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Brahms qurtet and it sound.d hust aweskme teally firy the fynvamkcs ok first if all the dynamics are splendid and luscious next legs vrung ho gge ensemble abilities tio notchykh hit loud Nd quiet as well

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Hear- A lot of dynamic contrast and growth in every note , the first and second violin were very together because their themes directly interlock. ARTICULATION was really good!

Think- I think the violins did a fantastic job of staying together and making their solo parts sound very cohesive. The articulation and vibrato were also spot on

Wonder- How long does it take to gain this much control and make a piece sound this cohesive ?

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See/Hear-bowing very close to the bridge which gives a big bold sound. They also use brush stroke. The contrasting strokes and articulation give different moods. They also all had a nice ringing tone.

Think- I think that it was a very exciting and dramatic performance. I was surprised they didn’t need to look up more.

Wonder- I wonder how long they had to practice this to get it this together and sound this good.

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See/Hear

- They added a little bit of a slide when shifting sometimes - it was slight but had a nice effect

- I liked how the cellist was moving even when he wasn’t playing

Think

- I especially liked the flows of the movement and the part right before the coda because you knew there was something else to come

Wonder

- I was thinking about how much they even practiced together before they played that piece

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Hear: I thought it sounded very good and I really liked how the melody was passed back and forth between sections.
Think: I think that pirates is still better
Wonder: I wonder if our orchestra could ever play and arrangement of this?

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H- I like the dynamic between strings and piano

T- it sounds good and I like the dynamics throughout the piece

W- I wonder how long it took to prepare this piece
Derek

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H-The dynamics were very noticable and was impressive how loud they were able to play the piece. I also noticed the heavy use of vibrato.
T-I think that this piece was well rehearsed.
W-I wonder how they decided on this piece to perform.  -Khyla

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Tgeir dynamics were pretty awesome. They were able to get huge sounds from their instruments and it really helped out the wuality of the piece. I wonder how much they practice with eqchother to not slow down.

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Hear: The instruments created a varied texture by taking advantage of each’s strengths and playing at varying dynamics and articulations

Think: The violist was so cool, but underutilized in my opinion… Sorry Brahms…

Wonder: How does the first violinist get such a good sound quality so close to the bridge? Is this just a viola problem?

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I thought it was crazy how much sound they were getting with how few people. It sounded like they had an entire orchestra playing.  It was also interesting how it seemed like they used very shaky vibrato on purpose sometimes.

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See/hear
Some wack harmonies

Look at that contact point!!!

Those quick up bows!!!

Call / response w strings to piano

Nice romantic era dynamics!!

Bumblebee vibrato with the grace notes in second section

Heavy lower bow stroke vs lyrical full bow

So intense!!!

Spiccato -> brush stroke for more intensity

Think

Its cool that such a simple melody can be so varied based on its other elements
They look like theyre having fun
I like that the piano tone color adds more depth than just strings
Also the page turner came out of nowhere lol

Wonder
How do they do those fast little up bows with so much control
The cello is great why didnt they show more of him

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Notes:
piano has a big part surprisingly

- Cello solo

- Articulation is key to creating such a sound

- Piano part is similar to the orchestra in terms of energy

- Go violassss

- Lots of vibrato

- Piano is intense

- Melody is passed from violin to cello

- Piano echoing the strings in development section (very typical of development section for the melody to get passed around)

- The end is cool

Think: I think it was cool how the violin and cello kind of passed the melody around quite a bit

Wonder: I wonder what Brahm’s intention was when adding the piano to the piece?

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I noticed that the piece started out with really high notes on the violin part and I think it was impressive that they managed to have enough control not to make the notes sound incredibly shrill and squeaky. The piece definitely had a Victorian era sound, but I noticed that there were parts where it was slower paced (like possibly an orchestra playing at a fancy restaurant) and other parts where it was faster paced (like some kind of action scene in those Victorian movies). I also think the orchestra did a really good job in terms of expanding their sound. They played as if it was 20 of them instead of just 4.

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- A lot of vibrato

- The quarter notes release

- Same brush stroke for maharaja

- Melody passed around

- Hard, striking brush strokes

- Melody passed around, them listening to one another and playing style based on the others

- A lot of bow use

- Very fast fast and off the string brush stroke

Their brains must be moving a mile a minute. The listening to each other was really good, because they were listening to each other and playing the style of what they just heard.

My only wonder is how many hours it took for them to practice this piece

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I hear at the beginning this sadness, I see them using vibrato on almost all the notes and I’m thinking about all the mood the piece has throughout it’s 10 minutes

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There are five characters. Two violins one viola one cello and one piano

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See/Hear:
- lots of vibrato
- changing bow position relative to bridge
- brush stroke
- violinist is enjoying the piece - he is smiling
- amazing bow control
- always clear sound
Think:
- The players are definitely enjoying this piece.
- They've clearly rehearsed this together many times and know how each part fits into the others.
- It was amazing.
Wonder:
- Are there any other videos of pieces played by this group? It'd be really good.

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Listen: Very good dynamics, they have lots of sound.  All of them have perfect timings.
Think: That guy in the background is vibing.
Wonder:  How long has each of them been playing?  Where are they playing?
-Lucas

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See/hear: the cellist’s wrist is twisted slightly upwards, especially in the first position. I wonder if that makes it easier to shift into fourth and thumb and use vibrato.
Think: I think the performance was great and that each of them had incredibly strong vibrato, dynamics, and bow technique.
Wonder: I wonder how many times they had rehearsed together before this performance.
-emily

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-growing their notes a lot in the intro
-the progression through each section is very cool
-last buildup was v stretched out but the dynamic scheme was clear
-amount of bow and contact point was so specific and meticulous

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Jaewon Yeo
Hear/See:
Quintet
Various brush strokes
Dynamics

Think:
I personally really liked it
Large contrasts  between each section within e movement
Although they are renowned players who mainly do solo, it didn’t seem that way (really good teamwork)

Wonder:
Why did they choose each other to play? Why Brahms?

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Hear: intro is tense
the song itself is fast-paced and very tense
the middle is calmer but still has a slight foreboding sense
the beginning of the ending has a call and response between the piano and the strings
there are lots of slowdowns followed by extremely fast and loud sections
Think: i think that the extremely loud parts may have been much louder in person. the alternating between slow and fast was also nice to listen to.
Wonder: how are the strings able to reset their bows so quickly?
Wonder: