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Video essay by Maresca and Alya (2021)

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Video Essay by Keishabel and Athaya (2021)

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Feminist Film Theory (Keisha & Athaya)-Broadband High

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Video essay by Maresca & Alya (2021)

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[Epub] Film Theory: The Basics by Kevin McDonald (2016)

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[Epub] Film Theory: The Basics by Kevin McDonald (2016)

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(The basics) McDonald, Kevin - Film theory _ the basics-Routledge (2016)

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[Book] A Companion to Film Theory by Robert Stam, Toby Miller (1999)

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[Book] A Companion to Film Theory by Robert Stam, Toby Miller (1999)

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[Book] Mysteries of Cinema: Reflections on film theory, history and culture by Adrian Martin (2018)

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[Book] Mysteries of Cinema: Reflections on film theory, history and culture by Adrian Martin (2018)

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(Film culture in transition) Martin, Adrian - Mysteries of cinema _ reflections on film theory, history and culture, 1982-2016-Amsterdam U.P. (2019)

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[Article] Reviewing the reviewers: The impact of individual film critics on box office performance

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[Article] Reviewing the reviewers: The impact of individual film critics on box office performance

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Peter Boatwright & Suman Basuroy & Wagner Kamakura (2007)

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Basuroy & Kamakuran (2007) - Reviewing the Reviewers- The Impact of Individual Film Critics on Box Office Performance

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[Book] Psychoanalytic Film Theory and The Rules of the Game

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[Book] Psychoanalytic Film Theory and The Rules of the Game

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(Film Theory in Practice) Todd McGowan, Todd McGowan - Psychoanalytic Film Theory and The Rules of the Game-Bloomsbury Academic (2015)

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[Book] Feminist Film Theorists: Laura Mulvey, Kaja Silverman, Teresa de Lauretis, Barbara CreedBy Shohini Chaudhuri (2007)

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[Book] Feminist Film Theorists: Laura Mulvey, Kaja Silverman, Teresa de Lauretis, Barbara CreedBy Shohini Chaudhuri (2007)

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(Routledge Critical Thinkers) Shohini Chaudhuri - Feminist Film Theorists-Routledge (2006)

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[Article] How Critical Are Critical Reviews? The Box Office Effects of FilmCritics, Star Power, and Budgets (Basuroy et al. 2003)

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[Article] How Critical Are Critical Reviews? The Box Office Effects of FilmCritics, Star Power, and Budgets (Basuroy et al. 2003)

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Basuroy et al. (2003) - How Critical Are Critical Reviews

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[Article] Everyone’s a Critic: Film Criticism Through History and Into the Digital Age (Battaglia, 2010)

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[Article] Everyone’s a Critic: Film Criticism Through History and Into the Digital Age (Battaglia, 2010)

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Battaglia (2010) - Everyone ’s a Critic- Film Criticism Through History and Into the Digital Age

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[Book] FILM LANGUAGE: Semiotics of the Cinema by Christian Metz, Michael Taylor (1990)

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[Book] FILM LANGUAGE: Semiotics of the Cinema by Christian Metz, Michael Taylor (1990)

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Christian Metz, Michael Taylor (1990) - Film Language_ A Semiotics of the Cinema

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[Article on Marxist] The Matrix and Critical Theory's Desertion of the Real (Cloud, 2007)

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[Article on Marxist] The Matrix and Critical Theory's Desertion of the Real (Cloud, 2007)

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Cloud (2007) - The Matrix and Critical Theory's Desertion of the Real

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[Website] Film Theory from filmtheory.org

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[Website] Film Theory from filmtheory.org

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Extensive list of film theories and its description.

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[Book] FILM THEORY: CREATING A CINEMATIC GRAMMAR BY FELICITY COLMAN (2013)

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[Book] FILM THEORY: CREATING A CINEMATIC GRAMMAR BY FELICITY COLMAN (2013)

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[Book] Cinema Studies: The Key Concepts by Susan Hayward (2000)

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[Book] Cinema Studies: The Key Concepts by Susan Hayward (2000)

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Hayward (2000) - Cinema Studies- The Key Concepts

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[Epub] How to Read a Film by James Monaco (2009)

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[Epub] How to Read a Film by James Monaco (2009)

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James Monaco - How to Read a Film_ Movies, Media, and Beyond-Oxford University Press, USA (2009)

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[Book on Animation] Animating Film Theory by Karen Beckman (2014)

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[Book on Animation] Animating Film Theory by Karen Beckman (2014)

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Karen Beckman (2014) - Animating Film Theory-Duke University Press

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[Book] Marxist Film Theory and Fight Club by Anna Kornbluh (2019)

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[Book] Marxist Film Theory and Fight Club by Anna Kornbluh (2019)

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Marxist Film Theory and Fight Club (2019) - Anna Kornbluh

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[Book] Cinematic Journeys: Film and Movement by Dimitris Eleftheriotis (2010)

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[Book] Cinematic Journeys: Film and Movement by Dimitris Eleftheriotis (2010)

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Dimitris Eleftheriotis - Cinematic Journeys_ Film and Movement-Edinburgh University Press (2010)

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[Book Chapter] Art vs. Entertainment? Art vs. Business? - Film Art and Filmmaking Part 1.pdf

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[Book Chapter] Art vs. Entertainment? Art vs. Business? - Film Art and Filmmaking Part 1.pdf

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Online resources about Film Genres at Dartmouth Library

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Online resources about Film Genres at Dartmouth Library

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This page is here to help you find movies of a specific types and resources that talk about those types. The list will grow as time permits.

Groups of films classified according to

3. audience expectations and responses (reception focus). Many film genres have existed since the earliest years of cinema: the action film, biopic, melodrama, and social problem film, to name only a handful ( see ; ); while others are newer: the chick flick, extreme cinema, machinima, for example. Some genres are international, or nearly so: these include the fantasy film, the musical, pornography, science fiction; while others are closely associated with particular national cinemas: chanchada, peplum film, blaxploitation, Heimat film.

In film studies, the study of genre-often termed genre criticism -divides into two main aspects: firstly, work on individual film genres (historical treatises on the Hollywood western, for example); and secondly, general theoretical inquiry into genre as a system of expectations and conventions that circulate between film industry, film texts, and filmgoers. The second area of study is undeveloped by comparison with the first, which until the 1990s was largely dominated by attention to popular genres in Hollywood cinema.

Kuhn, A., & Westwell, G. (2012). genre. In A Dictionary of Film Studies. : Oxford University Press. Retrieved 13 Oct. 2020

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Research Guides: Film Genres: Introduction

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This page is here to help you find movies of a specific types and resources that talk about those types. The list will grow as time permits. Groups of films classified according to 3. audience expectations and responses (reception focus).

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[Article] Cinema and Marketing: When Cultural Demands Meet Industrial Practices - Dupont & Augros (2013)

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[Article] Cinema and Marketing: When Cultural Demands Meet Industrial Practices - Dupont & Augros (2013)

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Dupont & Augros (2013) - Cinema and Marketing-When Cultural Demands Meet Industrial Practices

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[Article] The emotional arcs of stories are dominated by six basic shapes (Reagan et al., 2016)

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[Article] The emotional arcs of stories are dominated by six basic shapes (Reagan et al., 2016)

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Reagan (2016) - The emotional arcs of stories are dominated by six basic shapes

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[Online Article] Streaming Platforms vs. Cinema by Rhys Jones (2020)

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[Online Article] Streaming Platforms vs. Cinema by Rhys Jones (2020)

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To show how online streaming has become a popular platform for film and series, we've taken a look at the decline of the cinema over time compared to the increasing number of Netflix and on-demand users.

CINEMA

The average cost of a cinema trip in the UK now costs £9, 18% more than a monthly online viewing subscription. With Brits paying more for a cinema ticket, the steady rise of online streaming has overtaken the industry's sales year on year.

A trip to the local cinema sees some of the most expensive UK cities charging around £8 more than the cheapest town, Dorchester.

Depending on the time of day you visit and the film watched, you could find yourself paying up to £3.03 more.

NETFLIX AND SVOD

In 2019, a total of 19.1 million Brits opted for a subscription video on demand (SVOD) service. 47% of UK households take advantage of online streaming and TV on-demand with:

33% only using Netflix

9% only using Amazon Prime Video

1% only using Now TV

And 14% using all three

Since 2012, online streaming platforms all started to bring out their own original films and series which are highly rated. Despite Netflix's high grossing revenue, Amazon Prime has the widest range of films with 14,210 compared to Netflix's 3,800.

CINEMA VS ONLINE

In the UK, the yearly spend on cinema is 93% less than Netflix's global online streaming revenue. The average cost of online streaming is £7.30 a month.

Last year, Brits visited the cinema 176 million times spending around £1.2 million watching the latest films.

However, since 2014 the amount of households across the UK with a Netflix subscription has grown by 4x from 2.7 million to 11.5 million in 2019.

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Netflix vs Amazon Prime vs Cinema | The Rise Of Streaming Services

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To show how online streaming has become a popular platform for film and series, we've taken a look at the decline of the cinema over time compared to the increasing number of Netflix and on-demand users. The average cost of a cinema trip in the UK now costs £9, 18% more than a monthly online viewing subscription.

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Elements of Film Theory Table by NoFilmSchool

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Elements of Film Theory Table by NoFilmSchool

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[Thesis] IT MUST BE LOVE:AN EXPLORATION OF THE CHARACTER ARC MODEL IN SCREENWRITING PRACTICE AND THEORY by Philip Guy Matthews (2018)

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[Thesis] IT MUST BE LOVE:AN EXPLORATION OF THE CHARACTER ARC MODEL IN SCREENWRITING PRACTICE AND THEORY by Philip Guy Matthews (2018)

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Mathews (2018) - An Exploration of the Character Arc Model in Screenwriting Practice and Theory

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[Article] The Representation of Masculinity in Cinema and on Television: An Analysis of Fictional Male Characters by Gürkan & Serttas (2017)

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[Article] The Representation of Masculinity in Cinema and on Television: An Analysis of Fictional Male Characters by Gürkan & Serttas (2017)

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Gürkan & Serttas (2017) - The Representation of Masculinity in Cinema and on Television- An Analysis of Fictional Male Characters

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[Book] MASCULINITY, PSYCHOANALYSIS, STRAIGHT QUEER THEORY: ESSAYS ON ABJECTION IN LITERATURE, MASS CULTURE, AND FILM by Calvin Thomas (2008)

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[Book] MASCULINITY, PSYCHOANALYSIS, STRAIGHT QUEER THEORY: ESSAYS ON ABJECTION IN LITERATURE, MASS CULTURE, AND FILM by Calvin Thomas (2008)

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Calvin Thomas - Masculinity, Psychoanalysis, Straight Queer Theory_ Essays on Abjection in Literature, Mass Culture, and Film-Palgrave Macmillan (2008)

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[Online Article] 8 Mumblecore Films to Scratch Your Rom-Com Itch - Vulture

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[Online Article] 8 Mumblecore Films to Scratch Your Rom-Com Itch - Vulture

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We near the end of yet another movie summer packed with superheroes, destroyed cities, and eye-bleeding special effects, and all that din and spectacle underscored what was, yet again, missing: romantic comedies. They used to be a summer staple, but big studios just don't make rom-coms anymore, leaving the genre for the indies. So if you need a fix for a film that mixes jokes and kisses, may we suggest mumblecore? They're not as candy-coated as your classic Kate Hudson/Sandra Bullock/Meg Ryan movie, and usually don't feature the usual meet-cutes and opposites-argue-then-smooch beats; their production values are lower, and the dialogue is improvised or seemingly improvised and naturalistic. However, even though they are less formulaic, movies in this genre do feel like less glossy and eventful romantic comedies: They might not all have happy endings (though some do), but they're definitely funny and quite romantic. Here are eight mumblecore or mumblecore-ish films from the last five years that might scratch that rom-com itch.

Audrey the Trainwreck, 2010 (Director: Frank V. Ross)
Audrey the Trainwreck tells the story of two late twentysomethings who are trapped in the routine of their dull lives as an ATM parts purchaser (him) and a courier (her), but find relief and inspiration in each other. The love story elements are thoroughly earned and cute, and the film is very, very funny. There are notes of The Office in its setting and tone, but it's much more dry and true to life. Also, as is the case with many mumblecore movies, it features Nick Offerman in a small role. (Available through Ross's website.)

Breaking Upwards, 2010 (Director: Daryl Wein)
Writers and stars Daryl Wein and Zoe Lister-Jones based Breaking Upwards on their own past attempt to wean themselves off of their relationship by trying non-monogamy. Though the actors' breakup didn't stick in real life (they're engaged!), they used the experience to find humor in the tension of two people trying to split up when they don't really want to. Lister-Jones, who was consistently the most enjoyable part of Whitney 's two seasons, is hilarious in it. (Currently available on Netflix streaming.)

Cyrus, 2010, (Directors: Jay and Mark Duplass)
Over the last few years, mumblecore directors have been starting to polish their aesthetic a bit and use more recognizable actors, without losing the genre's looser feel. Cyrus was the first time the hardcore mumblecorers the Duplass Brothers, backed by Fox Searchlight, made a film with a reasonable budget ($6.5 million). (They used it to get a terrific cast: John C. Reilly, Jonah Hill, Marisa Tomei, Catherine Keener.) Plot-wise, it's a pretty traditional love triangle, except it's between a man, a woman, and her very creepily close son. (Available for digital rental on Amazon and Vudu.)

Drinking Buddies, 2013 (Director: Joe Swanberg)
Like Cyrus was for the Duplass Brothers, Drinking Buddies is Swanberg's first foray into working with famous people and a budget. It stars Olivia Wilde and a bearded Jake Johnson as co-workers at a local brewery who are absolutely perfect for each other, but they are both in relationships (with Ron Livingston and Anna Kendrick, respectively). We don't need to tell you how funny Jake Johnson is. (Currently available on VOD, and opening in limited release this weekend.)

Medicine for Melancholy, 2008 (Director: Barry Jenkins)
We should probably get this warning out of the way: Many mumblecore characters can be seen as hipsters. It's a byproduct of the genre's tendency to focus on the lives of arts professionals. The Before Sunrise-like Medicine for Melancholy, which stars Wyatt Cenac and Tracey Heggins as two San Franciscans who spend the day together after a one-night stand, faces this issue head-on, by having its characters discuss the disconnect between being black and being indie. It's also arguably the most visually stunning film in the genre. (Currently available on Netflix streaming.)

Open Five, 2010 (Director: Kentucker Audley)Visually, Open Five is the most bare-bones of this list, which makes sense since it was shot by mumbecore big shot Swanberg. It brings an ambiguity that is echoed in the story of the romantic interminglings of a pair of Memphis friends who are visited by a pair of New York friends. Not a lot actually happens, but there is a great deal of romance and humor in the mundanity of their time spent hanging out. You can quickly get a sense of this, as both and its somewhat sequel are currently available in full on YouTube.

, but instead of Hawaii and surfing lessons, it's the American south and a bird movie. (Currently available on Netflix streaming.) Red Flag, 2012 (Director: Alex Karpovsky)
Along with Offerman and Mark Duplass, another familiar face that often pops up in mumblecore movies is Girls' Alex Karpovsky. This film, which he wrote, directed, and stars in, is about a filmmaker named Alex Karpovsky who goes on a road trip to promote Woodpecker (a real film of his) after breaking up with his long-term girlfriend. It's kind of like Forgetting Sarah Marshall

Your Sister's Sister, 2012 (Director: Lynn Shelton)
Like Cyrus, at its core Your Sister's Sister has a traditional love triangle; however, this time it's between a guy, a girl, and her lesbian sister. The best mumbelcore movies benefit from a desire to watch charming people hang out, and Your Sister's Sister 's cast fulfills that need, with Emily Blunt, Rosemarie Dewitt, and Mark Duplass. They spend scenes drinking and eating in a scenic Northwest cabin and you can't help but wish you were there. The film also features one of the most frightening twists in recent memory.

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8 Mumblecore Films to Scratch Your Rom-Com Itch

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We near the end of yet another movie summer packed with superheroes, destroyed cities, and eye-bleeding special effects, and all that din and spectacle underscored what was, yet again, missing: romantic comedies. They used to be a summer staple, but big studios just don't make rom-coms anymore, leaving the genre for the indies.

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[Workshop Material] Lighting Department with Pak Nobi

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[Workshop Material] Lighting Department with Pak Nobi

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[Workshop Recording] Gaffer Workshop with Pak Nobi

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[Workshop Recording] Gaffer Workshop with Pak Nobi

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Cinematography Workshop_ Pre-production (2021-02-03 at 19_56 GMT-8)

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[Video essay] Roger Deakins on "Film Lighting"

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[Video essay] Roger Deakins on "Film Lighting"

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Roger Deakins on "Film Lighting" Part 2 — Cinematography Techniques Ep. 2

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[Video essay] Why You Should Use Practical Lightings

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[Video essay] Why You Should Use Practical Lightings

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Why You Should Use Practicals Like Stanley Kubrick

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[Guest Speaker Recording] Purposeful Cinematography with Vedro El Citra

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[Guest Speaker Recording] Purposeful Cinematography with Vedro El Citra

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2021 DPArts Exhibition_ Publication Team Meeting (2021-02-24 at 22_11 GMT-8)

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[Video] Comparative Study sample: Film style

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[Video] Comparative Study sample: Film style

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Copy of AG Comparative Study - Noir and Neo Noir

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[Book Chapter] Understanding Film Theory: Chapter 3- Formalism by Christine Etherington-Wright & Ruth Doughty (2016)

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[Book Chapter] Understanding Film Theory: Chapter 3- Formalism by Christine Etherington-Wright & Ruth Doughty (2016)

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Underst. Film Theory - Chapter 3 Formalism

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[Book] Understanding Sound Tracks Through Film Theory by Else Walker (2015)

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[Book] Understanding Sound Tracks Through Film Theory by Else Walker (2015)

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Elsie Walker - Understanding Sound Tracks Through Film Theory-Oxford University Press (2015)

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Criterion C - Relationship within the film text

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Relating Cultural Context to Film Elements (Criterion C) (1)

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[Book Chapter] Three Fundamental Styles: Realism, Modernism, and Postmodernism by Bill Nichols (2010)

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[Book Chapter] Three Fundamental Styles: Realism, Modernism, and Postmodernism by Bill Nichols (2010)

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Nichols - Three Fundamental Styles- Realism, Formalism, Post-Modernism

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[Ebook] Introduction to Cinematic Devices by Nicholas Kuhar (2014)

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[Ebook] Introduction to Cinematic Devices by Nicholas Kuhar (2014)

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Foundation in Film Style and Form by Yale Film Analysis Site

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Foundation in Film Style and Form by Yale Film Analysis Site

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Film Analysis Web Site 2.0

WHAT THE FILM ANALYSIS GUIDE COVERS

Welcome to the Yale Film Analysis Web Site.

The Film Analysis Guide was developed to meet the needs of faculty and students at Yale who are interested in becoming familiar with the vocabulary of film studies and the techniques of cinema. The user can either read the complete document or search out a particular topic of interest. - Related links within the Guide are provided as appropriate, as are links to film clips illustrating the topic or term in question.

HOW THE GUIDE IS ORGANIZED

The Guide is broken into six parts corresponding to the major divisions within cinema technique and film studies. These major divisions are further broken down into sections, subsections and definitions for terms. The final Part (Analysis) offers basic examples of how to analyze two film sequences.

There are multiple ways to navigate the Film Analysis Guide, depending on the type of browser being used and the visitor's needs. For those who wish to read the Guide straight through without skipping around, the complete site can be navigated using the forward and backward arrows visible at the top of each page.

Most users are likely to prefer to browse the site using the navigational tools offered in the top menu. The content for each of the major divisions (e.g., cinematography) is clustered in a single web page. In addition, particular topics within the major divisions can be accessed by expanding the table of contents and clicking on the relevant link or by using the alphabetized index. If you are unfamiliar with navigating this sort of site, more detailed instructions can be found in the menu item labeled About this Guide.

You can view the complete list of film clips used in the Guide by choosing the Film Clips option on the drop down menu to the left.

CONVENTIONS USED IN THIS GUIDE

Cross-links within the Guide are offered to direct the user to related concepts or to provide a more detailed discussion of a particular topic.

ADDITIONAL RESOURCES

Yale University's Film Study Center houses a large collection of films on a variety of formats.

The Yale University Library research guide on film studies will help you to find film related articles and publications.

Check the Yale calendar of events for On-Campus Film Screenings.

CREDITS

Original site: Mariano Prunes, Michael Raine, Mary Litch

Updates, platform migration: Matt Regan, Justin Moore, Pam Patterson, Trip Kirkpatrick

Content originally posted on Yale's original online courses website.

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Welcome to the Yale Film Analysis Web Site. The Film Analysis Guide was developed to meet the needs of faculty and students at Yale who are interested in becoming familiar with the vocabulary of film studies and the techniques of cinema. The user can either read the complete document or search out a particular topic of interest.

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[Book] Film History: An Introduction by Bordwell & Thompson (2019)

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[Book] Film History: An Introduction by Bordwell & Thompson (2019)

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Bordwell & Thompson (2019) - Film history _ an introduction-University of Wisconsin (2019)

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[Book] Film Theory: An Introduction by Robert Stam (2000)

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[Book] Film Theory: An Introduction by Robert Stam (2000)

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Robert Stam (2000) - Film Theory_ An Introduction-Wiley-Blackwell 