo. La espontaneidad era un llamamiento a la individualidad y un grito violento contra el sistema

1. Iconoclasta y lúdico.
El arte había prosperado durante mucho tiempo en la rebeldía, pero los artistas dadaístas no sólo eran irrespetuosos, sino que atacaban físicamente el arte tradicional y lo desfiguraban. El humor oscuro e irreverente fue siempre un tema en sus obras.
2. Ilógico y absurdo
Los artistas dadaístas se basaban en la locura y el absurdo para escandalizar a su público. Eso se podía encontrar en una foto borrosa con espeluznantes ojos dobles o en una plancha de ropa con pinchos. La plancha, en particular, representa otro tema común en su arte, que es el uso de objetos cotidianos (siguiente característica en la lista de abajo).
3. "Readymades": objetos cotidianos como arte
Los dadaístas se caracterizaron por desafiar la definición aceptada de arte. Fueron pioneros de lo que se convirtió en una característica posmoderna más adelante en el siglo XX. Hoy lo llamamos arte conceptual o de instalación. Lo suyo era diferente porque exponían lo que consideraban absurdo: ¡un perchero o un urinario! Luego no podían creer que se les tomara en serio. Los objetos producidos en serie, que llamaban "readymades", que compraban en las tiendas locales, no tenían ningún valor estético y, sin embargo, cuando se presentaban a exposiciones de arte, ¡eran aceptados! Lo filosofaron declarando, por extraño que parezca, que los artistas ya no necesitan ser los creadores de su propio arte. El acto más escandaloso en ese sentido fue la "Fuente" de Marcel Duchamp. Compró un urinario de porcelana, le dio un título humorístico, lo puso boca abajo y lo firmó "R. Mutt" en referencia al fabricante y a un personaje de un cómic. Hoy la consideramos una de las obras más importantes del siglo pasado porque nos obligó a cuestionar nuestra forma de entender el arte. Décadas más tarde, Andy Warhol sería famoso por emplear objetos ordinarios similares para el arte. En otra ocasión, montó una rueda en un taburete de cocina y la llamó "Bicycle Wheel".
4. Collages y fotomontajes inquietantes
El collage artístico, formado por diferentes materiales y fragmentos de texto impreso, fue una invención cubista, que precedió al arte dadaísta en varios años, aunque los dadaístas lo respaldaron en cierta medida. Los collages dadaístas que encontrará no son muchos, y los que encuentre no serán fácilmente distinguibles del tipo cubista. Si los artistas cubistas trataron de convencernos de que un collage de diversos materiales puede ser un arte refinado, los artistas dadaístas trataron de hacer lo contrario, es decir, convirtieron ese medio en antiarte. Ni siquiera los llamaban collages, eso sonaba "demasiado artístico". En su lugar, fueron pioneros en los ahora conocidos "fotomontajes", porque evocaban la producción de la máquina y la no implicación artística personal. (Nota: Mientras que los collages reúnen diferentes materiales, un fotomontaje consiste principalmente en fotografías recortadas).

Aunque la mayoría de sus collages eran fotomontajes, había algunos no fotográficos, como la emblemática obra de Arp, a la que no dio título. Creó el collage dejando caer arbitrariamente trozos de papel rectangulares rasgados sobre el lienzo, ¡o al menos esa fue su historia!

Traducción realizada con la versión gratuita del traductor www.DeepL.com/Translator

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They used jagged, distorted lines; rough, rapid brushwork; and jarring colours to depict urban street scenes and other contemporary subjects in crowded, agitated compositions notable for their instability and their emotionally charged atmosphere.Expressionist art tried to convey emotion and meaning rather than reality. Each artist had their own unique way of "expressing" their emotions in their art. In order to express emotion, the subjects are often distorted or exaggerated.

Defining Characteristics Of Expressionism

Focused on capturing emotions and feelings, rather than what the subject actually looks like. Vivid colors and bold strokes were often used to exaggerate these emotions and feelings. Showed influences from Post-Impressionism, Fauvism and Symbolism.Expressionism is directly focused on the emotional response of the artist to the real world, using disproportionate sizes, odd angles, and painted in vivid and intense colors. They used jagged, distorted lines; rough, rapid brushwork; and jarring colours to depict urban street scenes and other contemporary subjects in crowded, agitated compositions notable for their instability and their emotionally charged atmosphere.
Expressionism refers to art in which the image of reality is distorted in order to make it expressive of the artist's inner feelings or ideas. How do you recognize expressionism? Expressionist painting deviates from reality mainly through the use of color. Different colors are used to accentuate feelings. Also, to enhance the expressive power, natural objects are distorted, and the perspective is sometimes intentionally released.

erman Expressionism is a bold and bitter protest movement and a style of modern art. The colors are bold, orange, blue and black.

1. Use of intense colors

2. Thick and distorted traces

Expressionist works had strong and well-marked features, but there was no linearity in the contours.

The lines had twisted shapes, were somewhat aggressive and did not precisely determine the contour of the shapes.

The lines were thick and angular.

3. Focus on subjective aspects
Expressionist art is a dramatic and subjective art, which reflects the perception, emotions and feelings of its author on the subject portrayed.

4. Tragic vision of the human being
The fact that expressionism was a subjective art form allowed the authors of the works to portray their respective visions of life.

5. Exposure to the pessimistic side of life

One of the main features of Expressionism was the retraction of intense emotions.

There were no major concerns with standards of aesthetic beauty. Often, the works reflected the emotional and mental states of artists who, through their art, expressed a pessimistic approach to the reality they lived.

This pessimism was mainly attributed to the historical moment that humanity was undergoing and which was reflected in a great feeling of anxiety before, during and after the First World War.

6. Deformation of the reality of the world

The reality exposed by Expressionist artists was not governed by an idea of objectivity.

Given that subjectivity is one of the main characteristics of expressionism, the artists of this European vanguard felt free to present reality according to their own perception.

7. Expression of individual freedom

The expressionist movement defended individual freedom through irrationalism and subjectivity.

Subjectivity allowed the knowledge of everything that was external to the artist to be given according to his own reference.

Irrationalism, in turn, as the name itself indicates, is opposed to what is rational.

The concept of irrationalism argues that the capacity for learning is superior when a man goes beyond the limits imposed by what is rational.

https://www.youtube.com/watch?v=0mdQZ1bYJAQ

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Cómo elaborar un Dibujo Expresionista | Ejercicio | Segundo año de Secundaria

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Utilizaban líneas irregulares y distorsionadas, pinceladas ásperas y rápidas, y colores estridentes para representar escenas urbanas callejeras y otros temas contemporáneos en composiciones agitadas y llenas de gente, notables por su inestabilidad y su atmósfera cargada de emoción. Cada artista tenía su propia manera de "expresar" sus emociones en su arte. Para expresar la emoción, los temas suelen estar distorsionados o exagerados.
Características del expresionismo

Se centra en captar las emociones y los sentimientos, más que en el aspecto real del sujeto. Los colores vivos y las pinceladas atrevidas se utilizan a menudo para exagerar estas emociones y sentimientos. El expresionismo se centra directamente en la respuesta emocional del artista al mundo real, utilizando tamaños desproporcionados, ángulos extraños y pintando con colores vivos e intensos. Utilizaban líneas irregulares y distorsionadas, pinceladas ásperas y rápidas, y colores estridentes para representar escenas urbanas callejeras y otros temas contemporáneos en composiciones abarrotadas y agitadas, notables por su inestabilidad y su atmósfera cargada de emoción.
El expresionismo se refiere al arte en el que se distorsiona la imagen de la realidad para hacerla expresiva de los sentimientos o ideas internas del artista. ¿Cómo se reconoce el expresionismo? La pintura expresionista se aparta de la realidad principalmente mediante el uso del color. Se utilizan diferentes colores para acentuar los sentimientos. Además, para potenciar la fuerza expresiva, se distorsionan los objetos naturales y, en ocasiones, se libera intencionadamente la perspectiva.

l expresionismo alemán es un movimiento de protesta audaz y amargo y un estilo de arte moderno. Los colores son atrevidos, naranja, azul y negro.

1. Uso de colores intensos

2. Trazos gruesos y distorsionados

Las obras expresionistas tenían rasgos fuertes y bien marcados, pero no había linealidad en los contornos.

Las líneas tenían formas retorcidas, eran algo agresivas y no determinaban con precisión el contorno de las formas.

Los trazos eran gruesos y angulosos.

3. Centrarse en los aspectos subjetivos
El arte expresionista es un arte dramático y subjetivo, que refleja la percepción, las emociones y los sentimientos de su autor sobre el tema retratado.

4. Visión trágica del ser humano
El hecho de que el expresionismo fuera un arte subjetivo permitió a los autores de las obras retratar sus respectivas visiones de la vida.

5. Exposición del lado pesimista de la vida

Una de las principales características del expresionismo fue la retracción de las emociones intensas.

No había mayor preocupación por los estándares de belleza estética. A menudo, las obras reflejaban los estados emocionales y mentales de los artistas que, a través de su arte, expresaban un enfoque pesimista de la realidad que vivían.

Este pesimismo se atribuía principalmente al momento histórico que vivía la humanidad y que se reflejaba en un gran sentimiento de ansiedad antes, durante y después de la Primera Guerra Mundial.

6. Deformación de la realidad del mundo

La realidad expuesta por los artistas expresionistas no se regía por una idea de objetividad.

Dado que la subjetividad es una de las principales características del expresionismo, los artistas de esta vanguardia europea se sentían libres de presentar la realidad según su propia percepción.

7. Expresión de la libertad individual

El movimiento expresionista defendió la libertad individual a través del irracionalismo y la subjetividad.

La subjetividad permitía conocer todo lo que era externo al artista según su propia referencia.

El irracionalismo, a su vez, como su propio nombre indica, se opone a lo racional.

El concepto de irracionalismo sostiene que la capacidad de aprendizaje es superior cuando el hombre va más allá de los límites impuestos por lo racional.

Traducción realizada con la versión gratuita del traductor www.DeepL.com/Translator

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Depicts unreal situations
Realistic Color
Naturalistic Represetation
Surrealism was focused on tapping into the unconscious mind to release creativity. Andre Breton wrote about the Surrealist movement in two documents called the Surrealist Manifestos. Surrealistic art is characterized by dream-like visuals, the use of symbolism, and collage images.
The Surrealists sought to channel the unconscious as a means to unlock the power of the imagination. Disdaining rationalism and literary realism, and powerfully influenced by psychoanalysis, the Surrealists believed the rational mind repressed the power of the imagination, weighing it down with taboos.
It balances a rational vision of life with one that asserts the power of the unconscious and dreams. The movement's artists find magic and strange beauty in the unexpected and the uncanny, the disregarded and the unconventional.

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Representa situaciones irreales
Color realista
Representación naturalista
El surrealismo se centró en aprovechar la mente inconsciente para liberar la creatividad. André Breton escribió sobre el movimiento surrealista en dos documentos llamados Manifiestos Surrealistas. El arte surrealista se caracteriza por sus imágenes oníricas, el uso del simbolismo y las imágenes de collage.
Los surrealistas buscaban canalizar el inconsciente como medio para liberar el poder de la imaginación. Desdeñando el racionalismo y el realismo literario, e influenciados poderosamente por el psicoanálisis, los surrealistas creían que la mente racional reprimía el poder de la imaginación, agobiándola con tabúes.
Equilibra una visión racional de la vida con otra que afirma el poder del inconsciente y de los sueños. Los artistas del movimiento encuentran la magia y la extraña belleza en lo inesperado y lo insólito, lo despreciado y lo no convencional.

Traducción realizada con la versión gratuita del traductor www.DeepL.com/Translator

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Boccioni was one of the founding members of the Futurist movement. Until 1910, the group concentrated primarily on capturing "emotion and multiple moods" using techniques derived from the neo-Impressionism style. This painting is an oil on canvas that is 100 x 100 cm. Its name is La Calle entra en la casa, made in 1911The central figure in The Street Enters the House is a woman dressed in blue and white, seen from behind and above. She looks over her balcony onto a busy street scene, a riot of colors, lines, and angles. On the road in front of her, workers erect poles to form the walls of a new building, surrounded by a pile of bricks. White and blue houses on either side of this construction look out onto the street. Two of the balconies are occupied by other figures looking out onto the street. A string of horses flies past in the foreground.

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This painting is an oil on canvas from 1912. A black woman visiting in the fashion of her time passes her dog at full speed. One can see the dog's paws, shoes, ears, and tail on the canvas. The artist thus decomposes the walk into multiple autonomous sequences of the development of the movement. The dachshund is the protagonist of the painting. The painter adopts the animal's point of view by abruptly cutting off the woman's legs. It was a time when there was a stagnant social system in Italy, and it was fashionable among the bourgeoisie to own a little dog as a status symbol. Today we can see this painting as usual or not creative at all. But in 1912, it was a real creative find something from another planet. Something futuristic.

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This painting is called Sorvolando la cittá from 1926 and is oil on canvas and is 60x 79.5 cm. His artwork is impregnated with the warmongering exaltation so typical of the fascism of the time. It is glorifying war, exalting heroism. The same propaganda to which the American cinema accustomed us during World War II but from the other side. Stings over the city, fighters in formation, anti-aircraft spotlights, the effect of the bombs falling, the territory twisting as it turns. Through futurism, the painting wants to reflect energy, strength, movement, and aggressiveness.

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Futurism was invented in Italy and was primarily rooted there, driven by the renowned poet Marinetti. The organization was most prominent and active between 1909 and 1914, but Marinetti revived it after the First World War. This rebirth drew new artists, giving rise to "second generation Futurism." Although most renowned in Italy, Futurist concepts were used by artists in the United Kingdom (informing Vorticism), the United States, Japan, and Futurist works were presented across Europe. Although some Russian Futurists were involved with the previous Italian movement, Russian Futurism is widely regarded as a unique movement.

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This sketch consists in representing the soccer of this moment, using the futuristic technique reflecting the fabulous and strong bodies of the players and their skills. I will also represent the speed using the futuristic technique.

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This sketch is meant to represent how time will change soccer and how it will be in the future. For this, I am drawing a robot carrying the world cup which means that robots will start to replace humans in soccer. Finally, I am going to be the artwork representing speed as the passing of time.

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This sketch is intended to represent how time will change soccer. I am drawing an alien raising the champion to represent how soccer will be in the future. Also, aliens will replace robots like robots replacing humans. Finally, this painting will be like the previous ones using speed as a representation of time.

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Week 1 First class: My plan for the first class is to create a pencil sketch on the first and second canvas, trying to make it evident for future stages or weeks.

Second class: In the second class, I will create the third sketch in Canva, add details and adjust the three canvases I make.

Week 2:

1: For this class, I will use broad colors in the first Canva.

2: I will set the general colors, such as background, material, etc., of the two Canva.

Fourth week: 1: I will complete the second Canva, adding details so that I can illustrate the notion I have had from the beginning.

2: I will finish the third Canva to complete the set of drawings.

Fifth week: 1 and 2: I will revise the drawing, adding things I missed to make it as good as possible.

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This paiting consist when Reald Madrid win the fiftin chamiopns league, using the movement futurisim. In the paint are the public, the players, the field, and the Pallet.

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This painting consists of an evolution for soccer, in which robots begin to dominate the sport. The robot that lifts the futuristic cup is on a platform with thrusters and a flying stadium on earth.

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This painting consists of what soccer would be like in a thousand years, dominated by aliens. The alien wins his cup in a stadium in the galaxy with more aliens as spectators.