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Translate Dutch to English

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COPYRIGHT - Trine Panum har ophavsretten til alle malerier, fotos og tekster på denne hjemmeside. Unika værkerne er beskyttet imod efterligning, reproduktion, kopiering, seriefremstlling osv. ifølge den danske ophavsretslov.+45 60213359 / mail: art@trinepanum.dk

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ABSTRACT LANDSCAPE

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ALLISON GILDERSLEEVE | FORTRESS | Robischon Gallery Web site

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ABSTRACT LANDSCAPE

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DIANE CARR | AROUND | Robischon Gallery Web site

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ABSTRACT LANDSCAPE

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TRINE BUMILLER | TREE OF CLOUDY INTENTIONS | Robischon Gallery Web site

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LANDSCAPES

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ERIC AHO                    DC MOORE GALLERY

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ERIC AHO                    DC MOORE GALLERY

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William Kocher &                          Ben Frank Moss

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William Kocher &                          Ben Frank Moss

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Landscape:                              Place, Time,                      Experience                                   and Memory

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Landscape:                              Place, Time,                      Experience                                   and Memory

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Landscape, Place, Time, Experience, and Memory.18.@150dpi

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       Spencer Finch           Tate American Artist             Lecture

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       Spencer Finch           Tate American Artist             Lecture

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Over the last three decades, Spencer Finch has been working across various media including painting, drawing and sculpture although he is best known for his large-scale light installations. Finch uses a scientific approach to convey the ephemera of memory and experience, measuring the light and colour of another time and place to re-create the effect of that particular moment. Avoiding theatrical sleights of hand, he likes to reveal the materials and simple technical processes by which the atmospheric illusions of his installations are produced.

Spencer Finch is the fourth speaker in the American Artist Lecture Series, a partnership between Art In Embassies, Tate Modern and US Embassy London. It seeks to bring the greatest living modern and contemporary American artists to the UK in the name of cultural diplomacy.

Biographies

Spencer Finch

Finch is best known for ethereal light installations that visualise his experience of natural phenomena. His investigations into the nature of light, colour, memory and perception proceed in watercolours, drawings, video and photographs. Finch distills his observations of the world into glowing abstract colour but also diverts them through cultural and historical filters: in homage to Emily Dickinson's 1862 poem 'Before I got my eye put out', he measured the sunlight in her Massachusetts garden then recreated the effect of a passing cloud by means of fluorescent tubes covered in gel and suspended theatre filters. Finch was born in New Haven, Connecticut in 1962 and lives and works in Brooklyn, New York. He has a BA in comparative literature from Hamilton College, Clinton, New York (1985) and an MFA in sculpture from the Rhode Island School of Design (1989). Solo exhibitions include Indianapolis Museum of Art, Indiana (2013), the Art Institute of Chicago (2011), Massachusetts Museum of Contemporary Art, North Adams (2007) and Portikus, Frankfurt am Main, Germany (2003). He participated in the Folkestone Triennial, UK (2011) and the 53rd Venice Biennale (2009).

Sacha Craddock

Craddock is a freelance writer, critic and curator. Former Director of Programme at Max Wigram Gallery 2011- 2012. Co founder and curator of Bloomberg Space 2002- 2011 and active Chair of the Board of New Contemporaries from 1996 as well as Chair of the selection process for 17 years. Craddock is Chair of Braziers International Workshop; co-founder of Artschool Palestine, a Public Art Advisor for the Royal Borough of Kensington and Chelsea, Member of the Curatorial Board of Fondazione MACC, Sardinia, Member of Council Abbey Awards for British School at Rome as well as founder of Fellowship in Contemporary Art at British School at Rome. Craddock also works as a post-graduate tutor at the Royal College of Art. After studying painting at St Martins and then Chelsea School of Art, Craddock started to write criticism for the Guardian Newspaper and then the Times. She has curated a large range of exhibitions including a six year programme of contemporary art for Sadlers Wells. Recent essays include those on Angus Fairhurst, Richard Billingham, Edgar Davids, Mustafa Hulusi, Heri Dono, Rosa Lee, Art and Youth for Turner Contemporary and London in the 1970s.

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American Artist Lecture Series: Spencer Finch

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Over the last three decades, Spencer Finch has been working across various media including painting, drawing and sculpture although he is best known for his large-scale light installations. Finch uses a scientific approach to convey the ephemera of memory and experience, measuring the light and colour of another time and place to re-create the effect of that particular moment.

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RISD Student Drawing and Plant Form Explorations

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RISD Student Drawing and Plant Form Explorations

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11 Female Abstract Expressionists Who Are Not Helen Frankenthaler

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Abstract Expressionism is largely remembered as a movement defined by the paint-slinging, hard-drinking machismo of its poster boys Jackson Pollock a...

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The Artist Project | The Metropolitan Museum of Art

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The Artist Project is an online series in which artists respond to The Met's encyclopedic collection. 100 artists-local, national, and global-choose works of art that spark their imaginations.

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Gunpowder on Canvas

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Chinese artist Cai Guo-Qiang uses gunpowder to create two kinds of art. First, there is a performance event where Cai ignites gunpowder on huge canvases. Marked by the explosion, the new canvases reveal designs that resemble forces in nature such as tornadoes, earthquakes and volcanoes.

Anticipation is a big part of Cai's visually stunning performances. Recently at the Museum of Contemporary Art in Los Angeles, 25 volunteers helped Cai prepare his canvases for a large-scale production. A feeling of wired expectation streamed through the high-ceiling-ed room.

To begin the artistic process, Cai sprinkles black gunpowder over enormous panels laid out on the floor. As he dances over the panel in slippers, Cai drops bits of cardboard and makes playful swirling movements with his arms.

Once the panel is prepared, Cai sits down on a chair and a coordinator alerts the audience to put on their gloves, goggles, booties and masks. As the volunteers pick up a giant cardboard stencil and slowly lay it over the canvases, Cai announces through his interpreter that he is ready to start the explosion.

"I need to hear a response, are all the volunteers ready?" he asks. "Are all the cameras ready?"

See the ignition of Cai Guo-Qiang's gunpowder drawing, Desire for Zero Gravity:

With everything in place, Cai lights a fuse which sets off a bright, loud explosion that lasts only a few seconds. Smoke fills the room and chaos ensues as the assistants tamp out the flames with bundles of cloth and quickly remove the ragged stencil.

As the smoke settles, a cosmic skyscape - burned into the canvas during the explosion - is exposed. The works reveals Cai's imaginative use of explosives. His compositions display silhouettes inspired by nature with windy shapes blown across the canvas in dark browns and grays.

"He described it as a volcano but it looks like a tornado in the middle," says Geraldine Chung, an onlooker. "I don't know how he can anticipate the way things are going to come out."

Although Cai's thought-provoking work is marked by careful preparation, the designs on the canvases are a product of spontaneous action.

"There's always a prevalent sense of anxiety and uncontrollablity in the work - and that's a lot like life," he explains.

Cai's next explosion is set for April, to open his MOCA exhibit.

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Gunpowder On Canvas: Literally Explosive Art

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At the Museum of Contemporary Art in Los Angeles, Chinese artist Cai Guo-Qiang uses a technique to burn shapes into canvases by creating huge gunpowder explosions with the help of volunteers. Cai explains that throughout the pyrotechnic process, "there's always a prevalent sense of anxiety."

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Portfolio & Adv. Portfolio

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Remembering the Future

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Having achieved fame and notoriety in equal measure in the 1980s, Anselm Kiefer has become one of the world's most singular and successful artists. Working with themes of history, memory and mythology, Kiefer produces work that is consistently controversial and monumental in its scale and ambition.

In this film for the BBC's 'Imagine' series, Alan Yentob joins the artist at his studios in France and Germany as he prepares for a retrospective at the Royal Academy. In a series of frank interviews against the backdrop of his awe-inspiring studios, Kiefer discusses the forces that drive him, installs a selection of new work, and explains why he is as excited and driven by his practice now, at the age of 69, as he was when he began.

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Jen Mann is a Canadian Artist based in Toronto. Working mainly in large scale contemporary portraiture.

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Julie Mehretu on Velázquez's Juan de Pareja | The Artist Project Season 1 | The Metropolitan Museum of Art

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"Looking at his expression I'm moved, almost to tears. That's not often that a painting can do that."

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This Is a Portrait If I         Say So: Identity in               American Art,                1912 to Today

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This Is a Portrait If I         Say So: Identity in               American Art,                1912 to Today

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Bowdoin College
Museum of Art

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This Is a Portrait If I Say So: Identity in American Art, 1912 to Today

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Featuring iconic American Artists such as Marsden Hartley, Alfred Stieglitz, Robert Rauschenberg, Yoko Ono, Roni Horn, Glenn Ligon, and others, this timely and groundbreaking exhibition includes more than 60 abstract, symbolic, and conceptual portraits across a wide range of media - reexamining over a century of portraiture and inspiring new ways to see ourselves and others.

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Visual Art and Design Arts

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Start your online application to National YoungArts Foundation in Miami, Florida at Acceptd!

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The Self-Assessment Process

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Art, Design, and Architecture