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Speak Like No One in Particular is a new theatre about finding a voice to speak, by Hungarian theatre maker Eszter Némethi . Following the changes of her voice and coming up 'against it' while researching borders and boundaries at a.pass, Belgium, Eszter now embarks on the making of a deeply personal research tracing the thinning/silencing/changing/strengthening/fracturing of her own (artistic, political, and spoken) voice, and she is inviting you to be a part of it.

In 2019 while attending an arts event, Eszter was told that she can not experience racism because she is white and so long I do not speak I could appear to be a local. Eszter became interested in both her misconceptions on racism, and what happens to the voice as we cross borders.

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b.1987, Budapest

I  am a theatre maker, curator and researcher. I am interested in the space between people, contexts and ideas and creating structures (practical, dramaturgical and spatial) that can be inhabited by others. Coming from a background in documentary theatre, over the last years I have been developing a site-responsive practice of reading 'border metaphors' and the liminal spaces of border zones in collective ways, trying to both highlight and queer the narratives constructing them. This often combines play, pedagogy and reading as methodologies, inviting the audience to activate and inhabit the work. I am interested to explore the relation of public spaces and border zones in the way in which they are sites of the emergence of narratives of communities regarding themselves.

I hold an MA in Social Practice and the Creative Environment (LSAD) and I am a recent graduate of the a.pass (advanced performance and scenography studies) post-master research programme in Brussels. From '15-'19 I was the curator of Quarter Block Party's Public Art strand. In recent years my work was presented at Kanal-Centre Pompidou, Monty, De Markten, Cork Midsummer Festival, Dublin Fringe Festival, Galway Arts Centre, Pallas Project/Studios, North Main Street, different Irish Paediatric wards and strange fields in Brussels.