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Cultural branding to aid urban sustainability

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Cultural branding to aid urban sustainability

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I delivered at presentation at 15th Conference of Innovation & Entrepreneurship this Sept. on City of Culture's roles to foster the urban sustainable development

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Archive television & Coventry's history.

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Archive television & Coventry's history.

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I wrote a blog about the screenings I ran in Foleshill recently which can be found here: https://warwick.ac.uk/fac/arts/film/tvhistories/blog/foleshillscreenings

The online screening can be found here:

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A research project curated by Kat Pearson, PhD student at the University of Warwick, in which she uses the MACE collection to delve into the screen history of Foleshill in Coventry.

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Coventry 2021 Resources from Warwick Website

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Coventry 2021 Resources from Warwick Website

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https://warwick.ac.uk/about/cityofculture/researchresources/

https://warwick.ac.uk/about/cityofculture/get-involved/

Monitoring and Evaluation documents are in a tab on this site

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HAVE YOU ENJOYED THIS EVENT? PLEASE PUT A ONE WORD REFLECTION IN THE COMMENTS BELOW:

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HAVE YOU ENJOYED THIS EVENT? PLEASE PUT A ONE WORD REFLECTION IN THE COMMENTS BELOW:

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SHOULD Coventry/Hull/Derry have been given the title?

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SHOULD Coventry/Hull/Derry have been given the title?

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Who's job is it to be critical? Artists? Academics? Residents?

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Who's job is it to be critical? Artists? Academics? Residents?

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Funding diversion based on what event is happening, does this impact on the health of local artistic ecosystems outside Coventry, especially in the context of the overlap with the Commonwealth games in Birmingham 2020

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Difficult narratives in Cities of Culture

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Difficult narratives in Cities of Culture

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How are difficult narratives presented, avoided or desired in a year of culture?

Has there been a focus on medieval history to ensure shared histories, or as a way to safely discuss difficult topics?

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The Blitz in Hull 2017...and Coventry 2021?

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The Blitz in Hull 2017...and Coventry 2021?

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I'm interested in the complex relationship between street artists and local authorities/groups like the City of Culture Trust. I've written a bit about this before and have lots of thoughts! Funders supporting particular artists/supporting the creation of new "permitted" spaces for street art, while at the same time (trying to) defining the terms by which something is art and not "vandalism". Plus we see the use of street art as a tool for gentrification too. Would love to talk with you about this.

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Does Social Media have an influence on enforcing Racial Hierarchies in the City? Particularly looking at BLM protests and the message behind them.

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To what extent do we see dissenting parties being brought into the fold, or their dissent presented as Scrooge-like anti-festive sentiment, during previous and current Cities of Culture? (ED)

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What is the relationship that activism has in challenging or enforcing racial hierarchies in the contexts of Cities of Culture, and how does it compare to other years?

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Where are the tensions in the use of technology and the aims of City of Culture?

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As researchers from Hull have mentioned, volunteers form a key part of the policing/stewarding process. As we have seen this year, voluntary Covid-19 stewards have offered to act on behalf of authorities and remind people of the social distancing guidelines in public spaces. How may this look for the volunteering communities during 2021, if performances and events may need to be socially distanced? EH