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Commercial dance is a continuously developing style, which means dancers need to keep training themselves in order to be sellable.

However, in order to be sellable, dancers have to think about image a lot and sometimes have to behave in a provocative and sexual manner. This causes concern for the upcoming generation, dictating how they should dress and present themselves.

Futhermore, a typical females attire for class may be leggings, tight fitted trousers, a crop top, shorts or bralet, either showing alot of skin, or clothes tight fitting to the figure.

A male may wear shorts, a low v-neck top, short sleeved tops, showing off their chest, biceps and physique.

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Kash Powell Commercial Class

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A lot of artists use dancers in their live performances, Commercial dance helps sell the artist as a product for example Beyonce and her single ladies video.

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Not the best vocal performance! Though, accompanied by backing dancers, and the performance is successful.

Performers like Cheryl Cole use dancers to enhance their stage presence, and make their live performances more entertaining.

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Capital FM Summertime Ball 2014 - Wembley Stadium 21 June 2014 Cheryl Cole Fight for This Love Crazy Stupid Love

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. A Warm up (Consiting of cardiovascular conditioning and core building)

. A Routine (Usually taught quickly to challege the dancers pick up)

. Group Splits (A part of class where the dancer gets to perform in smaller groups giving everyone chances to share their flare on the routine)

. Choreographers Favourites (The choreogrpaher picks a couple of dancers who stood out for what ever their personal reasons may be)

.The Reprise (Everyone joins in for one last dance together, a nice way to bring an end to sometimes a challenging and intimidating atmosphere)

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Analysis Of A More Masculine Commercial Choreography

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Analysis Of A More Masculine Commercial Choreography

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This commercial Choreography by Kash Powell portrays a more 'Hood' and 'Masculine' energy. Sharp, Powerful and Groovey.  He captures the Artist's 'Drake' lyrical flow and commits to the 'raw' yet 'swarve' genre.

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Dragon Darlings | Red Nose | Kash Powell

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The Language - Drake Choreographed By Kash Powell Dancers: Ola, Laia, Luke, Mallory, Tiziano, Hector, Jose, Petra, Jamie Class: Wed 6:30pm-8pm @ Studio68 & Fri 5pm-6pm @Pineapple Studios i have so much love and respect for these guys and their crazy talent.. i hope you enjoy watching it as much as we did making it!!

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Kash Powell's class is on a Wednesday 6.30pm-8.00pm at Studio 68, and Friday at Pineapple Studios 5.00pm-6.00pm. His class is aimed at advanced dancers of any age or gender.

His movement can be somewhat raunchy or explicit, and in the music industry sex sells which makes Kash a popular choreographer. He is known for his 'absolutely full out choreography forcing you to serve your life on the dance floor.'

He has a good ear for popular music which works well with his new age commercial style.

People enjoy Kash's choreographic vocabulary because his dance style is challenging, fresh, energetic, different and innovative.

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Reading: Strinati, D (1995) An Introduction to Theories of Popular Culture. London: Routledge, pp.1-38.

Internet http://uk.ask.com/wiki/Hip-hop_dance

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Commercial Dance started to get noticed after the television show 'soul train' and the 1980s films ‘Breakin’, ‘Beat Street’, and ‘Wild Style’ showcased these crews and dance styles in their early stages; therefore, giving hip-hop mainstream exposure.

The dance industry responded with a commercial, studio-based version of hip-hop—sometimes called "new style"—and a hip-hop influenced style of jazz dance called "jazz-funk".

Commercial ‘dance’ is a strong and sexy dance style involving elements mainly of street and Jazz. Commercial dance refers to the type of dance done by dancers who are hired for fashion and catwalk, artist tours, advertising campaigns, corporate events, TV and film, exhibitions, music videos, and product launches.

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Soul Train Programa exibido na TV americana nos Anos 70 em que a Música Negra começava a se mostrar nos Hits Parades Ameicanas!....

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Analysis Of A More Femine Commercial Choreography

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Analysis Of A More Femine Commercial Choreography

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This Commercial Choreography by Kash Powell Conveys A Fiesty Yet Femine Dance Combo. Clearly Illustrating The Cultural Fashion Trends of today, BOY London.

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Rihanna Ft. Chris Brown - Birthday Cake Choreographed By Kash Powell Class Monday 1pm-2:30pm @ Danceworks Wednesday 6pm-8:30pm @ Studio 68 Come Daaance with meee.!! :D Thanks to my incredible cast of girlies the love is endless..

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This Is Commercial Performance In Israel, November 18, 2012.