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The sculpture which Jennifer has created is a morph of a human and wolf creature as it transforms from one entity to another.
Technically, this piece is highly accomplished, especially considering Jennifer doesn't have a background in ceramics. There is variety is the techniques she has used and the marks shes makes while the cloth structure placed over the creatures head is particularly successful.
If I could offer any constructive criticism, it is that this piece has the potential to be explored further and morphed into something even further from human.

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Richard Zakin              Ceramics: Mastering the Craft

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Richard Zakin              Ceramics: Mastering the Craft

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I sourced this book in the library for further guidance on some useful techniques when creating ceramic pieces.

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I followed my plan of rolling a slab for the base of the lung, creating a sturdy structure to work on top of

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I then decided coil building was the best option for the style of work I was creating, as the coils were easily to manipulated and curve in their soft/moist form.

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Boats and boating--Equipment and supplies

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The lung 'shell' when the slab and coil building was completed. The scrunched up newspaper supported the weight of curled in clay as it dried, but was forgiving enough to allow shrinking which naturally occurs during the drying process.

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This was quite a spontaneous  process in some respects as my decisions about the kind of objects I would create and the placement of them changed as I went through the creative process.
These structures represent consuming illness and mutation but are also symbolic planet structures

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The heart is a representation of the physical organ but also symbolic of emotion toll taken by weakening and mutation of the body.

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I improvised a lot with the tools I had during this process and created these circular marks were simply created using the end of a brush handle.

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As I created the objects, I experimented with various arrangements within the lung structure.

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The breathing apparatus appears redundant and abandoned, making reference to rebellion and unwillingness to admit defeat or accept help.

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The completed structure.

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The dominoes, symbolize 'the domino effect' that can sometimes be caused by illness. One sickness causes another, and this knock on effect can be devastating on the human body
The wavy deisgn on the surface of the dominoes were accidentally created by the marks made using a craft knife to cut through the clay

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Nevena Kostic is a Serbian artist exploring metamorphosis of human and animal with an emphasis on the human body and it's relationship with understanding and acceptance. I discovered this artist during my printmaking research and feel that her work is necessary for the current work shop as I wish to take the imaginative quality of my work on a further investigative journey.

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This is a photoshop manipulation of a drawing from sketchbook. There are multiple mouths gasping in the image and they are arranged in the formation of a lung. This could potentially be a ceramic piece exploration the nature of my subject matter of the effects of illness on the human physically but more so mentally.
This is what I imagine is happening inside the body of the person when they are riddle with infection. Their lungs struggle and quiver with every breath and I visualise all the little cells releasing and collecting air as being mouths opening and closing, gasping for breath. This is not only physically symbolism, but is reflective of the mental aggravation that is caused by being unable to carry out one of the bodies innate functions; breathing.

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My visual research for Ceramics stems from the artistic inquiry of my print workshop. For printmaking, I investigated the realm of metamorphosis, more specifically focusing my exploration on the biological process of metamorphosis in the human condition.  The incorporation of plant life as part of the organ itself are symbolic of the natural processes the body undergoes throughout life, but they are also reflective of the deceptive quality  of metamorphosis. The process is generally associated with the caterpillar becoming the butterfly, however metamorphosis isn't always such a beautiful transformation that most of us believe it to be.

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This drawing best describes my visualisation of the realised ceramic sculpture. The objects are reflective of a mixture of mental and physical manifestation, symbolization feelings of alienation that can be associated with physical illness and mental suffering. The drawing suggests something other wordly or alien.

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This print is symbolic of an individual in my life and their struggle with Chronic long term illness. The illness not only restricts their breathing, but sometimes restricts the way they are able to fully interact with everything life has to offer them. Dealing with the illness since birth has taken it's toll mentally and frustration and despair often consume their whole outlook on life.

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The work of this artist is delicate and beautiful. For this piece she has worked in porcelain to create a sculptural piece responding to 'environmental stressors' such as climate change and toxic pollution. Her work is influential to my work not just for the physical form but also the conceptual value.

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Following suggestions from classmates, I have decided that it is best both aesthetically and technically to build the shape of the lung from the base up, and create the object inside in a relief style.