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Henri Matisse, 1905-1906, Oil on Canvas

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Arrangement in Grey and Black No. 1: Portrait of the Artist's Mother

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Arrangement in Grey and Black No. 1: Portrait of the Artist's Mother

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James Whistler, 1871, Oil on Canvas

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Pablo Picasso, 1907, Oil on canvas

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The influence of other cultures around the globe changes how artists in different areas view their art in the same context but with very different approaches to those with different cultures or experiences.

Artists:
Pablo Picasso: (Oct 25, 1881- Apr 8, 1973)  French painter that was greatly influenced by African Art and created the style called cubism from the way the African masks were made.

James Whistler: (July 11, 1834 - July 17, 1903) American painter and foerunners of Post-impressionist movement, inspired by Japanese prints.

Henri Matisse: (Dec 31, 1869 - Nov 3, 1954) French painter, draftsman who was regarded as the greatest colorist in his time.

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Great work, Richard. And you have some really interesting artists--Banksy, Peter Kien.
Some years ago I bought a book called "The Artists of Terezin" by Gerald Green. Think it was published in 1978. Moved me profoundly.
I encourage you to think more widely about artists in some of your other principles.
#1 is "rejection of principles currently in place." You have three impressionist/postImpressionist artists. (BTY, Degas needs a "D"). That was true in the 1870s and 1880s but isn't it still true? For instance, in the 1950s and 1960s, artists in American began to challenge the dominance of Abstract Expressionist ideas, as those were the ones then "currently in place." Perhaps you should consider some of the NeoDadas.
#3 in "innovate." You can certainly think about mediums there, including artists exploring performance, video and light. I think if you poke around Dada, Minimalism, and early Conceptual art you might find some new possibilities.
Just thoughts. Keep up the good work!

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Peter Kien, 1942-1944, watercolor

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Andy Warhol, 1972, Silk on screen

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Banksy, 2011, Stencils and graffiti on wall

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The change in the political and social scene creates different reasons and meanings for artworks, in history, many artists would use art as a way to criticize their culture or politics.

Artists:
Banksy: ( Identity unknown) Anonymous English based graffiti artist that creates works in public space that usually have dark humor and are politically or socially relevant.

Andy Warhol: ( Aug 6,  1928 - Feb 22, 1987) American artist, director and producer that was the leading figure in pop art.

Peter Kien: ( Jan 1, 1919 - Oct 1944) Jewish artist and poet that was active in the Terezin concentration camps.

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Constantin Brancusi, 1923, Bronze

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Marcel Duchamp, 1917, Ceramic

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Pablo Picasso,  1912,  Oil on clothed canvas with rope around edge

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Artists are constantly looking to innovate and create new forms of art that have not been made, doing many experimental works as well as trying different techniques to redefine what art is.

Artists:
Pablo Picasso: (Oct 25, 1881 - Apr 8, 1973) French painter, print maker, and sculptor that created cubism and invented collage.

Marcel Duchamp: (July 28, 1887 - Oct 2, 1968) French painter and sculptor that  challenged the meaning of art with his ready-made artworks.

Constantin Brancusi: (Feb 19, 1876 - Mar 16, 1957)  French sculptor and photographer that studied under Rodin and created figures with elongated faces

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Paul Cezanne, 1904, oil on canvas

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Paul Gauguin, 1894, oil on canvas

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Edgar Degas, 1879, Oil on canvas

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Claude Manet, 1863, Oil on canvas

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Edouard Manet, 1863, Oil on canvas

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A Sunday Afternoon on the Island of La Grande Jatte

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A Sunday Afternoon on the Island of La Grande Jatte

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Georges Seurat, 1884-1886, Oil on canvas

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Artworks used to be owned as an luxury item for the rich and portraying objects of beauty and class, but over time people found ways to make it relatable to the common people and challenging the figures of Gods and Goddesses' portrayal.

Artists:
Georges Seurat: ( Dec 2, 1859 - Mar 29, 1891 ) French draftsman and painter that pioneered the Neo-impressionist technique.

Édouard Manet: ( Jan 23, 1832 - Apr 30, 1883 ) French painter and draftsman who was very accepting to new styles.

Paul Gauguin: ( June 7, 1848 - May 8, 1903 ) French painter, sculptor, printmaker who pioneered Symbolism

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For new movements and new styles to arise, there has to be a big change in mentality, including the rejection of the principles that's currently in place.

Artists:
Claude Monet: ( Nov 14, 1840 - Dec 5, 1926 ) French painter that was deemed as the creator of Impressionism.

Edgar Degas: ( July 19, 1834 - Sep 27, 1917 ) French painter, sculptor, and print maker who pushed the impressionism movement further but with his unique realism touch.

Paul Cézanne: ( Jan 19, 1839 - Oct 22, 1906 ) French draftsman and painter that paved the way for modernism.

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1. The rejection of previous movements and being unsatisfied with their rules
2. Make art accessible and relatable to a larger variety of people
3. To create new forms of art
4. Changes in political and social structure.
5. Influence of other cultures

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1. Padlet wall set up: 10/10
2. Professor/TA are able to post comments on wall: 5/5
3. 3 printed books or journals, Decker Library in bibliography: 30/30
4. 1 article from Oxford Art Online in bibliography: 10/10
5. 1 appropriate resource of choice in bibliography: 10/10
6. 5 well-written, helpful, brief annotations: 25/25
Total points: 100/100

Unexcused lateness: 2 per day (24 hrs from time due), no maximum, until assignment is complete
Failure to use correct Chicago Manual Style format in bibliography: 2 per incorrect entry
Total deductions: 0
Total points for assignment: 100/100

Comments:
Good job with the first assignment, cheers!

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Encyclopædia Britannica. "Modernism". britannica.com
https://www.britannica.com/art/Modernism-art (Accessed September 10, 2017)

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"Modernism." Grove Art Online. Oxford Art Online. Oxford University Press, accessed September 10, 2017, http://www.oxfordartonline.com/subscriber/article/grove/art/T058785.

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Sagner, Karin. 2002. Monet and modernism. Munich: Prestel.

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Walz, Robin. 2008. Modernism. Harlow, England: Pearson Longman.

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Wood, Paul. 2004. Varieties of modernism. New Haven: Yale University Press in association with the Open University.