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Long standing Glasgow based promoter that promotes shows at all levels from Audio to the OVO Hydro. Promoters of Stag and Dagger festival.

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1. Independent Venues

Representative venues:

King Tut’s Wah Wah Hut (well-known independent music bar)

Nice N Sleazy (alternative music bar)

The Hug and Pint (small live music bar)

Management model:

These venues are usually operated by private enterprises or small music companies and maintain a high degree of independence.

Because the venues are small, the operators can directly contact bands and DJs and plan the performance schedule independently.

Rely on live performance income, ticket sales, alcohol revenue, and some support from arts funds.

Business model:

Ticket sales: usually low-priced (£5-£20), suitable for promoting emerging bands.

Beverage sales: the main source of profit, providing unique craft beers and cocktails.

Venue rental: some venues can be used for private events or brand events.

2.Traditional Theater Model (Theatre & Cultural Venues)

Representative venues:

The King’s Theatre (Musicals & Drama)

The Pavilion Theatre (Comedy & Variety Shows)

Management model:

These theaters are usually managed by large theater management groups (such as ATG Theater Group) or cultural foundations.

A standardized management model is adopted, including performance arrangements, ticket operations, theater maintenance, marketing and other departments.

Supported by government cultural subsidies and art funding, some theaters will receive grants from the Scottish government and cultural organizations.

Business model:

Ticket sales: high ticket prices (£20-£100+), long-term planning of popular repertoires, such as "The Phantom of the Opera" and "Les Miserables".

Theater rental: can be used for private performances, company annual meetings or brand events.

Cultural subsidies: The government and cultural institutions provide financial support to maintain operations.

3.Arenas & Large Music Venues

Representative venues:

OVO Hydro (Scotland's largest performance venue, accommodating 14,300 people)

Barrowland Ballroom (historic music venue)

SWG3 (a multi-functional venue combining art, music and creative industries)

Management model:

Managed by large entertainment groups or governments in cooperation with private enterprises, for example:

OVO Hydro is operated by the Scottish Exhibition and Convention Centre (SEC) and cooperates with performance companies such as Live Nation.

Barrowland Ballroom is an independent venue managed by a family business and maintains its unique style.

SWG3 adopts a creative business model, integrating nightclubs, art exhibitions and performances.

Business model:

Ticket sales: Popular concerts have higher ticket prices (£50-£200+), and stable income.

Catering sales: Provide VIP bars and high-end catering services to increase profit margins.

Venue rental: corporate events, large exhibitions, brand launches, etc.

Sponsorship and advertising: For example, OVO Energy sponsors the naming rights of OVO Hydro venues.

4.Clubs & Electronic Music Venues

Representative venues:

Sub Club (Techno & House music club)

The Garage (Glasgow's largest nightclub)

La Cheetah (small electronic music club)

Management model:

Operated by independent nightclub companies or music promotion companies, such as Sub Club, which is managed by a DJ operation team.

Membership system, special event nights (such as "Techno Tuesday", "Disco Night"), etc. are used to attract specific audiences.

Rely on brand promotion and internationally renowned DJ residencies to attract audiences, such as inviting well-known DJs such as Peggy Gou and Carl Cox.

Business model:

Ticket sales: Ticket prices are generally between £10-£50, and tickets are higher during peak hours.

Beverage sales: The main source of profit for nightclubs, providing high-end cocktails and bottled wine.

DJ & sponsorship cooperation: brand sponsorship, music festival cooperation (such as Sub Club's cooperation with Red Bull Music).

5.Public Music and Cultural Space (Community & Non-Profit Venues)

Representative venues:

The Glad Café (music + community cultural space)

Mono (music + independent bookstore + vegetarian restaurant)

Management model:

Operated by a non-profit organization, mainly supported by the community, and part of the funds come from the government and cultural funds.

Provide free or low-cost music performances to support local artists and independent musicians.

Business model:

Tickets and donations: Some performances are free and accept donations.

Food and beverage sales: Income from coffee, vegetarian food, etc. is used to support operations.

Book & vinyl sales: Some venues have both independent record stores and bookstores.

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Voted "Best Live Music Venue in the UK" by NME

Style: Indie rock, folk, emerging bands

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It is one of Glasgow's most iconic live music venues and is loved by music fans and bands.It seats 1,900

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It is one of Glasgow's oldest independently operated theatres, renowned for its comedy and light entertainment performances. It can accommodate 1,449 people.

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Pavilion Theatre, Glasgow | Official Website

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The only place to buy tickets for all events at Pavilion Theatre in Glasgow. View what’s on, venue information including seating plan.

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It is one of Glasgow's most iconic theatres, famous for Broadway and West End musical tours. It was established in 1904 and has a capacity of 1,785.

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Plan Your Visit to King’s Theatre, Glasgow | ATG Tickets

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Visit ATG Tickets if you’re planning a visit to Kings Theatre soon. View seating plans and find out where to enjoy a pre-show refreshment online today.

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OVO Hydro is a multi-purpose indoor arena in Glasgow, located within the Scottish Exhibition and Convention Centre. Since its opening in 2013, OVO Hydro has become one of Scotland's largest entertainment venues, with a maximum capacity of 14,300 spectators. It regularly hosts international concerts, entertainment and sporting events, attracting more than one million spectators each year.

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Sign Up | Email Newsletter | The OVO Hydro | OVO Hydro

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Sign up to The OVO Hydro email newsletter to be kept up to date with the latest event and venue news.

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Their name means bold in Scotland – which is entirely apt for this dynamic indie-punk band

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Every city has its sound-Manhattan's taxi commotion and Sydney ferries, or Cairo's car horns and New Orleans' trumpets in the streets-though try and define it too much and you'll miss the music of the place. To be a good traveler, you really only have to listen.

I've been listening to Glasgow since the eighties-ever since I popped The Jesus And Mary Chain into my cassette player and turned it over and over again for a good six months. Pretty soon I was dreaming of Scotland-any band that makes you open an atlas is a good band.

Thirty years on, the greatest music (like The Twilight Sad) still comes from Glasgow, and I admit that so much of my love for this city lies in the tremendous music it has born. Thus I find myself at a table, in the Glasgow Botanical Gardens on a sunny Sunday afternoon, shooting questions at Francis Macdonald, drummer of Teenage Fanclub, and manager of Glasgow bands Camera Obscura, Attic Lights, and The Vaselines.

"Well, [Glasgow] is a big city-it's the biggest city in Scotland and the fourth largest in the UK-so it's a natural destination for students," explains Francis. " Belle and Sebastian, or Camera Obscura, or The Commotions -these are bands that formed with University of Glasgow students who are not originally from Glasgow. People come go to Glasgow to study and then meet like-minded creatives."

"I think if you like music from Glasgow, you go there," he adds, "The next wave of music fans find each other and form bands.

"So, you're saying that this is not just phase or some moment-it can continue?" I wonder.

"Yes. It's cyclical thing-it can and will keep happening," he confirms, and I am glad.

Francis pauses thoughtfully before continuing, "I suppose Glasgow is big but also manageable-it's a nice size. You can navigate it and you can bump into people easily. Each generation influences the next, people are still coming here because they like Glasgow bands-so there's a self-fulfilling thing going on."

Francis mentions the band he plays with now, Teenage Fanclub, which at 24 years on, is still referenced as one of the most influential groups from Glasgow. What's it like to be a part of such formative music?

"I don't feel like I can sit here and say that I'm flattered because I wasn't really involved in making these earlier records. I can probably talk about them in the third person-Teenage Fanclub influenced me. When I first met Douglas and Norman, I felt wet behind the ears because I hadn't heard of the Velvet Underground and didn't really understand what was going on. I had a lot of catching up to do."

"But so many different bands around the world mention Teenage Fanclub specifically," and they do. I'm amazed how many times I hear that reference from bands on both sides of the Atlantic.

"Yes," Francis agrees. "Like Mogwai and Snow Patrol. I think often with musicians, professional jealousies can bubble over, so it's refreshing that a band can seem unusually supported or thought fondly of by their peers. There was a period when Teenage Fanclub was compared to Dinosaur Junior, but when Bandwagonesque came out, every interview seemed to name check Big Star specifically. Norman has this theory that maybe if the band had been more successful, some of that would have fallen away, but the fact is, we were never really a threat [to the others].

"But there's also a charm and a sense of humor in the music, something non-threatening about them. It's melodic and positive, fun and new-it's this attitude like, 'why don't we try this?' It's not reinventing the wheel, per se, just presenting it differently."

"So, you would say that Glasgow has an eclectic taste?" I state the obvious.

"I think it's a big city. You know- Daft Punk had their first single out on a Glasgow label. There's a common thread and if you really want to, you can join the dots, but it wouldn't be productive. I think you'd miss something. I think it's interesting that Stuart from Mogwai can talk about Teenage Fanclub because I would never have guessed that. It's unusual-not a given. Band members themselves have very different tastes. One listens to Northern soul, and I'm trying to catch up with classical music and minimalism, or Tracyanne loves Fleetwood Mac and a lot of eighties mainstream pop, you know, you think you're not supposed to like that. Gavin's mad for Manchester bands and New Order. So any band you choose, there's a list of all these things going on."

"Yes, one of the members of Camera Obscura mentioned how they were listening to a lot of Afro-pop," I recall.

" Lee-the drummer. If you listen, the song ' Every Weekday' has some nice Afro pop beat in it," Francis sings out a few notes of the song from the band's latest album, Desire Lines.

As a band manager, he claims no creative input-just says that he points out the tea kettle and shuts the door and "let's them get to it." But it's obvious he has an ear for sound and I was keen to hear his take on the city's newest voices.

"Well, I'm not great at seeing three different bands in one night-life is too short for me to do that now," and he stares at me, knowingly. The night before, I went out to three different venues and heard three very different bands: a traditional Celtic folk band, a rather unique and moody alt rock trio, and a jumpy Scottish hip hop ensemble. So, not your typical Saturday night.

"But check out Aaron Wright," he offers. "He lives in Edinburgh but comes to Glasgow to work-an amazing talent. He's someone you should be aware of.

Naturally, a number of Edinburgh musicians (like Frightened Rabbit) end up playing and recording, or even living in Glasgow. It's a bigger city, with more venues, and according to one guitarist I spoke with, has much better crowds.

Francis agrees, "I have a sister in Edinburgh who comes to Glasgow and says the shopkeepers talk to her and her children in a way they just don't do over in Edinburgh."

The friendliness of Glasgwegians is evident, even to a short-term visitor like me.

"There is a friendliness here-an old socialist "we're in it together" thing," and then Francis tells me about an upcoming Scottish film, made by Felipe Bustos Sierra. Nae Paseran tells the story of a nearby factory in East Kilbride, where in the 1970's, workers blocked munitions intended for Chilean dictator Pinochet.

"So Felipe found these old workers-now pushing 80, and he interviewed them-just these guys in the west of Scotland, working men, doing the right thing, taking their stand, and nobody would know about this if he hadn't shone a light on it."

There's no question that Glasgow's history of labor and the post-industrial present are an imperative force behind the music, film, and art that comes out of this city. Francis worries that the digital age might be changing that culture.

"It's almost as if this mentality of us being bred out of us. We are getting distracted with crap and gadgets. You know, there's atrocities carried out in our names-but meanwhile, we're concentrating on the latest operating system of iPhones. In less enlightened times, when information was harder to come by, these people were informed and they took a stance-everyone needs to see this film. There is a thing in Glasgow-there's a reason why Tories don't get MPs in Scotland."

And this is the very reason Francis Macdonald loves his city. Glasgow is friendly, it's real, and in many ways, it's beautiful.

"I like the sense of humor, here-I like how people interact in a down-to-earth manner. I think the city has nice architecture. Glaswegians forget that because they don't look up enough to notice it. It's only been the last few years I've fully realized that this was going to always be my home-I've come to celebrate this city and am pleased with it."

But Glasgow is not all smiles and laughs and nice architecture, and Francis knows this too well. The city's reputation for hard lives and hard times dates back to the industrial revolution and the epic shipbuilding enterprise that dried up decades ago. Persistent high rates of unemployment, poor quality housing estates, and cultural alienation contribute to the lowest life expectancy in the United Kingdom and one the highest mortality rates in the European Union.

In a way, the city's massive music culture may serve as a sort of self-administered urban therapy.

On their just-released album Nobody Seen Nothing, Hector Bizerk's lead singer Louie poignantly raps, "I was two years old at my mother's eighteenth."

"Is that true?" I ask him, on a phone call following his live show on the basement stage of Glasgow club Stereo.

"Yes, it is," he says, and tells me about his own life, growing up in Glasgow's less-than glamorous East End, "You really see the bottom of the ladder in Britain. We used to be the second city of the empire-shipbuilding and all that, but now it's just empty docks. It's a tired city, and some of the stories we tell reflect on that. When I rap, it's about my social surroundings."

As Glasgow bands go, Hector Bizerk is a kind of amazing phenomenon, with Louie rhyming his meaningful lyrics in a pronounced Glaswegian flourish, while Audrey Tait punches her drums with such intense ferocity, she makes the amps jealous. As musical energy goes, Hector Bizerk is the utter opposite of the baroque pop of Belle and Sebastian-but both bands call this city home, and both bands put on an incomparable live show.

Louie says it's all about the crowds in Glasgow, "There's an honesty here. I think in London, or Paris or Milan or something, people think music is a bit more glamorous, so the music shows are more pretentious. You know? People are afraid to let themselves go in case a lock of hair falls out of place, but in Glasgow, people are more down to Earth and real. The crowd will give you something back. Rather than standing static and analyzing everything you're doing, in Glasgow the crowd comes on that journey with you. Glasgow is an open city."

Indeed. I experienced that openness firsthand in the thumping throngs and camaraderie and everyone singing along with Hector Bizerk, "Well I noticed that at your show," I tell Louie, "The crowd knew all your lyrics and they were right there with you. It was like you were having a conversation."

"We certainly have a relationship with the audience. Glasgow's our home and maybe the people of Glasgow agree with what we're saying and enjoy the music we're making. Perhaps people feel that it's reflective of their circumstances or their opinions, but it's also quite overwhelming for us to play to an audience like that."

This kind of modesty is constant among Glasgow's musicians-nobody ever wants to blow their own horn too much. Louie adds, "We're not out to get rich or famous-we just make music we enjoy and if other people enjoy it as well, then it's an added bonus."

So what's his ultimate goal, then?

"Creative sustainability." The chance to keep on making their music-in this case, a unique and very Scottish brand of hip hop.

"Well, we just make music-it's for other people to pigeonhole us. Hip hop is a cornerstone of my life, but the band can offer more than that, so it's like a microcosm of the rest of the musical community: there's syncopated rhythms and elements of punk, ska, reggae and rock. I love new cultures and places that open your mind. That's been a guiding star in my life growing up. It's nice to be well-traveled, but in your mind, too."

Like the city of Glasgow, Hector Bizerk's mass appeal may lie in the universal emotion of their music while at the same time, offering something that exists nowhere else.

"I think we're bringing something that's genuinely unique. I know every band feels that, but you saw us. We are not some two-bob band where we're just repeating what others are doing. We are putting out different flavors-making our own recipe. It's our own acquired taste, and other people are enjoying it."

They are enjoying it-and I enjoyed it, too. As an avid listener to Glasgow bands, Hector Bizerk took me by surprise.

"We are definitely one of the most alternative bands in Britain," Louie states plainly over the phone, then goes on to highlight the great diversity of Glasgow's music scene.

"Anything you're looking for, we have-traditional, classical, rock, blues, hiphop-you can find it in Glasgow." Like Francis, Louie loves his city, even rapping this backhanded tribute to Glasgow: Sometimes you're bringing out the very worst in me.

There's a tangible pride among Glaswegians, and a definite solidarity among the many musicians that call this place home. "We have a plethora of talented, native people-architects, artists, bands-across the board," explains Louie. "We always seem to have loads of stuff going on and all of this creative industry, so we seem to really prosper. But one of our greatest exports is our music-we take it elsewhere."

Glasgow's music has definitely gone global, from the city's earliest immigrants into the present day-the night I was hopping from club to club in Glasgow, the city's newest pop band Chvrches was performing in my very own city of Washington, DC.

A friend of mine from Twitter, Camera Obscura's part-time trumpet player Nigel Baillie tried explaining this great Scottish paradox, "Scots travel-they can't wait to get away and so they travel all over the world. But when they're away, they miss Scotland and end up singing about it."

Nigel and I both share a love for travel, and after years of back-and-forth messaging on Twitter, it was great to finally meet him in person in his own city. Like Francis and Louie, Nigel is reluctant to pin Glasgow's music scene to one specific thing.

"There's the rain, of course. And there is a kind of melancholic and depressive sensibility, I guess," he muses, "We have all these artists, musicians, poets, and inventors-so I guess we're always striving for this utopia. There's something about the Scots wanting to get out and explore."

An avid traveler, Nigel has toured the world on his own, and as a musician. He tells me stories of driving across America's empty expanse with Camera Obscura, of hanging out in Oslo hotel rooms, and playing with Belle and Sebastian in London.

I have listened to Nigel's music again and again, with his brassy background strains and there's something magical about finally connecting an actual person and neighborhood to a handful of tracks on my iPod.

Because this city is more than a list of in bands versus old bands, or some specific spelled-out style-but it remains a megaphone of music, blaring loud and clear, from Glasgow record shops and dark basement clubs out into the likes of Sauchiehall Street. For a few nights in September, I was able to feel a part of it all, surrounded by the cool kids in this cool town, and now that I've gone, I won't ever stop listening to Glasgow. Because this is the music I like, from a city I like, and sung by some of the best folk in Scotland.

And Nigel doesn't think I'm exaggerating, either. He knows it better than I, and as he explains it to me, "Other than getting married and having kids, the most important thing I've done in my life is to be a part of this music, right here."

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Every city has its sound-Manhattan's taxi commotion and Sydney ferries, or Cairo's car horns and New Orleans' trumpets in the streets-though try and define it too much and you'll miss the music of the place. To be a good traveler, you really only have to listen.

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Riverside Music College is committed to ensuring that our students receive the most industry relevant learning experience.

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Venue in Merchant City
Natasha Brown

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On the M8 motorway, take junction 15, turn left onto Castle Street following signs for the Royal Infirmary/East Kilbride/A730. Castle Street becomes High Street and at the fourth set of traffic lights, turn right onto Ingram Street. Candleriggs is the second street on the left.

Queen Street and Central Stations are a ten-minute walk from the venue.

Many local service buses pass close by the venue, either along Trongate or Glassford Street. Most are operated by First Bus.

The nearest subway station is St Enoch, a ten minute walk from the venue.

On the M8 motorway, take junction 15, turn left onto Castle Street following signs for the Royal Infirmary/East Kilbride/A730. Castle Street becomes High Street and at the fourth set of traffic lights, turn right onto Ingram Street. Candleriggs is the second street on the left.

Queen Street and Central Stations are a ten-minute walk from the venue.

Many local service buses pass close by the venue, either along Trongate or Glassford Street. Most are operated by First Bus.

The nearest subway station is St Enoch, a ten minute walk from the venue.

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On the M8 motorway, take junction 15, turn left onto Castle Street following signs for the Royal Infirmary/East Kilbride/A730. Castle Street becomes High Street and at the fourth set of traffic lights, turn right onto Ingram Street. Candleriggs is the second street on the left.

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Glasgow Venue near Nelson Mandela Place
Natasha Brown

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Formed in Glasgow in 2002
Natasha Brown

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A Glasgow Based band
Natasha Brown

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Southside cafe / bar / venue, capacity approx: 100.

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The Glad Cafe. The Glad Cafe, What's On, Food & drink, Glad Rags, Glad Foundation, About and Shop

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Stereo is a basement venue, capacity around 300, below a vegan bar/ cafe in Renfield Lane (near Central Station) that hosts a regular programme of gigs and club nights. Recent shows have included Anna B Savage, Divorce, Cassandra Jenkins, Indoor Foxes, Marisa and the Moths & Hope of the States.

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Music blog and magazine produced in Glasgow. Won Launch of the Year at the 2019 Scottish Magazine Awards. It has featured musicians such as Lucy Dacus, Mitski and

Phoebe Bridgers. Although the print version has ceased publication, GFP is still active across social media, running the daily song recommendation, 3/6/5, and offering a subscription service.

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Come and celebrate the first Saturday of WestFest at the fabulous Vinicombe Street Gala. Join us on the piazza just off Byres Road (opposite Waitrose) for an afternoon of live [...]

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KOP Playing non-idiomatic (perhaps other than everyone else who has ever done so) free improvisation guitar alongside Onat Onol, also... Read More..

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Medium sized concert promoter that puts on shows of all sizes across Scotland and owns the west end venue, the Hug and Pint.

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432 Presents. Live event listings and tickets

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It would be impossible to give an exhaustive listing of the artists based in, or connected with, Glasgow here - but below are some of our favourites spanning different genres and eras.

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Many local artists, as well as some from further afield, record in the city's extensive range of recording studios.  A number of freelance producers and engineers are also based in the city working here and overseas.

The city is also home to an ever-evolving number of record labels, covering all genres from dub-reggae to electronica via folk and traditional music.

As well as physical releases, catered for by the labels and the city's record shops, a major digital distribution company, EMU Bands, is based in the city.

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Glasgow's indoor venues span all sizes, from pubs and clubs through theatres and ballrooms to the 14 300 capacity OVO Hydro which regularly hosts the biggest touring acts in the world.

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Glasgow hosts a variety of music festivals around the year, from the very niche to large outdoor ones in the summer, covering just about every conceivable type of genre and artist.

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Welcome to the Glasgow Music City directory

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Welcome to the Glasgow Music City directory

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This is a collection of links and information related to all forms of music in Glasgow. Anyone can contribute by using the add button in the relevant column. All posts will be moderated so will no appear immediately. Please add your name to any posts.

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″...one of the most innovative independent labels of the decade” acclaimed for ”...distinctive visual arts projects & collaborations”. Established 07/07/07

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Dixon Avenue Basement Jams. Glasgow, UK.

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12th Isle. Glasgow, UK. Leftfield music since 2016. https://soundcloud.com/12th-isle

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Honeyblood's Guide To Glasgow's Vibrant Music Scene [2015]

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Honeyblood's Guide To Glasgow's Vibrant Music Scene [2015]

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This is a short video of Stina Tweeddale of Scottish Indie Rock band "Honeyblood" discussing the Glasgow music scene and what it means to her, her music and music lovers everywhere.

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Honeyblood's Guide To Glasgow's Vibrant Music Scene

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Glasgow-based, independent music distribution company.

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Sunday,Monday,Tuesday,Wednesday,Thursday,Friday,Saturday

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Music for heads & feet. Serving them up since 92 - Record Shop, Glasgow Scotland

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Independent, Glasgow-based record label.

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Independent Record Label based in Glasgow, Scotland.

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Independent, Glasgow-based record label.

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1 May 2021

Since the cancellation of the 2020 edition of Counterflows we have puzzled over what we could possibly deliver for our 10th edition of the festival "Counterflows At Home April 2021". How could Counterflows be realised without performance or gathering together?

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Counterflows is at Home! In response to the pandemic and our inability to present live music, we have created an autonomous online space where marginal artists from around the world can share all new and exclusive work.

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https://www.academyofmusic.ac.uk/location/glasgow/

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Our Open Days are something a little bit different than what you may expect. By attending this free event you'll be given an instrument-specific class, live performance workshop and a songwriting class.

So why attend? This is a great opportunity for you to find out and experience what it's like being an Academy of Music and Sound student. You can meet all of our great staff and ultimately ask them questions on your playing, entry requirements or even techniques to help you improve!

Not only this, you'll also be able to find out what the interview and audition process is like, ask questions on funding and get involved and use our facilities. We always recommend on keeping your options open - if this course is for you then great, even if this course doesn't tick the boxes - at least you've had the chance to experience and come to that conclusion.

We have scheduled this event on Saturday 10th February! Spaces are limited to this per-instrument class and each year haven't been able to accommodate everyone so get your booking in as soon as you can - you can even bring a friend!

Registration - 10:00AM
Instrument specific class (guitar, bass, vocals, drums) - 10:30AM
Lunch - 12:00AM
Live performance workshop (learn White Stripes - 12:30PM
Question and Answer session - 2:00PM
Break - 3:00PM
Songwriting workshop (solo singer songwriters)- 3:30PM
Event close - 5:00PM

The only items you need to bring are your own instrument and accessories (guitar, bass, drumsticks, leads) and potentially a packed lunch to keep the energy levels up. We will supply the noise enabling contraptions. To book call 0141-248-6269 or follow the link below.

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Glasgow Open Days 2018 - Academy of Music and Sound

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Our Open Days offer something a little different - instrument-specific class, live performance workshop and a songwriting class.

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https://chvrch.es

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SCREEN VIOLENCE

The New Album out Nw Available on Digital, CD, Limited edition 180g transparent blue vinyl with insert poster and Limited edition transparent green Cassette.

Dates for the newly announced 2022 UK Tour can be found below.

LOS ANGELES

We are playing a surprise show at The Masonic Lodge at Hollywood Forever on August 27 in celebration of our new album, Screen Violence. A limited number of tickets are now being offered for sale through a ticket request lottery HERE .

Submit your request for tickets any time before Wednesday, August 25 at 4pm PT. Fans will be selected at random to buy tickets on August 25 at 5pm PT.Note: Submitting a request does not guarantee tickets. If you are selected, your credit card will automatically be charged. You will be notified via email whether you are selected or not.

© 2021 - Chvrches - All Rights Reserved
Privacy Policy | Cookies Policy | Site By SWD

This site uses cookies to optimise your experience. By using the website you consent to these cookies. Find Out More

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The New Album out Nw Available on Digital, CD, Limited edition 180g transparent blue vinyl with insert poster and Limited edition transparent green Cassette. Dates for the newly announced 2022 UK Tour can be found below. LOS ANGELES We are playing a surprise show at The Masonic Lodge at Hollywood Forever on August 27 in celebration of our new album, Screen Violence.

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https://glasvegas.net/

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Godspeed Vinyl (Signed) + T-Shirt + Tote Bag

£37

Godspeed Vinyl (Signed) + T-Shirt + Test Pressing

£200

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Godspeed Album Out Now | Glasvegas - The Official Website | Scotland

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The Official website of best Scottish band Glasvegas! Buy new album Godspeed on Vinyl.

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https://thetwilightsad.com/

Scottish indie rock / post punk band from Kilsyth (greater glasgow/north lanarkshire area)

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The Twilight Sad - Official Site and Store

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The official UK website for Paolo Nutini

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Glasgow based singer-songwriter

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Photo by Chris Almeida

One of my 21 for 2021, Lizzie Reid is a singer-songwriter emerging from Glasgow's always fertile music scene. Signed to the Seven Four Seven Six label, home to the likes of Matt Maltese and Matilda Mann, Lizzie has recently released her debut EP, Cubicle. The singles that preceded the EP's release have garnered air-play and acclaim from the likes of 6Music and Radio One, as well as seeing Lizzie perform for acclaimed online platform, La Blogotheque.

Lizzie's music in many ways feels like a meeting of worlds, these are undeniably folk-songs, yet Lizzie's take is distinctly modern and urban, tackling universal themes of love, loss and heartache, and shaping them into the busy streets and bars of Scotland's largest city. Much of the record was written off the back of a break-up, and find Lizzie coming to terms with themes of sexuality, self-worth and mental health. Cubicle, recorded in Lizzie's home with the help of producer, Oli Barton-Wood, was completed just days before the first UK nationwide lockdown. It gives the introverted and gentle sounds of Cubicle a certain resonance; while the world around her descended into chaos, Lizzie was finding a way to make sense of her own inward-glancing thoughts. Musically, the record is a deceptively intricate affair, while often sticking close to the singer-songwriter template, there's plenty of room for exploration too, from the jazzy-edges of Been Thinking About You, reminiscent of Margaret Glaspy's fantastic album Devotion, to the bar-room sway of stand-out moment, Seamless. The whole record comes to a sense of conclusion on the title track, where Lizzie seems to bump into her ex and her new partner, and finds a crack in the fog of confusion, "there's something kind of sweet about being strangers again, maybe we could start this over? But I don't even know you anymore", before, to a backing of violin and crashing drums, the whole thing reaches a rich crescendo, perhaps still tinged with sadness but bristling with hope for a better future. A record full of honesty, warmth and humanity, Cubicle feels both deeply personal and ready to resonate with anyone who's known love, lust, heartache and everything in between: which should just about mean everyone is going to fall for this most magical of records.
FTR: For those who don't know who is Lizzie Reid?
I am a singer/songwriter from Glasgow who has been playing on the Glasgow music scene for a good few years now. I've played in many bands here and now have finally started to release my own music!
FTR: What can you remember about your first show?
I remember the first show I played as a solo artist. It was in a wee venue in Glasgow called The Glad Café. The nerves were overwhelming. I felt so high and happy afterwards though and I knew I wanted to do this with my life. I still get those same nerves now and I'm not sure I'll ever lose that.
FTR: Why do you make music? Why not another art form?
Music was always a true love of mine. I didn't really have any interest in other art forms when I was in school but I often find myself thinking about acting. I adore film and I find acting and actors very interesting. But music will always be my true love!
FTR: What can people expect from the Lizzie Reid live show?
If I'm playing on my own, you should expect a very intimate and melancholic show. I always try and keep my live shows as engaging as possible, which is always a fun challenge when it's just you and a guitar. If I'm playing with my band I tend to feel the atmosphere exciting, moody and it will always kick off at some point!
FTR: What's next for Lizzie Reid?
This year is hopefully going to be filled with writing, recording, gigging and releasing more music. I'm feeling hopeful!
They Listen To...

Photo by Chris Almeida

PJ Harvey - A Perfect Day Elise
I love everything about this song. It makes me screw up my face and head-bang every time. I love how driving it is and how the production is so dark and dirty.
Julia Jacklin - Body
This song is so heart wrenching and understated. The story telling is just beautiful and keeps me hanging on her every word every time.
Nilufer Yanya - Baby
I'm not sure what it is about Nilufer Yanya but I feel a real warmth every time I listen to her music. Baby Luv makes me have a wee cry even though it maybe doesn't sound like the stereotypical song you'd cry to.
LUMP - Rolling Thunder
I remember listening to this whole album for the first time and thinking it was the best collection of songs I had ever heard. I love the dynamic build in this particular track and the production really accentuates the darkness in Laura Marling's voice.
Villagers - 27 Strangers
Villagers are one of my favourite live acts, having seen them about 6 times. I used to sing this song with my friends and I hold those memories close to my heart. Cubicle EP is out now via Seven Four Seven Six. Click HERE for more information on Lizzie Reid.
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We Say... Photo by Chris Almeida One of my 21 for 2021, Lizzie Reid is a singer-songwriter emerging from Glasgow's always fertile music scene. Signed to the Seven Four Seven Six label, home to the likes of Matt Maltese and Matilda Mann, Lizzie has recently released her debut EP, Cubicle.

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Clyde Built Radio celebrates Glasgow's musical misfits, amateurs and seasoned DJ's every weekend. The station broadcasts generations of music lovers to like minded listeners around the world from a tiny studio in the Barras Market.

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Radio Buena Vida - The Sound of Collective Action

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We've moved to our new home at 535 Victoria Road so you can now find Radio Buena vida broadcasting from the window of the Buena Vida Café and creative hub. We're open Wed - Sat 12:00 to 22:00 and Sunday 12:00 - 18:00 serving up teas, coffees, soups and snacks and doing BYOB.

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New indie and classic rock, live music, vintage vinyl and band interviews

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Creative Scotland is the public body that supports the creative and cultural sector across all parts of Scotland on behalf of everyone who lives, works or visits here.

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The radio station that showcases the undiscovered talent of Scotland

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BBC Sounds - BBC Introducing in Scotland - Available Episodes

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Listen to the latest episodes of BBC Introducing in Scotland on BBC Sounds

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Part of Live Nation, it is Scotland’s leading promoter and event management company.

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The venue, located in the East End of Glasgow, is a converted church.

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Scotland’s National Opera Company | Scottish Opera

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As Scotland’s national opera company, we share opera’s unique blend of music, singing and theatre with as many people as possible across the country.

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An alternative music magazine based in Scotland, with a focus on the Scottish alternative music scene.

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is this music? - AN INDEPENDENT MUSIC MAGAZINE FROM SCOTLAND

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AN INDEPENDENT MUSIC MAGAZINE FROM SCOTLAND

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Unique venue in the heart of Glasgow’s West End. It is also a well loved bar and restaurant.

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Welcome to Òran Mór - Bar | Restaurant | Club | Live Music | Event Space

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Òran Mór is located at the top of Byres Road in heart of Glasgow's West End. Our unique building hosts two bars, two restaurants, a nightclub and a stunning private event space for hire. We are a popular wedding venue and one of the best live music venues in the West End of Glasgow.

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Since opening in 2003, the restored Grade B listed building has made an outstanding contribution to Scotland’s live music scene. Attracting international musicians, it offers a diverse programme of events and can host up to 2500 people.

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A Grade B listed entertainment venue and former cinema, O2 Academy Glasgow is steeping in heritage from live music, cabaret and comedy to club nights.

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With a capacity of 14 300 people, it is one of the top 100 arena venues in the world.

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OVO Hydro | Events & Concerts in Glasgow | Previously The SSE Hydro | OVO Hydro

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Check for upcoming music and events at the OVO Hydro venue in Glasgow.

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Music venue that has been at the forefront of the Scottish live music scene since it opened in 1990. It continues to be one of the most celebrated venues in the world showcasing some of the industry’s biggest names at the start of their careers.

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King Tuts Wah Wah Hut 272A St Vincent Street Glasgow G2 5RL 0141 846 4034 + 0141 846 4033

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Major city centre concert venue that first opened in 1934. It has a capacity of around 1950 people and is decorated with a distinctive animated neon sign.

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The Billy Sloan Show is doing a Barrowland Ballroom Glasgow .. 40th Anniversary Special on Saturday night. Lots of great chat about Barrowland shows on his Facebook page. We also have a few copies of his signed book, with even more stories in the Barrowland Merchandise Shop. @therealbillysloan

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Arts venue and events company hosting events ranging from food and drink event to large outdoor live shows and club nights.

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SWG3 is one of Glasgow's most distinctive independent venues, hosting clubs, gigs, arts and more, and with multiple studios and spaces available to hire.

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Historic music venue at the heart of Glasgow University.

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Everything you need to know about our venue - bringing live music to the West-End since 1968.

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Festival for music discovery taking place in Barrowlands, Saint Luke’s and surrounding venues. It was postponed in 2020 due to Covid and hasn’t ran since.

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TENEMENT TRAIL Festival will not take place in 2020, due to the current pandemic and instead will return to Glasgow in 2021.

TT is postponed until 2021. We're looking forward to bringing together the most incredible mix of bands plus you - the music fans - in some of Glasgow's much-loved venues next year. Until then, stay safe and keep the music playing. #TT21... together we'll make it one to remember. pic.twitter.com/dk40xnlq05

- TENEMENT TRAIL (@tenement_trail) June 10, 2020

A post on social media revealed the news that the festival will not take place this year. The first TENEMENT TRAIL took place in 2013 and has seen artists including The Cribs, Lewis Capaldi, Yungblud, Sam Fender, The Big Moon play over the years.

In 2019, the festival moved to the east end for the first time with thousands of fans enjoying huge performances around incredible venues including The Barrowland, St Luke's and BAaD.

Keep up-to-date with TENEMENT TRAIL on social media on Facebook, Twitter and Instagram.

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TENEMENT TRAIL Festival 2020 postponed until 2021

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TENEMENT TRAIL Festival will not take place in 2020, due to the current pandemic and instead will return to Glasgow in 2021. TT is postponed until 2021. We're looking forward to bringing together the most incredible mix of bands plus you - the music fans - in some of Glasgow's much-loved venues next year.

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Digital Music Distributors - Passionate about music.

EmuBands are digital music distributors based in Glasgow, a UNESCO City of Music. The EmuBands team come from many different backgrounds; some from previous roles within the music industry, and others as musicians in their own right. A passion for music links us together, and since 2005 we've been working with thousands of artists, from home recordings to #1 singles, providing reliable, fair digital music distribution.

We don't believe in cutting corners and we aim to offer the most transparent, efficient service for artists and labels, regardless of where they are in their careers. We pride ourselves on our personal approach to distribution, and we're always looking for ways to make the world of releasing music easier for our independent community.

To learn more about our services, click here.

Image Credits:
King Tuts: Own Work
Toni speaking at Conference: Image taken by Jannica Honey at Wide Days conference
Glasgow Cityscape & SEC Armadillo: Pixabay
Spiers Wharf & The Whisky Bond: Yellow Book Flickr via Compfight cc

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Digital Music Distributors: About Us - EmuBands | Sell Music Online

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Digital Music Distributors EmuBands are Based in Glasgow, a UNESCO City of Music. A passion for music links us together, and since 2005 we've been working with thousands of artists, from home recordings to #1 singles, providing reliable, fair digital music distribution.

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It's now been 20 years since Ronan and Colin set up La Chunky in the West End of Glasgow.

In that time we've collected some of the best vintage gear you can find anywhere, and it's all available for you to use at no additional cost. But great gear is nothing without great people who know how to use it, s o we've also collected one of the best rosters of producers and engineers available anywhere. Between us, we have an incredible breadth and depth of knowledge across all musical genres and production techniques.

OUR EQUIPMENT

OUTBOARD EQUIPMENT

​ Focusrite Red 1 Quad pre-amp
Summit MPC100a Valve pre-amp
Universal Audio 110
DAV Electronics BG1U dual pre-amp
Calrec PQ1061 x 2
Calrec PQ1253 x 8
Joe Meek VC3Q
BBC AM9/19A mic pre
Audient ASP 008 8-channel pre-amplifier. Rack Effects ​ ​Lexicon PCM-80 Multi-Effects
Lexicon PCM-70 Multi-Effects
Yamaha SPX-990 Multi-Effects
Yamaha Rev 7 Digital Reverb
Bel BD-320 Delay
Eventide Harmonizer H3000
Ensoniq DP-4
Roland RE-501 Chorus Echo (tape delay)
Sherman Filterbank Mark 1
Ibanez UE405 multi-effects ​ Compressors/ Limiters ​ Neve 33609 Rev B stereo comp/lim
Neve 3314a stereo comp/lim
Universal Audio 2-1176 stereo Limiting Amplifier
Summit MPC-100a
DBX 160a
Calrec DL-1656 x 4 Samplers and Sound Modules ​ EMU E6400 Ultra Sampler
Akai S3000XL Sampler
Roland Variphrase VP-9000 sampler
Roland JV-2080 sound module

MICROPHONES

Vintage Neumann U87
Aston Spirit Multi-Pattern
Schoeps CM6 UG with MK 4G Cardioid Capsule
Neumann KM84 x 2
AKG 414 (with C12 capsule) x 2
AKG 414 EB
AKG 414 ULS
AKG C451 CB
AKG SE300B bodies x 4
AKG CK91 Cardioid Capsules x 2
AKG CK92 Omni Capsules x 2
AKG CK94 Fig-of-8 Capsule
Calrec CM1050C
Calrec CB20c with CC50 capsule x 2
Calrec CM654

RECORDING, PLAYBACK AND TRANSFER

Our console is a Soundcraft TS-10 which is linked to our Lynx Aurora 16, Lynx AES16e PCI-E cards, and Lucid Audio 88192. All in all 24 channels of pristine digital I/O.
Studer A807 1/4" stereo tape master recorder
Tascam ATR-60 1/2" stereo tape master recorder
Dolby A Noise Reduction - 24 channels Pro Tools 12.6
Logic Pro X
Reaper v5 Ableton Live 11 ​ Multiple formats available for playback and transfer including use of a Technics SL-1210 MK2 Turntable with EMO Stereo Phono Pre-amplifier, DAT, ADAT, mini-disc, cassette, Tascam DA-88. ​

Sonnox Elite Collection
Waves Mastering Bundle
Waves SSL Collection
McDSP Emerald, Retro and Classic Bundles
Abbey Road full plug-in bundle Software Instruments Native Instruments Komplete 11
Arturia 5 complete analogue synth collection
Synthogy Ivory piano emulation
Various Logic Pro instruments

INSTRUMENTS

Wurlitzer 200A Electric Piano
Rhodes 73 Electric Piano
Welmar Acoustic Piano
Logan String Machine
Farfisa VIP 345 Organ
Nord Lead 1 Synth
Roland Juno-106
Korg X3 Synth
Yamaha CP-30 Electric Piano
Vintage Harmonium
Native Instruments Komplete Kontrol S88 (on request - no charge)
M-Audio Axiom 61 controller keyboard
Roland JX-8P Analogue synth (on request) Korg MS20 (on request) Roland SH101 (on request) Roland SP404SX (on request) TR606 Clone (on request) Drums and Percussion Gretsch Shell Kit with Associated Hardware
Various percussion - Latin American, African, Asian etc
Additional Mapex drumkit
Orchestral Toms

MONITORING

Genelec 1031a active monitors
Genelec 7050B active sub
Yamaha NS-10M speakers
Hafler Transnova P1500 Amplifier
Rogers LS5/9 speakers
HH Electronics MX170 stereo amplifier
Various high-quality headphones (eg DT-100)

INSTRUMENT AMPLIFIERS

Orange OR80 Head (1974) ORANGE 4 X 12 cabinet Vox AC-15
Vintage Fender Twin (1971) (currently undergoing maintainence)
Nolan 4x12 Cabinet

At La Chunky we understand that recording artists and bands have many different requirements and budgets.

For this reason we would prefer to meet potential clients to discuss how we can tailor the recording session to meet their needs within their budgets.

La Chunky is a high end studio and we have a treasure trove of vintage recording kit and microphones at our disposal. We recognise that in today's straitened times bands and recording artists are looking for the best possible value when they embarking on a recording project, whether it's a single, EP, album or demo, so unlike many studios we make no additional charge for the use of our rarest and most valuable instruments, amps and recording equipment.

We encourage you to contact us directly to discuss your project, so that we can work out a budget and recording plan that will work for you.

We look forward to hearing from you.

Tape transfer (¼" and ½" stereo formats)

Tape restoration - for tapes suffering from 'sticky shed syndrome'

DAT / ADAT / Cassette/ Minidisc transfer

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Recording Studio | La Chunky Studios | Glasgow, Scotland

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It's now been 20 years since Ronan and Colin set up La Chunky in the West End of Glasgow. In that time we've collected some of the best vintage gear you can find anywhere, and it's all available for you to use at no additional cost.

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Scotland's Premiere Recording Studio - Gorbals Sound

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State-of-the-art Neve mixing desks and world class outboard equipment combined with experienced engineers and excellent client facilities, makes Gorbals Sound the premiere recording studios in Scotland.

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Podcart is a Glasgow-based music blog and podcast.

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Following one of the year's musical highlights with his single 'Ingrid', Marko Nyberg returns with a hostile sonic soundscape in comparison.

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Annual folk, roots and world music festival

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"If there's one thing that makes wintertime in Glasgow great then it's Celtic Connections." The Guardian

Glasgow's annual folk, roots and world music festival celebrates its connections to cultures across the globe. From 20 January - 6 February 2022, over 2,100 musicians from around the world bring the city to life for 18 days. During that time, there are concerts, ceilidhs, talks, art exhibitions, workshops, and free events.

Creative Director Donald Shaw programmes more than 300 events across multiple genres of music. The festival is renowned for its ability to bring together one-off line-ups for special collaborative shows. The camaraderie between musicians continues late into the night at the Festival Club - home to legendary musical collaborations and spontaneous sessions.

"There are situations that you'll see where people are playing that you'll never see again, or if you do, it's because it worked here first." Donald Shaw, Creative Director

The festival has also curated key parts of the cultural programme for major international events, including:

Ryder Cup Chicago

Ryder Cup Gleneagles

London 2012 Olympics

Glasgow 2014 Commonwealth Games

European Championships 2018

In 2015 the festival won the Art and Culture Award at the Inspiring City Awards ceremony. The event was organised by the Herald and Glasgow Chamber of Commerce in association with People Make Glasgow. The awards were created to celebrate the people and organisations that make Glasgow great.

In 2021, due to Covid-19, the festival went online for the very first time. Over 100,000 people tuned in from 65 countries to watch over 10.5 million minutes of content across 19 days.

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Glasgow's annual folk, roots and world music festival celebrates its connections to cultures across the globe. From 20 January - 6 February 2022, over 2,100 musicians from around the world bring the city to life for 18 days. During that time, there are concerts, ceilidhs, talks, art exhibitions, workshops, and free events.

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City centre music festival organised by DF Concerts

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TRNSMT Festival | 9th - 11th July 2021 | Glasgow Green. Keep up to date with all things TRNSMT, visit our website and subscribe to our mailing list.

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Cafe/ bar /venue / record store in city centre.

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Mono opened in 2002, furnishing Glasgow with a unique and versatile space in which to eat, drink and discover new music. Our aim is to provide a welcoming environment, quality food & drink and an exciting range of events, all couched in an ethical & community based context. Over our 20 years in business we developed a reputation for good beer, good vegan food, good gigs and good times.

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Mono opened in 2002, furnishing Glasgow with a unique and versatile space in which to eat, drink and discover new music. Our aim is to provide a welcoming environment, quality food & drink and an exciting range of events, all couched in an ethical & community based context.

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July is soon upon us as we continue our summer streaming festival with some amazing acts for you to check out. Individuals and groups intertwined with the history of the venue and invoking future vibes bring us joy in the form of the following all in the name of fun and raising funds for both the G20 Youth Charity and the Drumchapel Foodbank.

G20 Youth Charity : http://bit.ly/foodfromthewood

Drumchapel Foodbank : https://www.justgiving.com/kcedg

Keep an eye on our website and facebook page for scheduling info.

We also invite artists with a bond to Nice n Sleazy to contact us. Let's swap ideas, memories and spread happiness. We would love for you to be involved! Hit us up : sleazys@gmail.com

Poster by Wild Potato!

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July is soon upon us as we continue our summer streaming festival with some amazing acts for you to check out. Individuals and groups intertwined with the history of the venue and invoking future vibes bring us joy in the form of the following all in the name of fun and raising funds for both the G20 Youth Charity and the Drumchapel Foodbank.

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Scottish Women Inventing Music (SWIM) is a collection of music creators and industry professionals who identify as female.

Membership is comprised of women working in all areas and genres of music, who are committed to achieving a level playing field for women, pushing for gender equality across the music industry.

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Scottish Women Inventing Music (SWIM) is a collection of music creators and industry professionals who identify as female. Membership is comprised of women working in all areas and genres of music, who are committed to achieving a level playing field for women, pushing for gender equality across the music industry.

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An internationally recognised organisation at the heart of Scotland's music industry, providing essential services to the music sector across several key areas.

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Scottish Music Industry Association (SMIA)

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Scottish Music Industry Association (SMIA)

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The Scottish Music Industry Association (SMIA) wants to recruit a dynamic, driven, dedicated person to lead the company. As challenges for the music industry continue to evolve, the SMIA needs someone to lead our executive team and work with our...
(Read More)
With the recent announcement of the Creative Scotland 'Cultural Organisations & Venues Fund' the SMIA presents a workshop with Jennifer...

You need to be a member of the SMIA and be logged in to view this content. We have a range of flexible membership packages, which start with Basic Membership, which is free.
(Read More)
The SMIA has had an active role in lobbying for music industry support, making recommendations and negotiating on the details of their criteria...
(Read More)
Creative Scotland today publishes details of the Scottish Government's Culture Organisations and Venues Recovery Fund, which forms part of the £31.5m emergency funding for culture announced by the First Minister, Nicola Sturgeon, on 28 August...
(Read More)

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The Scottish Music Industry Association (SMIA) wants to recruit a dynamic, driven, dedicated person to lead the company. As challenges for the music industry continue to evolve, the SMIA needs someone to lead our executive team and work with our...

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Independent, vinyl-centric record label

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Online shop for Glasgow based record label Last Night From Glasgow. We are a patron-funded not-for-profit record label, founded on the principle of putting artists and their music first. We are managed by volunteers, who will neither draw a salary, nor take a share of the profits.

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Castle of Doom Recording Studios castle of doom, castle of doom studios, cod studios glasgow

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Castle of Doom is a full service recording studio based in Glasgow Scotland

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THE BLUE ARROW Remove from My Festival

Sun 20th June at 10:30pm

Closing the final night will be Mark Robb, another pioneering Glasgow DJ and founder of the legendary Buff Club in Fitzroy Place, who along with Nick Peacock runs the regular Soul Jazz Sundays in Partick.

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THE BLUE ARROW Remove from My Festival Closing the final night will be Mark Robb, another pioneering Glasgow DJ and founder of the legendary Buff Club in Fitzroy Place, who along with Nick Peacock runs the regular Soul Jazz Sundays in Partick.

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Exclusive interviews and performances featuring The BBC Scottish Symphony Orchestra.