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An impersonal image not influenced by feelings, interpretations or prejudice. To create an unbiased photographic image or documentary.

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Subjective photography was an international movement founded in Germany by the photographer Otto Steinert in 1951 which championed photography that explored the inner psyche and human condition rather than reflecting the outside world.

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Unless you have permission from the photographer, you can't copy, distribute (no scanning and sending them to others), publicly display (no putting them online), or create derivative works from photographs.

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illumination from behind

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A photo of two things with a contrasting effect.

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Is defined as an area or object within the artwork that draws attention and becomes a focal point.

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A very powerful method of improving the composition of photos. If used correctly lines can make a big impact on the image.

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Diffuse reflection is the reflection of light or other waves or particles from a surface such that a ray incident on the surface is scattered at many angles rather than at just one angle as in the case of specular reflection.

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frame the shot so that one or more identical or similar subjects are repeated symmetrical on each sides of a given point.

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A two dimensional area confined by a line. Shapes are created when the ends of lines meet.

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Ambient light means the light that is already present in a scene, before any additional lighting is added.

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Colors effect photos by making them alive, and warm with darker colors and cold with lighter colors.

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Contrast is a tool that photographers use to direct viewers' attention to their subject.

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Determines how big or small photo is, and how its printed size is.

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Pattern: Shapes, colors, and objects in regular or irregular formations.
Repetition: repitition of shapes and colors in patterns.

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the treatment of light and shade in drawing and painting.

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Proportion: is comparing one things size to another.
Scale: Providing compositional elements to make photos three dimensional.

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Movement: Slowing down shutter speed, creating a blur to photos.
Rhythm: Patterns leading the human eye easily in photos.

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A keeper of photography in a museum.

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image of person, place, or thing in the color of black

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When two or more elements make a whole in an image.

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A symbol, word, or words legally registered or established by use as representing a company or product.

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Texture is made to bring focus to the surface detail.

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camera's shutter speed and f-value.

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The surrounding space of the main object in the photo.

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Genres are different types of photography based on different techniques

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135 or 35MM Film is the most common film format in photography. The standard image is wide at 24x36mm.

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If you live in the US and want to see a Paramount movie on 35mm, you're going to have to go and watch Anchorman 2. Well, it is described as "nearly as funny as its predecessor" on Rotten Tomatoes

In a move that surprised absolutely nobody and drew a mumbled imprecation of "well, it was only a matter of time" from observers such as yours truly, Paramount have, in the breathless phrasology of headlines, "axed distribution on 35mm." Despite the fact that this was always the express intention of digital projection, less level-headed industry commentators - or people with nice home cinema systems who like to sound traditionalist - have taken the opportunity to hyperventilate, again, about the perceived inadequacy of digital cinema, even though the basic 2K systems are objectively better in terms of resolution, noise and steadiness than 35mm after four duplications could ever be.

But enough snarky asides. The downside here has really already occurred: film labs always survived not on the relatively small volumes of material created by shooting films, but on the much larger volumes of print distribution. In the US, at least, this business has been in terminal decline for some time, and while there's no comfort in the further whittling away of that revenue stream, the lion's share of the damage to the availability of photochemical services is already done.

Tipping point?

People have been claiming that the tipping point came surprisingly quickly. It really didn't. I've said this before, but the replacement of film as both a production and distribution medium was put off for year after year as the industry agonised over the adequacy of cheaper electronic replacements. We may complain about producers, but I can't think of many other industries - outside the safety-of-life issues inherent to things like aerospace, medicine and the military - which have been quite as able to keep the people in authority interested in quality.

The place where a withdrawal of 35mm prints will cause more grief is in the developing world. India is an interesting example because they have a thriving indigenous industry which will presumably keep producing stuff for local consumption as a 35mm print until the business need to do so goes away. This, arguably, is what Paramount have done, not that the idea is much comfort to owners of small independent move theatres who don't have the $50,000 to $100,000 required to refit a screen. But the current Paramount decision doesn't affect less technologically and financially equipped places anyway: it applies only to US distribution.

So the real shame is that 8% of screens in the US aren't capable of showing DCPs at all, and that this group of exhibitors probably overlaps with some of the older, more historic electric picture palaces. Some have been frantically fundraising to cover the refit costs, and some, inevitably, have been forced to shut down. It will be a shame if the move to digital projection, something jealously guarded for technical quality, actually ends up condemning us all to the small-room multiplex experience in a big corporate-owned cinema, because that's not the point of having a decent cinema infrastructure in the first place.

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RedShark News - The End of 35mm film distribution. Cinema will never be the same: It will actually be better.

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If you live in the US and want to see a Paramount movie on 35mm, you're going to have to go and watch Anchorman 2.

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A Twin Lens camera has two objective lenses with the same focal length. One of the lenses captures the picture while the other views above waist level.

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The truth based on previous information you already know.

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Using someone else's work and claiming it's yours.

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A Large Format camera takes big pictures at 4x5 and 8x10, which is better quality.

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When similar parts face each other around an axis showing symmetry.

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Gelatin Silver process is the photographic process used with black-and-white films and printing papers.

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A public display of photography in a museum.

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A photographic technique used to bring focus to a subject.

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A large room used for exhibition of pictures.

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The action of one object coming forcibly into contact with another.

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Parts in a photo that fail to correspond to one another lacking symmetry.

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the quality of being particularly good or worthy, especially so as to deserve praise or reward.

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Form of protection to the photographer who took the photo.

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Criticizing other photographers work in a constructive way.

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Symmetry around a central axis like a flower or starfish.

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to think deeply or careful about.

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Harmonious photography presents a calm, tuneful image.

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The Rule of Thirds is applied by aligning a subject with the guide lines and their intersection points, placing the horizon on the top or bottom line, or allowing linear features in the image to flow from section to section.

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A special number found by dividing a line into two parts so that the longer part divided by the smaller part is also equal to the whole length divided by the longer part.

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Warm colors are often said to be hues from red through yellow

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cool colors are often said to be the hues from blue green through blue violet, most grays included.

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The three traditional sets of complimentary colors, as derived from the Red-Yellow-Blue color model, are red and green, yellow and purple, and orange and blue.