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first shot of Mia out of breath, low within the frame, meant to feel pity belittle , hands on hips in front of view, Kuleshov effect

we are looking out from the city from outsiders view, Mia is trying to escape

rises up to see view of area, chiaroscuro used to show dark conations of poor area despite picturesque aesthetic

pans the view around Mia , keeps audience sutured ,reflecting the audiences perspective if they were in the situation

light shining on specific point , to where Mia is going to next , using light to foreshadow

not point of view but near, audience is meant to focus on her not what she is seeing, shift of focus setting to her

following her, hears children not at school, poor setting

Tyler and friends sunbathing, sexualisation of children

low angle looking up, talking to man - painting her as someone who could go up in the world when provided with adult guidance but is let down so camera goes back

walks aggressively then sits down to watch friends, camera at eye level, focus on her emotion towards these people, separating herself from the others

men watching the girls dance, sexualisation of girls, patriarchy, lose of innocence

fence around them, zoomorphism  - pov Mia who is in the cage herself , tried to be forced out by other girls, their facial expressions towards her

quick escalation into the fight adds to the idea of caged animals  , picture of that social class

girls don't want to fight, Mia starts, audience dislikes her.

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Mia attacked by the travellers (11:10-13:09)

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Mia attacked by the travellers (11:10-13:09)

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1) Mia POV medium shot of: Joanne and Connor. - Between 28:32 - 30:52 the majority of shots come from the POV of Mia specifically in the framing of Connor, this combination with her reaction shot- The female gaze objectifies Connor - Mia breaks the stereotypical male gaze - she rejects her mother and attempts to identify with Connor. - The audience is sutured by the shot/reverse shot- we are invited to empathise with Mia.

2) CU of Mia profile + The academy ratio 4:3. - This framing of Mia is claustrophobic- Connor is framed  wider - he represents her way to freedom this is perhaps why Mia aims to identify with Connor.

3)Rack focus Mia -->Outside

Shallow DOF - At this point the music has ended- the tension has calmed- Mia feels relaxed- with the window down- changing area of focus the audience- it is a phantasmagorical situation.

4)Over the shoulder shot of Mia and Tyler. Breaking up of tension -  the relationship between all the character has now become neutral- by using over the shoulder shot of Mia all the characters are presented equally- the imagery resembles a family trip which Mia subconsciously wants. "MUM"

5) Music - The music is symbolic as it links the start of Connors and Mia's relationship with a pivotal moment in their lives.

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Connor and Joanne have sexual relations:

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Connor and Joanne have sexual relations:

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(Where does it fit in the oedipal trajectory?)(Why does Connor leave the door open?)According to Freudian theory, the child that witnesses their parents having sexual relations maintains this memory in their unconscious which contains forgotten or repressed traumas of the past. The scene wherein Mia witnesses Connor and Joanne having sexual relations strongly refers to this prospect, however distorts it by merging it with Freud's theory of the Oedipus complex. The jealousy that Mia has of Connor and Joanne, represented in sound of the door slamming loudly refers to the the side of the Oedipus complex wherein females are sexually attracted to the father, as the anger behind the sound of the door slam insinuates that Mia wants the attention and sexual gratification from the father figure, Connor, that her mother Joanne in receiving. To merge this with the Freudian theme of repressed sexual trauma in the unconscious mind, arguably, the low key lighting of almost pitch black darkness that Mia steps out into in the hallway, could represent how in Freudian theory, the repressed memories of witnessing one's parents having sexual relations reappears in dreams. To represent the aspect of the Oedipus complex of the father figure acquiring a mutual sexual desire for the daughter figure, in performance, Connor looks at Mia; this insinuates that he is fully aware and not at all vexed that Mia is witnessing him having sexual relations. Furthermore this could suggest that Connor's aim is to coax Mia into having sexual relations with himself, by paying attention to her through eye contact - that is, through the diegetic male gaze - whilst he is having sexual relations. Connor leaving the door open as a macro feature of narrative, may highlight this idea; as it seems that Connor is seeking for Mia to pay attention to him having sexual relations. In this sense he is the patriarch of the household, and could represent Freud's idea of the dominant male in the primal horde, who had a monopoly over having sexual relations with any of the women of the horde he desired. Alternatively, it could be argued that it is Joanne who purposefully leaves the door open, within the macro feature of narrative, does this purposefully to boastfully display herself having sexual relations with Connor to Mia. This may be a statement that Mia is unwelcome into their sexual relationship or a hint that Joanne suspects that Mia has a sexual desire for Connor.

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- intense focus/long shots on girl dancing/ auditioning- the spectator is in the position of man who will be watching her if she wins audition- director criticising male gaze and the way women are viewed by men. the spectator feels they are in the same position as Connor was watching Mia.

- Mia is told to take hair down which resembles Connor asking the same of her. Sexualisation of women. she is told that she looks more feminine which portrays expectations of women and the way they are presented in order to appeal to men.

- long shot of Mia being watched by judges/other girls- resembles Connor watching her- as a woman she constantly being watched and scrutinised.

- slight high angle shot looking down on Mia- presents her vulnerability and intimidation.

- as she walks out of audition the diegetic music becomes quieter- portrays her rejection/realisation of the expectations that people like Connor hold over her- also a rejection of the idea of Connor providing her with comfort and safety- Mia presented with power over her future for the first time in the film- she no longer rely's on Connor.

- high angle over the shoulder shots looking down at girls watching Mia- audience made to empathise with and align themselves with her.

- shot reverse shot of Mia of stage- close ups of her face reveal her realisation/disillusionment.