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Kaitlyn's Blocking Part 3 lol cause she can't work technology 

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Kaitlyn's Blocking Part 3 lol cause she can't work technology 

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“The Director's Role: You are the obstetrician. You are not the parent of this child we call the play. You are present at its birth for clinical reasons, like a doctor or midwife. Your job most of the time is simply to do no harm.
When something does go wrong, however, your awareness that something is awry--and your clinical intervention to correct it--can determine whether the child will thrive or suffer, live or die.”

Frank Hauser

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a.      Work with the artistic director to bring on a choreographer and vocal/music director with whom I can realize this vision.

b.      The choreography will stir your audience’s emotions with the use of movement.

c.      Your vocal/music director will create the sound that’s going to resonate in harmony with the choreography with the audience.  The power and tightness of your sound is critical.

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a.      In CYT, Christ is our boss.  He is to whom we are ultimately accountable. That being said, there is a hierarchy in which we follow.

b.      The director is accountable to the show coordinator.  They are the producer of the show.  The show coordinator assures that all aspects of the show are within our unique CYT culture and that we are all following protocol.  Your show coordinator is the most important person with whom to communicate.  They will set the tone for the entire show experience.

c.      The Show Coordinator is accountable to the regional coordinator if there is a regional coordinator and ultimately to the Artistic Director.

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Anya: Christi (#2)
Gleb: Joshua (#1)
Dimitri: (#2) 'Last one we listened to lol'

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Ensemble: Singers who dance. Strong supporters for everyone. Works well as a team. Medium size.

Featured roles: Comedic. Strong supporters of leads. Singers who dance.

Dancers: Strong angels, nice lines.

Dimitri: Trickster. Should be shorter than Gleb. Stubborn.

Gleb: Manipulating. Slender and Tall.
Sly. Confused.

Anya:  ingénue-esk. Funny. Singer who dances.

Vlad: Old but wise. Fatherly. Jolly old man.

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Act 1: Faded and neutral tones. Fall and Winter vibes. Square, triangular, rough edges. Pointed. Blocky with bulb decor; few details.

Act 2: Pastel and Light tones. Summer and Spring vibes. Circular, blocky, smoother edges. Delicate. Intricate.

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•	Think of ideas for your show.  Colors, shapes, and overall look.  Be prepared to back up your choices. •	How do you want the show to look for while casting?  For instance, does your leading man need to be tall, short, or doesn’t it matter.  Does the actor need to be a DANCER THAT SINGS or A SINGER THAT DANCES, etc. Is your lead woman an ingénue? How do those traits work in youth theater?  How will you utilize your ensemble?  The use of your ensemble makes or breaks a show! •	Budget: What will your show cost?  How does your show make a profit or break even? In other words, what are the expenses that you can’t do without and what are the expenses that are negotiable?

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•	Think of ideas for your show.  Colors, shapes, and overall look.  Be prepared to back up your choices. •	How do you want the show to look for while casting?  For instance, does your leading man need to be tall, short, or doesn’t it matter.  Does the actor need to be a DANCER THAT SINGS or A SINGER THAT DANCES, etc. Is your lead woman an ingénue? How do those traits work in youth theater?  How will you utilize your ensemble?  The use of your ensemble makes or breaks a show! •	Budget: What will your show cost?  How does your show make a profit or break even? In other words, what are the expenses that you can’t do without and what are the expenses that are negotiable?

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Sets: Maddie D.
Costumes: Emily H.
Hair/Makeup: Kaitlyn W.

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Isaiah 41:10
Fear not, for I am with you; be not dismayed, for I am your God; I will strengthen you, I will help you, I will uphold you with my righteous right hand.

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Who will represent sets, costumes, hair and makeup?

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Who will represent sets, costumes, hair and makeup?