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"Tomorrow Sunny" is an example Ratliff used in this chapter.

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"Tomorrow Sunny" is an example Ratliff used in this chapter.

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The Quatuor Ysaye version of the musical piece with Pascal Roge as pianist is also a great example. 

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The Quatuor Ysaye version of the musical piece with Pascal Roge as pianist is also a great example. 

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Faure - Piano Quintet No.2 Op.115, Ⅰ.Allegro moderato

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Gabriel Faure - Piano Quintet No.2 Op.115 Ⅰ.Allegro moderato Pascal Rogé, piano Quatuor Ysaÿe

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Ratliff uses the terms of linking and exclusivity to describe his opinion on certain musical pieces. Ratliff says that when musical pieces do not sound "routine" and "repetitive", it is a refreshing sense of music. Many songs have the same repetitive beat, lyrics, and/or sound. Personally, I disagree with with Ratliff's opinion on linking and exclusivity. When I listen to music, I like it to be "catchy" and that usually means it has a repetitive sound to it. When songs have exclusivity, I usually tend to think that songs like that sound poorly written.

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Faure's piano pieces are great examples of linking and exclusivity. 

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Faure's piano pieces are great examples of linking and exclusivity. 

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G. Faure - Piano Quintet No. 1 in D minor, Op. 89

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Quintet No. 1 for piano, two violins, viola and violoncello in D minor, Op. 89 I. Molto moderato - 00:00 II. Adagio - 11:26 III. Allegretto moderato - 21:46 Peter Orth, Piano Auryn Quartett Painting by Hans Gude

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"But music doesn't have to be set at right angles. It does not have to be square or symmetrical or neatly sequential. 

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"But music doesn't have to be set at right angles. It does not have to be square or symmetrical or neatly sequential. 

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Ben Ratliff

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Track: #1 / Album: Caymmi e seu violão / Year: 1959 Todos direitos reservados. A postagem é com o intuito de tornar acessível a música Brasileira

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"But there is one internal structure that defines them all and makes them cohere into something resembling sense. That is you."

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"But there is one internal structure that defines them all and makes them cohere into something resembling sense. That is you."

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Ben Ratliff

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Ratliff explains in this chapter that it is refreshing when musical pieces do not sound "routine" and "repetitive". 

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Ratliff explains in this chapter that it is refreshing when musical pieces do not sound "routine" and "repetitive". 

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"Rhythm is too often confused with metrics. It is the element of stability, the generator of form."

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"Rhythm is too often confused with metrics. It is the element of stability, the generator of form."

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Edgard Varese

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"We love to have music help us with repetitive motion, because there is so much reparative motion necessary for living."

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"We love to have music help us with repetitive motion, because there is so much reparative motion necessary for living."

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Ben Ratliff