# data[].attributes.headline
Roy Lichtenstein, Oh, Jeff…I Love You Too…But…, 1964

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Roy Lichtenstein, Oh, Jeff…I Love You Too…But…, 1964

# data[].attributes.body
Strong use of line to create outlines and shapes.

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Frank Lloyd Wright, Solomon R. Guggenheim Museum, New York City, 1959

# data[].attributes.subject
Frank Lloyd Wright, Solomon R. Guggenheim Museum, New York City, 1959

# data[].attributes.body
Building is round and smooth with continuous windows going around the building to accentuate the shape.

# data[].attributes.body
Visual and physical balance is created by using differently shaped cubes and rectangles at varying angles stacked on top of each other.

# data[].attributes.body
Color is used to create line and shape. Mostly bright colors in the middle with dark colors at the edges.

# data[].attributes.headline
 Jean Arp, Collage Arranged According to the Laws of Chance, 1916-17

# data[].attributes.subject
 Jean Arp, Collage Arranged According to the Laws of Chance, 1916-17

# data[].attributes.body
Imperfect shapes with rough edges and flat colors.

# data[].attributes.headline
Pablo Picasso, Les Demoiselles d’Avignon, 1907

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Pablo Picasso, Les Demoiselles d’Avignon, 1907

# data[].attributes.body
Simplified female figures, using mostly basic shapes and lines to create the body and using very little light and shadow.

# data[].attributes.body
Figure is abstract and minimal, in a vertical/diagonal position to create the illusion of motion.

# data[].attributes.body
Room is painted in one-point perspective with some strong black outlines to create shape.

# data[].attributes.body
Figures, ships, and scene are abstractly painted with complementary blues and oranges.

# data[].attributes.headline
Jean Francois Millet, The Gleaners, 1857

# data[].attributes.subject
Jean Francois Millet, The Gleaners, 1857

# data[].attributes.body
Colorful and detailed figures stand out against the more plain greens of the field..

# data[].attributes.headline
Francisco Goya, The Third of May 1808, 1814

# data[].attributes.subject
Francisco Goya, The Third of May 1808, 1814

# data[].attributes.body
Stylized figures with the bright white and yellow to draw to your eye to the figure on the left with his hands raised.

# data[].attributes.headline
Antoine Jean Gros, Napoleon at the Pest House at Jaffa, 1804

# data[].attributes.subject
Antoine Jean Gros, Napoleon at the Pest House at Jaffa, 1804

# data[].attributes.body
Light and shadow are used to create a focal point. Light is on the important figures while the rest is in shadow.

# data[].attributes.headline
Jean Honore Fragonard, from The Progress of Love (1771-73) series: The Swing

# data[].attributes.subject
Jean Honore Fragonard, from The Progress of Love (1771-73) series: The Swing

# data[].attributes.body
Complementary colors are used to create a focal point, with the pink dress standing out from the green foliage.

# data[].attributes.headline
Nicolas Poussin, The Burial of Phocion, 1648

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Nicolas Poussin, The Burial of Phocion, 1648

# data[].attributes.body
Lots of complementary greens and reds used.

# data[].attributes.headline
Jacob van Ruisdael, View of Haarlem from the Dunes at Overveen, c. 1670

# data[].attributes.subject
Jacob van Ruisdael, View of Haarlem from the Dunes at Overveen, c. 1670

# data[].attributes.body
Artist creates balance by having the bottom third of the painting use darker, heavier colors, while the top two thirds use soft and light colors.

# data[].attributes.headline
Fra Andrea Pozzo, The Glorification of St. Ignatius, 1691-94

# data[].attributes.subject
Fra Andrea Pozzo, The Glorification of St. Ignatius, 1691-94

# data[].attributes.body
Linear perspective and modeling are used to create the illusion of architecture and sky.

# data[].attributes.body
Uses linear perspective to accurately draw the building in the back ground and the keep the focus in the center of the painting with the most important figures.

# data[].attributes.headline
Albrecht Durer, The Four Horsemen of the Apocalypse, 1497-98

# data[].attributes.subject
Albrecht Durer, The Four Horsemen of the Apocalypse, 1497-98

# data[].attributes.body
Line is used to create, shape, shadow, texture, and movement throughout the entire piece.

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Parmigianino, Madonna with the Long Neck, c. 1535

# data[].attributes.subject
Parmigianino, Madonna with the Long Neck, c. 1535

# data[].attributes.body
Lots of soft, curvilinear lines and shapes.

# data[].attributes.body
Female figure and child are the lightest and most vibrantly colored in the painting, compared to the softer greens and browns throughout the rest of the piece, making her the focal point.

# data[].attributes.headline
Domenico Ghirlandaio, Giovanna Tournabuoni, 1488

# data[].attributes.subject
Domenico Ghirlandaio, Giovanna Tournabuoni, 1488

# data[].attributes.body
Uses light and shadow to create texture, making her hair and the fabric of her dress look shiney.

# data[].attributes.headline
Lascaux Cave Paintings (Rhinoceros), Dordogne, France. ca. 15,000–13,000 BCE

# data[].attributes.subject
Lascaux Cave Paintings (Rhinoceros), Dordogne, France. ca. 15,000–13,000 BCE

# data[].attributes.headline
Lascaux Cave Paintings (Chinese Horse), Dordogne, France. ca. 15,000–13,000 BCE

# data[].attributes.subject
Lascaux Cave Paintings (Chinese Horse), Dordogne, France. ca. 15,000–13,000 BCE

# data[].attributes.headline
Lascaux Cave Paintings: Dordogne, France. ca. 15,000–13,000 BCE (wounded man and bison)

# data[].attributes.subject
Lascaux Cave Paintings: Dordogne, France. ca. 15,000–13,000 BCE (wounded man and bison)

# data[].attributes.headline
Hieronymus Bosch, The Last Judgment, c. 1482

# data[].attributes.subject
Hieronymus Bosch, The Last Judgment, c. 1482

# data[].attributes.body
15th Century Northern Europe

# data[].attributes.headline
 Martin Schongauer, St. Anthony Tormented by Demons, c. 1480-90

# data[].attributes.subject
 Martin Schongauer, St. Anthony Tormented by Demons, c. 1480-90

# data[].attributes.body
15th Century Northern Europe

# data[].attributes.headline
Rogier van der Weyden. Descent from the Cross . ca. 1435  

# data[].attributes.subject
Rogier van der Weyden. Descent from the Cross . ca. 1435  

# data[].attributes.body
15th Century Northern Europe

# data[].attributes.headline
Jan van Eyck. Man in a Red Turban (Self-Portrait?). 1433 

# data[].attributes.subject
Jan van Eyck. Man in a Red Turban (Self-Portrait?). 1433 

# data[].attributes.body
15th Century Northern Europe

# data[].attributes.headline
Hubert and Jan van Eyck. Ghent Altarpiece (open), 1432

# data[].attributes.subject
Hubert and Jan van Eyck. Ghent Altarpiece (open), 1432

# data[].attributes.body
15th Century Northern Europe

# data[].attributes.headline
Hubert and Jan van Eyck. Ghent Altarpiece (closed), 1432

# data[].attributes.subject
Hubert and Jan van Eyck. Ghent Altarpiece (closed), 1432

# data[].attributes.body
15th Century Northern Europe
Heavy use of light and shadow to create shapes and the illusion of depth, human figures, and sculptures.

# data[].attributes.headline
Robert Campin and workshop. Mérode Triptych . ca. 1425–30 

# data[].attributes.subject
Robert Campin and workshop. Mérode Triptych . ca. 1425–30 

# data[].attributes.body
15th Century Northern Europe

# data[].attributes.body
15th Century Northern Europe

# data[].attributes.headline
 Limbourg Brothers. January, Les Très Riches Heures du Duc de Berry. 1413–16

# data[].attributes.subject
 Limbourg Brothers. January, Les Très Riches Heures du Duc de Berry. 1413–16

# data[].attributes.body
15th Century Northern Europe

# data[].attributes.headline
Claus Sluter. The Well of Moses, 1395–1406 

# data[].attributes.subject
Claus Sluter. The Well of Moses, 1395–1406 

# data[].attributes.body
15th Century Northern Europe

# data[].attributes.headline
 Ambrogio Lorenzetti. Allegory of Good and Bad Government, Palazzo Pubblico, Siena. 1338–40

# data[].attributes.subject
 Ambrogio Lorenzetti. Allegory of Good and Bad Government, Palazzo Pubblico, Siena. 1338–40

# data[].attributes.headline
Duccio, Annunciation of the Death of the Virgin, from the Maestà Altar.     Museo dell’Opera del Duomo, Siena 1308-10

# data[].attributes.subject
Duccio, Annunciation of the Death of the Virgin, from the Maestà Altar.     Museo dell’Opera del Duomo, Siena 1308-10

# data[].attributes.headline
 Duccio. Madonna Enthroned, center of the Maesta Altar. 1308-11

# data[].attributes.subject
 Duccio. Madonna Enthroned, center of the Maesta Altar. 1308-11

# data[].attributes.headline
 Arena (Scrovegni) Chapel, Padua. 1305–06 (and fresco paintings by Giotto)

# data[].attributes.subject
 Arena (Scrovegni) Chapel, Padua. 1305–06 (and fresco paintings by Giotto)

# data[].attributes.headline
Cimabue. Madonna Enthroned. ca. 1280–90 

# data[].attributes.subject
Cimabue. Madonna Enthroned. ca. 1280–90 

# data[].attributes.headline
Andrea Pisano. South doors, baptistery of San Giovanni, Florence. 1330–36

# data[].attributes.subject
Andrea Pisano. South doors, baptistery of San Giovanni, Florence. 1330–36

# data[].attributes.headline
Arnolfo di Cambio. Florence Cathedral. Begun ca. 1294 (nave, plan)

# data[].attributes.subject
Arnolfo di Cambio. Florence Cathedral. Begun ca. 1294 (nave, plan)

# data[].attributes.headline
Nicola Pisano. Pulpit. 1259–60 (plus reliefs by Nicola and Giovanni Pisano)

# data[].attributes.subject
Nicola Pisano. Pulpit. 1259–60 (plus reliefs by Nicola and Giovanni Pisano)

# data[].attributes.headline
Ekkehard and Uta, Naumburg cathedral. ca. 1249–55

# data[].attributes.subject
Ekkehard and Uta, Naumburg cathedral. ca. 1249–55

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Chapel of Henry VII, Westminster Abbey, London. 1503-19

# data[].attributes.subject
Chapel of Henry VII, Westminster Abbey, London. 1503-19

# data[].attributes.headline
Salisbury Cathedral, ca. 1320-30 (exterior)

# data[].attributes.subject
Salisbury Cathedral, ca. 1320-30 (exterior)

# data[].attributes.headline
Virgin of Paris. Early 14th century. Stone. Cathedral of Notre-Dame, Paris

# data[].attributes.subject
Virgin of Paris. Early 14th century. Stone. Cathedral of Notre-Dame, Paris

# data[].attributes.headline
Melchizedek and Abraham, from the Psalter of St. Louis. 1253–70 

# data[].attributes.subject
Melchizedek and Abraham, from the Psalter of St. Louis. 1253–70 

# data[].attributes.headline
Cathedral of Notre-Dame, Reims (portal sculptures)

# data[].attributes.subject
Cathedral of Notre-Dame, Reims (portal sculptures)

# data[].attributes.headline
Cathedral of Notre-Dame, Reims (exterior)

# data[].attributes.subject
Cathedral of Notre-Dame, Reims (exterior)

# data[].attributes.headline
Cathedral of Notre-Dame, Chartres, France. ca. 1145–1220 (jamb sculptures)

# data[].attributes.subject
Cathedral of Notre-Dame, Chartres, France. ca. 1145–1220 (jamb sculptures)

# data[].attributes.headline
Cathedral of Notre-Dame, Chartres, France. ca. 1145–1220 (portal)

# data[].attributes.subject
Cathedral of Notre-Dame, Chartres, France. ca. 1145–1220 (portal)

# data[].attributes.headline
Cathedral of Notre-Dame, Chartres, France. ca. 1145–1220 (plan)

# data[].attributes.subject
Cathedral of Notre-Dame, Chartres, France. ca. 1145–1220 (plan)

# data[].attributes.headline
Cathedral of Notre-Dame, Chartres, France. ca. 1145–1220 (outside, inside, stained glass windows)

# data[].attributes.subject
Cathedral of Notre-Dame, Chartres, France. ca. 1145–1220 (outside, inside, stained glass windows)

# data[].attributes.headline
Abbey church of Saint-Denis, France. 1140–44 (ambulatory)

# data[].attributes.subject
Abbey church of Saint-Denis, France. 1140–44 (ambulatory)

# data[].attributes.headline
Abbey church of Saint-Denis, France. 1140–44 (outside)

# data[].attributes.subject
Abbey church of Saint-Denis, France. 1140–44 (outside)

# data[].attributes.headline
Abbey church of Saint-Denis, France. 1140–44 (plan)

# data[].attributes.subject
Abbey church of Saint-Denis, France. 1140–44 (plan)

# data[].attributes.headline
Durham Cathedral, England. 1093-1130 (nave)

# data[].attributes.subject
Durham Cathedral, England. 1093-1130 (nave)

# data[].attributes.headline
Durham Cathedral, England. 1093-1130 (plan, transverse section)

# data[].attributes.subject
Durham Cathedral, England. 1093-1130 (plan, transverse section)

# data[].attributes.headline
Speyer cathedral, ca. 103-61; vaulted ca. 1080-1106 (interior)

# data[].attributes.subject
Speyer cathedral, ca. 103-61; vaulted ca. 1080-1106 (interior)

# data[].attributes.headline
Baptistery of San Giovanni, Florence, Italy. Ca. 1060-1150

# data[].attributes.subject
Baptistery of San Giovanni, Florence, Italy. Ca. 1060-1150

# data[].attributes.headline
Baptistery, cathedral, and campanile. Pisa, Italy. 1053–1272

# data[].attributes.subject
Baptistery, cathedral, and campanile. Pisa, Italy. 1053–1272

# data[].attributes.headline
Mouth of Hell, from the Winchester Psalter. Winchester, England. ca. 1150

# data[].attributes.subject
Mouth of Hell, from the Winchester Psalter. Winchester, England. ca. 1150

# data[].attributes.headline
St. John the Evangelist, from the Gospel Book of Abbot Wedricus. ca. 1147

# data[].attributes.subject
St. John the Evangelist, from the Gospel Book of Abbot Wedricus. ca. 1147

# data[].attributes.headline
Last Judgment portal by Gislebertus, cathedral of Saint-Lazare, Autun, France. Ca. 1120-35

# data[].attributes.subject
Last Judgment portal by Gislebertus, cathedral of Saint-Lazare, Autun, France. Ca. 1120-35

# data[].attributes.headline
Trumeau and jambs, south portal, church of Saint-Pierre, Moissac

# data[].attributes.subject
Trumeau and jambs, south portal, church of Saint-Pierre, Moissac

# data[].attributes.headline
South portal with Second Coming of Christ on tympanum, church of Saint-Pierre, Moissac. ca. 1115-30

# data[].attributes.subject
South portal with Second Coming of Christ on tympanum, church of Saint-Pierre, Moissac. ca. 1115-30

# data[].attributes.headline
Cathedral of Santiago de Compostela, Spain. ca. 1075–1120 (inside)

# data[].attributes.subject
Cathedral of Santiago de Compostela, Spain. ca. 1075–1120 (inside)

# data[].attributes.headline
Cathedral of Santiago de Compostela, Spain. ca. 1075–1120 (outside)

# data[].attributes.subject
Cathedral of Santiago de Compostela, Spain. ca. 1075–1120 (outside)

# data[].attributes.headline
Cathedral of Santiago de Compostela, Spain. ca. 1075–1120 (plan)

# data[].attributes.subject
Cathedral of Santiago de Compostela, Spain. ca. 1075–1120 (plan)

# data[].attributes.headline
Nave and choir, church of Sant Vicenc, Cardona, Spain. ca. 1029-1040

# data[].attributes.subject
Nave and choir, church of Sant Vicenc, Cardona, Spain. ca. 1029-1040

# data[].attributes.body
Ottonian

# data[].attributes.headline
Manuscript pages from the Gospel of Otto III, 997-1000

# data[].attributes.subject
Manuscript pages from the Gospel of Otto III, 997-1000

# data[].attributes.body
Ottonian

# data[].attributes.headline
St. Michael’s Hildesheim, Germany (exterior, plan, doors)

# data[].attributes.subject
St. Michael’s Hildesheim, Germany (exterior, plan, doors)

# data[].attributes.body
Ottonian

# data[].attributes.headline
Front cover of binding, Lindau Gospels. Ca. 870

# data[].attributes.subject
Front cover of binding, Lindau Gospels. Ca. 870

# data[].attributes.body
Carolingian

# data[].attributes.headline
St. Matthew, from the Gospel Book of Archbishop Ebbo of Reims. Ca. 816-35

# data[].attributes.subject
St. Matthew, from the Gospel Book of Archbishop Ebbo of Reims. Ca. 816-35

# data[].attributes.body
Carolingian

# data[].attributes.headline
St. Matthew, from the Gospel Book of Charlemagne (Coronation Gospels). ca. 800-10

# data[].attributes.subject
St. Matthew, from the Gospel Book of Charlemagne (Coronation Gospels). ca. 800-10

# data[].attributes.body
Carolingian

# data[].attributes.headline
Equestrian Statue of a Carolingian Ruler (Charles the Bald?). 9th century

# data[].attributes.subject
Equestrian Statue of a Carolingian Ruler (Charles the Bald?). 9th century

# data[].attributes.body
Carolingian

# data[].attributes.headline
Chi Ro Iota page, from the Book of Matthew, Book of Kells, ca. 800

# data[].attributes.subject
Chi Ro Iota page, from the Book of Matthew, Book of Kells, ca. 800

# data[].attributes.body
Hiberno Saxon

# data[].attributes.headline
St. Matthew, from the Lindisfarne Gospels. Ca. 700

# data[].attributes.subject
St. Matthew, from the Lindisfarne Gospels. Ca. 700

# data[].attributes.body
Hiberno Saxon

# data[].attributes.headline
St. Matthew, from the Book of Durrow, ca. 680.

# data[].attributes.subject
St. Matthew, from the Book of Durrow, ca. 680.

# data[].attributes.body
Hiberno Saxon

# data[].attributes.headline
Purse cover, from the Sutton Hoo ship burial. First half of 7th century

# data[].attributes.subject
Purse cover, from the Sutton Hoo ship burial. First half of 7th century

# data[].attributes.body
Anglo Saxon

# data[].attributes.headline
Gold buckle, from the Sutton Hoo ship burial. First half of 7th century

# data[].attributes.subject
Gold buckle, from the Sutton Hoo ship burial. First half of 7th century

# data[].attributes.body
Anglo Saxon

# data[].attributes.headline
Bichitr, Jahangir Preferring a Sufi Shaikh to Kings from the "St.   Petersburg Album," 1615-1618

# data[].attributes.subject
Bichitr, Jahangir Preferring a Sufi Shaikh to Kings from the "St.   Petersburg Album," 1615-1618

# data[].attributes.headline
Court of the Lions, Alhambra, Granada, Spain. Mid-14th century

# data[].attributes.subject
Court of the Lions, Alhambra, Granada, Spain. Mid-14th century

# data[].attributes.headline
Madrasa of Ulugh beg, Samarkand, Uzbekistan. ca. 1435

# data[].attributes.subject
Madrasa of Ulugh beg, Samarkand, Uzbekistan. ca. 1435

# data[].attributes.headline
Dome of the Rock, Jerusalem. ca. 690 and later

# data[].attributes.subject
Dome of the Rock, Jerusalem. ca. 690 and later