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Verse 1:
When it come to thinking over,
A little ache inside of me,
Lives within my memories.
Should I turn to starting over?
Or is it too late for me now?
Is there nothing left to me?
In my life it's never what it seems.

Verse 2:
A masochistic life to savour,
Tell me am I worth the fight?
Should I make it through tonight?
'cause I am done with starting over,
It's too late for me now,
There's nothing left to,
My life is never what it seems.

Chorus:
Burn it all,
Let me fall down with the rain,
Let me feel the cold,
Of a stone carved with my name,
And above this world,
I'll watch it crumble to the ground,
And live again,
Where they never make a sound at all.

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PRS MT15, Vox AC30, Victory Kraken V4 Preamp.

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PRS MT15, Vox AC30, Victory Kraken V4 Preamp.

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In 'Burn' (for the solo) I use the Vox AC30 running clean and use the Mythos Golden Fleece and TC Mojo Mojo for my drive tones.

In 'The Beast That Makes Us' I use the Victory Kraken V4 Preamp pedal into the FX loop of the AC30 which replaces the AC30 preamp with the Kraken, turning it into a high gain amp. All guitars panned to the left hand side uses this amp setup. For my Right panned guitars and lead parts I use the PRS MT15 which is another high gain amp but with a different tonality to add variation.

All amps are recorded by plugging the speaker cable into a Two Notes Captor X which acts in 3 ways. 1 - it is a load box that holds the power that would normally be used to power the guitar cabinet, 2 - it allows me to record my guitar amp through my interface without the need to mic up a speaker cabinet and 3 - it has built in Impulse Responses to emulate a mic'd up cabinet, this also allows me to put the speaker cabinet before the interface preamp instead of using a plugin in the DAW which makes the signal chain a lot more accurate.

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Shure SM7b is an industry standard dynamic microphone that I use on all my vocals in every song due to its quality and ability to handle Rock vocals up close. The sE7 is a small diaphragm condenser microphone that I used to record the acoustic guitars in 'Burn' aiming the mic between the sound hole and 12th fret of the guitar and about 6 inches away.

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My recording interface, a digital interface with Unison technology that allows you to use various digital recreations of famous preamps when recording in. 'The Beast That Makes Us' used a Neve 1073 Preamp to record all guitars and vocals for its more distorted nature, whereas 'Burn' recorded all instruments and vocals using the Helios Type 69 which is a more clear preamp.

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This is the guitar that was used to record all the guitar parts in 'The Beast That Makes Us'.

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Used to record all acoustic guitar tracks in 'Burn'.

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This guitar was used to record the guitar solo in 'Burn'.

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Fuzz pedal used as the main tonal platform for recording the guitar solo in 'Burn'.

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Overdrive pedal used in combination with the Mythos Golden Fleece to create my guitar solo tone.