# data[].attributes.body
Fuss created haunting black and white images using pinhole photography

# data[].attributes.body
Adam Fuss is a English Photographer born in 1961. Fuss began capturing a series of pinhole photographs in 1984. It is said that Fuss used pinhole photography to "reject photography whilst still holding on to it".

# data[].attributes.body
This image demonstrates the science behind a pinhole camera and how the process of capturing a pinhole image works

# data[].attributes.body
Further research allowed me to find out how to make a Pinhole camera using the modern day cameras. By taking the (1) camera body cap, (2)finding the middle, (3) drilling a hole in the middle, (4) covering the hole with black aluminium, (5) securing the aluminium with black tape, (6) finding the middle of the tape, (7)poking a hole through it with a pin and then finally (8) attaching the body cap back to your camera you have now created the ability to capture pinhole images using a DSLR. Tripods, nano pods and stabiliser of any form are recommend when creating a pinhole DSLR for you will need long shutter speeds to capture the images and carrying out this photographic style without one could jeopardise your outcome do to elements of camera shake and unintentional blur.

# data[].attributes.body
Of all the pinhole photographers that we have studied, I found myself most drawn to the work by George Davison. I have a deep admiration for the almost ghost like detail of his images and the organic aspect that works so well with this natural landscape influences.

# data[].attributes.body
Davison once wrote that "the greater the photograph’s ability to evoke the landscape as it was seen by the human eye,the greater its aesthetical value would be too".

# data[].attributes.body
George Davison was a noted  English Photographer born in 1854 to a poor family from Lowestoft. Davidson started to produce photographs when he became a member of the'Camera Club'.  photography society. A man with a 'come upon' story for he became a self made millionaire after smartly investing in the early  Kodak Company.An experimentalist, Davidson soon turned away form conventional naturalistic photography and started to play around and become reformed in the art of pinhole photographs. He is recorded as being one of the very first photographers to ever practise the art of pinhole photography. An incentive for George Davison taking up Pinhole photography was because he wanted to produce softer images

# data[].attributes.body
Justin Quinnell loved the "not knowing" of the process, he found it magical. The idea that one knows nothing of the outcomes adds to the unrefined beauty. He uses the beauty of nature a lot as a strong component in his artistry, often hanging pinhole cameras made out of smaller objects such as tinned cans on to the ends of bridges or up in trees. He puts the outcome in the hands of faith and time and that is what makes his wok so beautiful. Often working on larger scales such as using wheel bins as the basis of his pinhole cameras, Quinnell never shy's form originality and unrestricted creativity.

Be bothered with life, if there's something you want to do, pursue it ; the only other option is to not be bothered and to fail.- J.Q

# data[].attributes.headline
Miniature Pinhole Camera in mouth using a film canister  

# data[].attributes.subject
Miniature Pinhole Camera in mouth using a film canister  

# data[].attributes.body
Quinnell takes pinhole photography to a level like no other, his ingenious unique approach to the possibilities of pinhole photography sets him apart from the other pinhole photographers of the 21st century.

# data[].attributes.headline
Photography paper- Photographic paper is made of a sandwich of three components starting with normal paper as the base, silver halite and emulsion in the middle and cellulose as the final topping layer  

# data[].attributes.subject
Photography paper- Photographic paper is made of a sandwich of three components starting with normal paper as the base, silver halite and emulsion in the middle and cellulose as the final topping layer  

# data[].attributes.body
"Reuse, up-do, recycle".

The basis of a pinhole camera and be constructed using everyday recyclable household items such as : bottles,  cans, cereal boxes, old film canisters etc; the list is endless. As long as the chosen item has the capability to reach a state of completely darkness, it is suitable for use in the construction of a pinhole camera.

# data[].attributes.headline
Taking photography back to the bare essentials.

# data[].attributes.subject
Taking photography back to the bare essentials.

# data[].attributes.body
Pinhole photography is spontaneous and experimental, allowing yourself and your craftmanship to be vulnerable. Creating fine art photography and playing around with the unconventional and doing so unapologetcally.

# data[].attributes.body
Liberating ones self from the "have to"  and the newfound dependence on modern technology and having the latest models and gadgets.

# data[].attributes.body
A strong advocate of pinhole photography and one of the most notarised pinhole photography of the 21st century.
"element of sculpture and element of time, beyond vision". Personal life influences have played a major part in the fundamental basis of Justin Quinnells photographic form. He's a , green environmentalist, who found himself with a lack of funds to invest in the latest equipment and also was in a situation where he was teaching under privilege children who didn't have £300+ pounds to spend on a camera;  but what the did have were bottles, cans, food boxes, shoe boxes. He combined his love of doing better for the environment and his economic situation and changed the idea of photography being elitist and a major financial investment.

# data[].attributes.body
1880s

# data[].attributes.body
Adam Fuss
George Davison
Justin Quinnell

# data[].attributes.body
light introduced into a dark box using aperture. been around since the 15th century. light entering box creates image. the images created are flipped and reversed.