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https://padlet.com/535908/xltn645swp20#

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What can you see? - I can see part of a sink, what looks like some sort of cleaning product, a candle and trampoline

Location - kitchen probably taken during the day because if the way the photo is light

Relationships - the trampoline is actually the main focus point of the photo the kitchen is just easier to see making me think she wants to be outside and not in.

How it leaves me - confused because I can’t really focus on one thing that’s happening in the photo properly because my eye is being drawn to the outside.

The comments made on this image were incorrect, I was trying to show the view of what someone living in this house would see, in the future this information has helped me to create clearer meaning for my images so the viewers won't get confused.

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What can you see? - I can see a sugar and a coffee jar a kettle and some cups.

Location - kitchen because of the kettle and cups

Subtle details - the coffee has been placed on the top of the pile suggesting that the people in the house are coffee and not tea drinkers the kettle has water in it suggesting it’s just been boiled .

Participant or viewer - participant they are no putting everything in close proximity or closing any part of the photo off.

How it leaves me - it leaves me feeling like I’ve been invited into the home for a cup of coffee.

The comments made on this image were correct, I was trying to create an intimate and interactive setting so the audience was the viewer. This information helps me as it means I will be able to create more interactive images in the future while still getting my meaning across.

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What can you see? - I can see a close up of a cup with a teaspoon in it, computer and a phone a fridge or freezer.

Location - probably the kitchen the image is quite well light so I think it was taken in the day time.

Relationships - all the items in the photo belongs to the photographer because they are all close to the camera.

Subtle details - the laptop is portable as is the phone so the photographer could leave at any time. The photo is in a kitchen not a bed room suggesting that if they wanted to go they could.

Participant or viewer - viewer

How does it leave me -  it doesn’t really make me feel anything

The comments made on this image were somewhat correct, I was trying to show personal view of a typical day at home, the objects were placed close to the camera to indicate possession. In the future this helps me as I need to try and make the meanings behind my images a lot more clearer.

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What can you see? - I can see a fireplace , 2 photos In frames, 2 monkeys and two signs either side of the frames saying home and love.

Location - living room

Relationships - they pictures and the signs are placed on the fireplace suggesting warmth also the fireplace is a focal point of a home so the fact that they are on their makes me think whoever  put it there wanted everyone who came into the to see.

Participant or viewer - viewer

How it leaves me - this picture is a warm and inviting picture it shows home and family in a positive way and that whoever put the pictures and the teddy’s on the fireplace is proud .

The comments made on this image were correct, I was trying to show a positive view of someone looking at personal family items, in the future this information helps as in more personal projects I can continue to make positive photographs.

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What can you see? - I can see a cushion, what looks like a  hoodie or a blanket and a telly

Location - living room because the telly

Relationships - again it looks like her stuff there her surroundings everything is close to the camera she was probably sitting on the chair when she took the photo its personal to her.

Subtle details - there is a photo on the telly stand of two people so its not only her that lives there she has siblings which makes the room seem more like a family room.

Participant or viewer - viewer

How it leaves me – it leaves me wondering why the room was empty if it is a family room

The comments on this image were correct, I wanted to create a personal atmosphere through this image and the family room is one of the most personal rooms in the house. I could use this information in the future to create more personal images, maybe in this project or through others.

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What can you see? - I can see a front door.

Location- outside the house at night because of the light on outside the house

Relationship - personal it’s her house it’s her door however the angle it is on you can see more of the street then the door suggesting that they don’t want to go into the house maybe.

Subtle details - the door is the forefront of the image yet there is more space around the door the street is dark and you can’t see what’s going on .
Participant or viewer - viewer
How does it leave me - it leaves me thinking that the photographer didn’t want to go into the house and that makes me wonder about the reason why they didn’t.

The comments made on this image weren't correct, I was trying to invite the viewer in rather than blocking people out In the future this information will help me when making images look more inviting.

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CD - Jim 1999 + LS - Dad at Whiteboard 1984

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CD - Jim 1999 + LS - Dad at Whiteboard 1984

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The similarities between these two images is that they are both a shot of one male person. The contrasting ideas however, are somewhat linked. The image by Corrine Day shows a young man who has clearly got into some sort of fight, or injured himself in someway. The image by Larry Sultan, shows a smartly dressed older man by a whiteboard, in what can only be assumed as a classroom. I think this two images show the before and after of growing up, (Even though these were taken 15 years apart, and reversed) and the viewing version of “You learn from your mistakes”. This shows home because, both stereotypical examples of the male role in a household. The working father and the rouge son.

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CD - Forgotten Pool 1998 + LS - Los Angeles, Early Evening 1986

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CD - Forgotten Pool 1998 + LS - Los Angeles, Early Evening 1986

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The similarities of these images are that they are both of a garden however, the image by Corrine Day shows a garden run by teenagers and the other of a well nurtured garden, by Larry Sultan. This resembles home as it’s typically an older couple, or someone’s Grandparents who have a well looked after garden. This is normally a happy memory for their grandchildren.

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CD - Jess, New Year's Eve Party, 1995 + LS - Reading In Bed 1988

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CD - Jess, New Year's Eve Party, 1995 + LS - Reading In Bed 1988

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These images are from Corinne Day’s “Diary” series, and Larry Sultan’s “Pictures from home” series. The image on the left by Corrine Day, shows a New Year’s Eve party with a bunch of teenagers dancing. The image on the right by Larry Sultan shows an old couple reading in bed, hence the title. The similarities of these images are that they both have been presumably, taken at night time. They both show contrasting ideas of a typical night of youth, and the much more mellow night of a mature couple. They both show an example of home as not only they are both taken in a home, but the people in the image are who you would consider a part of home.

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Corinne Day

Corinne Day (b 1965) is a British photographer whose influence on the style and perception of photography in the early 1990s has been immense. As a self taught photographer, Day brought a more hard edged documentary look to fashion image making, in which she often included biographical elements. Day is known for forming long and close relationships with many of her sitters (most famously Kate Moss), which have resulted in candid and intimate portraits. The most notable of these being the photographs of Moss in the 3rd Summer of Love editorial for the FACE magazine in 1990. Days approach as illustrated within the lifestyle and fashion magazines of the 1990s, came to be known as grunge and grew into an international style.

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Larry Sultan (July 13, 1946 – December 13, 2009) was an American photographer from the San Fernando Valley in California. He taught at the San Francisco Art Institute from 1978 to 1988 and at the California College of the Arts in San Francisco 1989 to 2009. A recipient of a Guggenheim Fellowship, his work is exhibited in museums in the United States.

"L.A. light, that kind of foggy, smoggy, soft light—I miss that. It’s the light of my childhood. There are certain sounds, feelings of the air, and all of that which you can’t photograph but you can find the equivalent of, in light."

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"When you're lost, I'll find the way. I'll be your light.
You'll never feel like you're alone, I'll make this feel like home." Home by One Direction
"Every memory of looking out the back door, I had the photo albums spread out on the bedroom floor, it's hard to say it, time to say it. Goodbye, goodbye." - Photograph by Nickleback

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Home is where the heart is

Family

Security/safety

Memories

Noisy

Assigned seats

Free Wifi

Trust issues because of the remote

My sister eating all the food

Invasion of privacy