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Temple on the Acropolis dedicated to the Goddess Athena.  Shows the Doric order in the type of columns and capitals on those columns.

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A Greek pottery style comprising several styles from Egypt, Mesopotamia, and Asia.  Depicts animals in Greek mythology like the Sphinx.

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Most developed Greek style of sculpture showing real-looking people, animals, and everyday scenes.  Realism and Expressiveness are evident in highly sophisticated ways.

Ex. Nike of Samothrace or Winged Victory of Samothrace

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A step up from the Archaic style of Greek sculpture showing less rigidity and more skill.  Sculptures were given a pose with one foot in front of the other, giving natural bended knees and a slight turn in the pelvis. This stance is called Contrapposto.

Ex. Grave Marker in Athens Greece

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Greek statues that were in the form of a standing, draped girl.  The one below was created in 520 BCE in the Archaic style. Other types of statues are the kouros and seated figure.

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Most fancy column style with two rows of leaves that fan out from the capital and four scrolls. Example below is found on the Temple of Olympian Zeus.

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Column style originating in Eastern Greece that is more fancy than the Doric style with scroll-like or spiral-like designs. The example below is on the Erechtheum on the Acropolis in Athens.

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Block-like style of capital on top of a column in Greek architecture started in mainland Greece.  An example of this order is found in the Temple of Hephaestos below.

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Style of Greek pottery generally has black color background.  Grew out of the Black figure style and allowed for greater detail in the humans and animals.

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Period or style of Greek sculpture represents the Greeks’ first attempts at carving stone.  This style of very rigid and primitive is in stark contrast to the naturalistic style of Hellenism.

Ex. Kore 520 BCE

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An example of Hellenistic Style Greek art it is a sculpture of the Greek Goddess of Victory also known as Nike. The base she is standing on is the shape of ship. It is found today in the Louvre museum in Paris with missing head and arms which are a casualty of its age.

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Greek pottery style featuring figures in silhouette.  First known example of artists signing their works.