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The fall of Marshall Konev, or, his statue, which used to be part of a memorial to the end of WWII erected in 1982, dismantled in 2021 ... the socialist aesthetics and geopolitics meet, aesthetic(s) is political, intentionally or not 

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The fall of Marshall Konev, or, his statue, which used to be part of a memorial to the end of WWII erected in 1982, dismantled in 2021 ... the socialist aesthetics and geopolitics meet, aesthetic(s) is political, intentionally or not 

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Kafka's head by Czech artist David Černý in front of the new multi-functional development housing offices, shops, supermarkets, food-court, restaurants and some of the most expensive flats in the centre of Prague; aesthetic(s) is political, intentionally or not and I wonder about the shiny aesthetical srfaces mirroring the up-market venues and what they tell us about the politics of (urban) development as well as class differences in one of the europena cities most expensve to live in ...

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image search results for "visual culture collective engagement" (I found it interest to see the group of images generated by the search engine, rather than any one image in particular. The list of key terms across the top is also interesting to me – I didn't know about this feature)

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It is a World where your body is constructed by the supremacy  

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Zanele Muholi describes herself as a visual activist and has been documenting the lives of South Africa's Black LGBTQIA+ community since the early 2000s.

I find her work interesting because she uses a very conventional aesthetic form - the black and white portrait - to work with questions of representation and with attributes of ascription to the other and to the self. It is a form of reuse and artistic adaptation that points semantically in multiple directions.