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reached via RIBA pix but free in the oxford scans of the builder
http://www.bodley.ox.ac.uk/cgi-bin/ilej/image1.pl?item=page&seq=12&size=1&id=bu.1850.9.x.8.x.x.426

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At one time, transparency itself wasremarkable, a sign of modernity and progress that was not just technical, but also ethical

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At one time, transparency itself wasremarkable, a sign of modernity and progress that was not just technical, but also ethical

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s. Transparency was a symbol of a scienti�c age that demanded nothing less than clarity and precision, openness and honesty. http://www.tandfonline.com/doi/abs/10.1162/104648803321672915

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Museums of objective iron, stone and glass became highly specific tools used to define and rule an unruly nature, and to signal human political agency and control. Inside their spaces, objects participated in the construction of their own categories. Such facts were, as Yanni shows, explicit and clear to those who built, and paid for, such buildings, and who had in mind very fixed (if also very contested) visions of what architecture can say

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, no one seeing the Crystal Palace could infer from that ferrovitreous masterpiece anything less than adoration for manufacturing and trade.
http://journals.sagepub.com/doi/pdf/10.1177/096366250000900407

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collecting, education, science , showcasing

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Book Nature's Museums; Victorian Science and the Architecture of Display

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Book Nature's Museums; Victorian Science and the Architecture of Display

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When the Museum opened, paintings from the Wallace Collection were exhibited inthe top gallery and a visit by Vincent Van Gogh was documented. Other displaysincluded an anthropological collection lent by Pitt Rivers and animal and foodproducts (some of which came from the Great Exhibition). The Museum was acultural focus for the people of the East End 

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When the Museum opened, paintings from the Wallace Collection were exhibited inthe top gallery and a visit by Vincent Van Gogh was documented. Other displaysincluded an anthropological collection lent by Pitt Rivers and animal and foodproducts (some of which came from the Great Exhibition). The Museum was acultural focus for the people of the East End 

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 one of the earliest survivingexamples of a pre-fabricated iron-frame building. 

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 one of the earliest survivingexamples of a pre-fabricated iron-frame building. 

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http://www.vam.ac.uk/__data/assets/file/0009/247869/140-anniversary-pn.pdf

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The main building at the Museum of Childhood actually started its life as a temporary home for the treasures that were being kept after the 1851 Great Exhibition, held in the Crystal Palace at Hyde Park. Its construction was modelled on that of the Crystal Palace and it is one of the oldest surviving examples of a pre-fabricated iron-frame building. It turned out that the structure was leaky, fluctuated highly in temperature and the roof had almost rusted away by the time it was dismantled – in other words, not the ideal museum storage facility! It was also not popular with locals, whose nicknames for it included the Iron Museum and the Brompton Boilers.

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Reform leaders worked to establish public school systems that any child could attend, regardless of gender, race, or family income. Horace Mann- In the late 1830s, Horace Mann of Massachusetts began a crusade to revamp the school system- original plan to be educational hub

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scientific advancements Charles Darwin's 'On the Origin of Species'- after crystal palace opens 

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scientific advancements Charles Darwin's 'On the Origin of Species'- after crystal palace opens 

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C19, nineteenth century 1800

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Ideologies supporting transparent architecture are dif�cult to summarize or categorize because of this range and because of the numerous interpretations of the term transparency itself. In optics, transparency refers to a material that transmits light so that we can see through it. In architecture, this usually translates into the use of glass as the primary building material, but other materials are also transparent, such as crystal or �nely woven and diaphanous fabrics, or lattice screens.

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glass and steel construction techniques of nineteenth-century greenhouses, exhibition pavilions, and floras

Deborah Ascher-Barnstone (2003) Transparency, Journal of Architectural Education, 56:4, 3-5, DOI: 10.1162/104648803321672898

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The nineteenth century is beginning the era of transparency which oriented towards the glass architecture. In fact, transparency and lightness are two important factors in modern architecture and over the last years, glass has become a main architectural element particularly in the design of contemporary public buildings in many cities around the world (Vidler, 2003)

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MoC formerly South Kensington temporary ‘iron museum’or ‘Brompton Boilers’, 

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MoC formerly South Kensington temporary ‘iron museum’or ‘Brompton Boilers’, 