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Little to no engagement with audience apart from when they cut your clothes or pull on the ropes

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You don’t engage with the audience in person however I feel like this isn’t necessarily needed as you communicate with your signs

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Yoko ono cut piece

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There’s a great performativity to the piece in you laying tied up to the elements.

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It’s obvious that your work has been founded in theory and inspired by various practitioners.

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Great aesthetic quality! I love that you’re tied to the elements and how everything has a meaning to you

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What the signs say which may be changed

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It’s clear that you have taken on feedback given to you and used it to further progress your piece. However don’t let feedback get on top of you! Stick to your gut instincts

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Super reliable. Great collaborative worker

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Creativity, originality, attention to detail 

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Creativity, originality, attention to detail 

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You’ve got a creative and original idea however you could maybe pay a bit more attention to detail. E.g: ropes all the same, what will actually be in the water (cup/bottle etc).

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Creativity originality and attention to detail:

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Creativity originality and attention to detail:

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Using rope instead of string, 4 elements as related to love

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You have selected material that is relevant to your work then developed this to create a good performance.

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Having started with lots of different ideas you have condensed them and settled on one then used it to create and develop your work

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Used idea of cut piece, if you feel stongly about it keep it in

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No engagement which is powerful and portrays the impact of sight loss

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Creativity, originality, attention to detail

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Creativity, originality, attention to detail

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I think I had a creative and original idea and paid attention to detail in the objects I chose to use in terms of their sensory val

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Marina abromavic rhythm 0??

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Taken into account the variation of sight and which objects to include

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Good having others interacting with you

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I think I have selected and developed material that was relevant to my idea and subsequently refined it to create my work

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Very creative, detail on time length meaning and colour choice

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I think you have worked well on developing feedback and remaining in posture

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Very reliable when needing help! Your a star 

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Very reliable when needing help! Your a star 

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Developed on objects, need to decide on finish

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Creativity- very creative and have researched into the 'blind' state you have been very creative with these ideas

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Creativity- very creative and have researched into the 'blind' state you have been very creative with these ideas

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Selection- I think there needs more details and more variety when using the different things and also think you need to use the computer or sounds feelings are limited. Also use food...

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Selection- I think there needs more details and more variety when using the different things and also think you need to use the computer or sounds feelings are limited. Also use food...

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I believe that I used various ideas to inform my work. I have assed when ideas haven’t worked and why and then used aspects of them to develop my current work.

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Using ideas- you have used creative performance ideas from marina which have been noticed throughout your work. I like the material you have put alot of thought into feedback and made it known you have done your research

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Using ideas- you have used creative performance ideas from marina which have been noticed throughout your work. I like the material you have put alot of thought into feedback and made it known you have done your research

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Using ideas to inform decide and shape material:

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Using ideas to inform decide and shape material:

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The idea of sight loss which stemmed from isolation is carry affective

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It’s clear from your draft that the audience engaged with you and your performance. And in your own way you engage with the audience just by looking in the mirror

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There’s a nice performativity about you being sat looking in the mirror but as yet I’m still not sure how your performance ends.

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In places it’s clear where you’ve used theory into practice such as Marina Abramović and digital performance but maybe try and back up your ideas more.

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Your piece has a great aesthetic quality especially now you’re using the mi

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It is clear that you have considered feedback you have received and used it to further develop your piece.

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Engagement with audience: did greet them however will now have no communication with audience 

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Engagement with audience: did greet them however will now have no communication with audience 

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You work well collaboratively however it can sometimes be difficult when you’re not here.

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Performativity: sat not communicating with audience, will tell them to get out on performance 

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Performativity: sat not communicating with audience, will tell them to get out on performance 

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Theory to practice: influenced by marina abromavic, invited audience to sit with her 

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Theory to practice: influenced by marina abromavic, invited audience to sit with her 

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Creativity, originality and attention to detail 

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Creativity, originality and attention to detail 

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You’ve created an original idea and stuck with it throughout development. You’ve made sure the details are appropriate and relevant to your work.

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Aesthetic quality of material: lights and sound creating 'on edge' atmosphere 

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Aesthetic quality of material: lights and sound creating 'on edge' atmosphere 

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You’re selection of materials is appropriate to your idea and performance.

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Implementation of feedback: moving the location to the mirror, engaging with audience or not 

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Implementation of feedback: moving the location to the mirror, engaging with audience or not 

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Reliability and colab working: using Amy and saffron in my piece, Amy on sound, saffron on lights

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Reliability and colab working: using Amy and saffron in my piece, Amy on sound, saffron on lights

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Creativity originality and attention to detail: where the lights are shining, what colour the lights are and what they represent

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Creativity originality and attention to detail: where the lights are shining, what colour the lights are and what they represent

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Development of ideas: changed location to mirrors for inner reflection

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Development of ideas: changed location to mirrors for inner reflection

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Ideas to in inform material: look into more material that connects to my performance idea

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Ideas to in inform material: look into more material that connects to my performance idea

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Using ideas to inform, devise and shape material 

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Using ideas to inform, devise and shape material 

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It’s clear to see where you’re ideas developed from (eg. Having the audience sit with you has been influenced by The Artist is Present). We can also see how you’ve stuck with your initial idea and developed it into the piece you currently have.

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Using ideas to inform, devise, shape- you've resources well and developed different research into your piece. Using technology also. By using the lighting I think there needs to be more structure with people controlling this. I think the lighting took away the message when people were playing to much with this. 70
Selection- by using lighting and using mirrors, the inner reflection, refined well and developed within this. I would say use a mirror with no bars to create a bigger impact. 70
Creativity- a very well developed thought process but work on an ending with this in mind and the attention to detail to this will make your piece whole. 65
Reliability- not been working together so cannot analyse this.
Implementation of feedback- worked well with the feed back given and worked with it. 80
Aesthetic- 70
Apply theory- engaged well within class and added some good technology for the piece and worked within the practitioners we looked at. 70
Performance- worked within good timing and got a finished product 75
Engagement with audience- I think you need to figure out exactly what your saying to them and how your responding to the audiences reaction. None at all or speaking... 6