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Valen and Caro are light academia, Sofi's dark

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eveloutravelsCommunity ContributorApproved and edited by BuzzFeed Community Team

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What Type Of Academia Aesthetic Fits You Best?

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A very timely article about Ukrainian literature. I find that I'm pretty familiar with Russian classics, but not as much as I'd like with the body of work belonging to other Eastern European nations, something which I should probably remedy!

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In 2014, when Russia annexed the Ukrainian peninsula of Crimea, the Russian satirist Vladimir Sorokin wrote about the reaction of his friends to the fighting that followed. "I can't believe that Russia and Ukraine are fighting. It's like a nightmare," said one. Another added: "All of us Russians are sitting in a huge theatre, watching a play called Ukraine. And you can't leave the theatre!"

More like this:

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Now we are all watching, as transfixed and horrified as Sorokin and his friends. But what we are seeing, behind the news, is something more enduring: a representation of the character and qualities of Ukraine and its people. It is a place that, because of its unique geopolitical location and turbulent history, has been richly recorded in books and stories for many years, and continues to inspire writers today. BBC Culture set out to explore Ukraine's literary history, and speak to writers who know it best.

Boris Dralyuk is a Ukraine-born writer and translator, now living in the US. When asked about how Ukraine is represented in writing, he identifies one of the fathers of its literature as Taras Shevchenko (1814-1861), "the national poet of Ukraine, a sort of Pushkin-like figure who was born into serfdom, whose talent bought him his freedom." One of Shevchenko's poems is A Cherry Orchard by the House (1847): "A tiny little lyric," says Dralyuk. "It won't strike you as brilliant poetry, but for Ukrainians, it's the very image of home. It just lodges in your heart and you can't shake it."

He also names the poet Lesya Ukrainka (1871-1913), who was influenced by Shevchenko and was, says Dralyuk, "a kind of proto-feminist figure [and] you can tell by her choice of pseudonym that she was very much, if not a nationalist then a patriot. Her image has been on Twitter frequently, because Ukrainian women have shown so much courage [recently], so she's become a symbol of that kind of resistance."

Neither Shevchenko nor Ukrainka, however, is well known outside Ukraine. It's disappointing, if apt, that some of the best-known early portrayals of Ukraine in literature are by outsiders, particularly those depicting the Crimean War of the 1850s. This conflict between Russia and an alliance including Britain and France was described by commentators as a " boozy fiasco" characterised by " notoriously incompetent international butchery." In England, the poet laureate Alfred, Lord Tennyson depicted a suicidal British mission during the war in his most famous poem, The Charge of the Light Brigade (1854), which portrayed with bitter irony the stupidity of the army leadership ("Someone had blundered") and admiration for the soldiers following their orders ("Stormed at with shot and shell/.../ into the mouth of hell/ rode the six hundred").

From the Russian side, the Crimean War produced probably the world's first war correspondent, when a young officer in the Russian army with an interest in literature filed reports on the siege of the port of Sevastopol in 1854-55, and for the first time signed his full name to his writing: Leo Nikolayevich Tolstoy. His three "Sevastopol sketches" show Tolstoy's qualities in an early form: a blend of politics and personalities, rigorous historical reconstruction, and an acute eye for larger-than-life characterisation.

The sketches read like fiction, full of life and death, but for Tolstoy "the hero of my story, whom I love with all my heart and soul," was "the truth". He didn't care whether his sketches offended anyone - "all the characters are equally blameless and equally wicked" - and they made him into a literary celebrity. "I failed to become a general in the army," he wrote, "but I became one in literature."

The examples of Tolstoy and Tennyson illustrate the enduring image of Ukraine as a place not just divided but torn by conflict. What we now call Ukraine - it has been an independent nation for only three decades - was historically a crossing point from West to East. In the 19th Century, western Ukraine was part of the Austro-Hungarian Empire, and the East was ruled by Russia. In the early 20th Century, it was briefly united as the Ukrainian People's Republic, before once more being split between Russia, Poland, Czechoslovakia and Romania, and then becoming part of the Soviet Union. One way of looking at its tempestuous history is that that western Ukrainian city now known as Lviv was known variously as Lvov, Lwów or Lemberg, depending on who was in charge at the time.

Another way is to listen to Ukraine-born writer and humorist Mikhail Bulgakov, who once reflected wryly that in the years after 1918, in his home city of Kyiv "there were 14 [changes of power], 10 of which I experienced personally." Bulgakov's own contribution to the literature of Ukrainian conflict is his first major work The White Guard (1925), which takes place during one of those battles for control of Kyiv, and follows the misfortunes of the once-wealthy Turbin family. (The book fell foul of Soviet censors for its failure to include a communist hero.)

Even today, Ukraine produces writing that reflects ongoing wars: Dralyuk names one of the country's most important contemporary poets as Lyuba Yakimchuk, who, he says, "was a refugee from Donbas, from the war zone, and she has written very movingly about that experience". Her 2016 poem Crow, Wheels highlights the apparent never-ending escalation of conflict: "When the city was destroyed, / they started fighting over the cemetery."

A melting pot of cultures

But we do Ukraine an injustice if we focus on its literature of conflict and ignore its other qualities. One of its most distinctive traits is that, because of the country's status as an East-West meeting point, it is a melting pot of cultures, particularly in the western cities like Lviv and Odessa. Ukraine-born Jewish writer Isaac Babel (born 1894) made his name as one of the key figures in 20th-Century literature through a relatively sparse output before he was killed as part of Stalin's terror campaign in 1940. Babel wrote that "no iron can pierce the heart with the force of a [full stop/period] put in just the right place," and although he too wrote about war - in his Red Cavalry sequence - it's his Odessa stories that conjure most beautifully the character of melting-pot Ukraine.

Dralyuk, who was born in Odessa, has translated Babel's stories into English. The Odessa stories are mostly about the Jewish gangster community and capture its energy and unpredictability in a way that make them read like a European Damon Runyon. One passage, where the narrator falls foul of gang kingpin Benya Krik (who "got his way because he had passion, and passion rules the world"), could be straight out of Runyon's Broadway stories:

"He kept on crying and stomping on me. My wife saw how much this upset me and commenced screaming. She started at half past four and didn't finish till eight. And how she gave it to him, oy, how she gave it to him! You should have seen it!"

"Yes, yes, that's what I was emulating for sure," says Dralyuk. "Damon Runyon, Ring Lardner, and Jewish-American authors like Bernard Malamud." One of the secondary losses arising from the Russian invasion, fears Dralyuk, is that "the Russian language you see in Babel's stories, which is part of Ukrainian culture... will shrink inevitably, because those who speak both languages will probably make an effort to speak Ukrainian rather than Russian. And that forecloses a whole rich tradition that could have remained open. I would much rather Ukraine be allowed to develop as a multilingual, multicultural place, which is what it was for the last 30 years."

In Babel's stories, Odessa is presented with both affection and humour. It is, he wrote in 1916, the "most charming of cities in the Russian Empire... where the living is light and easy." Its diversity is shown in "steamers from Newcastle, Cardiff, Marseille and Port Said; there are Negroes, Englishmen, Frenchmen and Americans." But on the other side of society, the "powdered wives" of the city's "plump and ridiculous bourgeoisie... succumb to the passionate caresses of temperamental students of medicine and law." Overall, Babel adds playfully, "the reader will say, 'It sounds like Odessa is a city like any other, and you, sir, are simply biased in the extreme.'"

In fact, this cynicism and self-mockery is perfectly in keeping with what the Ukraine-born novelist Józef Wittlin in 1946 called the "abhorrence of solemnity" and "dislike of all manner of pomp" in his beloved city of Lviv. Like Babel, he adored his city's diverse, colourful population: "an extraordinary mixture of nobility and roguery, wisdom and imbecility, poetry and vulgarity." The Czech-French novelist Milan Kundera identified this as a quality more widely in central Europe: its people, he said, "represent the wrong side of history. They are its victims and outsiders. It is this disabused view of history that is the source of their culture, of their wisdom, of the 'nonserious spirit' that mocks grandeur and glory."

Does this "nonserious spirit" apply to Ukraine too? "I think so," says Dralyuk. "It's a country with an innate sense of humility, a great sense of humour, and a very healthy self-regard. The valorising of the marginal, the wily, the trickster figure, the person who makes it by hook or by crook" - the sort we see in Babel's stories - "is ingrained in the culture. And what makes Ukrainian literature special is that it treats those figures with a great deal of nuance. I think it's part and parcel of the Ukrainian mentality - there's a wryness to the Ukrainian frame of mind."
A turbulent century
Making a similar point is Ukraine-born poet and translator Nina Murray, whom BBC Culture also spoke to about the country's literature. "There's a long-standing humorous tradition [in Lviv], because it's always been a mixed city where different classes of people made fun of each other. But also the Jewish writer Sholem Aleichem is from Lviv and he was a great humorist. I'm biased because I'm from there [too]!"

Contemporary Ukrainian writers too share the "nonserious spirit." Dralyuk identifies the writer Andriy Lyubka's 2015 novel Carbide as a timely example: "It's just wonderful. It's one of these bandit stories, where a history teacher decides to dig a tunnel under the Ukrainian border and sneak all 40 million Ukrainians into the EU."

What other qualities does contemporary Ukrainian writing exhibit, and what can it tell us about the country? For Murray, some of the books she has translated "share a theme of irrecoverable loss, like missing parts of our own past that we cannot know any more because the living memory is gone". This may not be surprising given the losses Ukraine has suffered in its turbulent century. Ukrainian literature, she says, can explore "what it feels like to have that hole behind you, and creative attempts to fill it".

Murray notes that since 2014, "the Ukrainian government put more resources into translating modern Ukrainian literature overseas, which is why we're now seeing that investment paying off." For her, one of the key voices is Oksana Zabuzhko, who "became very famous in Ukraine back in the 90s. She published this short novel called Fieldwork in Ukrainian Sex (1996). And it was the first novel that was by a woman, about a woman navigating the postcolonial psyche, including in her relationships to Ukrainian men and other men. So she wrote about things that had never been written about before."

Oksana Zabuzhko's 1996 novel, Fieldwork in Ukrainian Sex, made her famous in her home country (Credit: Getty Images)

Perhaps the best known internationally of contemporary Ukrainian writers is Andrey Kurkov, whose most recent novel Grey Bees (2018) is set in the "grey zone" that arose between Russian separatists and Ukrainian troops in the South-East of the country following the 2014 annexation of Crimea. Kurkov's approach to the conflict is indirect: his hero, the beekeeper Sergey, has one of his hives impounded by Russian authorities, and when it's returned to him, it no longer works as a home for its bees. As gentle, naive Sergey travels from Donbas to Crimea, he encounters people representing modern Ukraine. They are generous, kind, resilient: all qualities we have seen in abundance under the present crisis.

BBC Culture asked Murray and Dralyuk to recommend other modern Ukrainian writers who are published in English but less well-known than Kurkov. "There's a great book by a poet called Iryna Shuvalova," says Murray. "It's called Pray to the Empty Wells, [and] some of the poems reflect the process of comprehending the 2014 invasion and war." Dralyuk suggests Yuri Andrukhovych, a more established writer whose works include The Moscoviad and Twelve Circles, and who writes "in a kind of surrealist vein, very jocular, very satirical, that can explain the nature of the Ukrainian mentality and its history".

Andrey Kurkov is perhaps the best-known internationally of Ukraine's contemporary writers (Credit: Sergei Supinsky/ Getty Images)

The Polish writer Ryszard Kapuściński was present at the independence of Ukraine in 1991. In his book Imperium, he wrote that "the future of Ukraine will develop in two directions: in terms of its relations with Russia, and in terms of its relations with Europe and the rest of the world". Writing from and about Ukraine cannot unify those two directions but it can help us understand them. Dralyuk and Murray are passionate about helping non-Ukrainians to use its literature to understand this country which has too often been in the news for the wrong reasons. One work, only recently translated into English, which Dralyuk enthuses about is Kyiv-born Lev Ozerov's Portraits Without Frames (1999), which provides short vivid portraits in verse of 50 key Ukrainian and Russian figures, including Isaac Babel, Boris Pasternak and Anna Akhmatova.

"It's a very important book [that] hasn't received much attention," says Dralyuk. "But it's the work of a man whose identity is front and centre now on our screens. Like [Volodymyr] Zelensky, the president of Ukraine, Ozerov was a Soviet-born Jewish person in the territory of Ukraine, who was as loyal to his Ukrainian identity as he was to his identity as a Russian writer. If only we had time to read it - we have a lot of other things to do! - I think the book would give us a very valuable perspective on what it means to be Ukrainian. It's not just being some hardcore nationalist who drapes himself in the flag," he adds. "It's having respect for the extremely diverse multilingual culture of the second-largest country in Europe."
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The stories that reveal the soul of Ukraine

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In 2014, when Russia annexed the Ukrainian peninsula of Crimea, the Russian satirist Vladimir Sorokin wrote about the reaction of his friends to the fighting that followed. "I can't believe that Russia and Ukraine are fighting. It's like a nightmare," said one.

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Well, we really struggled, didn't we? I found this: https://matthilliard.wordpress.com/2010/03/14/the-hortlak-by-kelly-link/
I'm not sure it sheds any light on things but it says a few things we didn't think of.

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https://www.theguardian.com/books/2021/sep/02/beautiful-world-where-are-you-by-sally-rooney-the

Wow. Alice IS Sally!

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Beautiful World, Where Are You by Sally Rooney review – the problem of success

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How do you follow two brilliantly acclaimed novels? Rooney examines meaning, art, friendship and the price of fame through the story of two couples

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I got 23-27 and will happily accept it to be true.

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I don't know why you're taking this quiz. Maybe you have no idea how old you are and you need us to tell you. (Unlikely.) Maybe you want to pick a few books and then yell at us because we guessed your age wrong. (VERY likely.) (Also? Extremely valid. I do it all the time. If you're not mad about the answer, did you even really take an online quiz?)

Whatever brought you here-fate, the gods, a desire to procrastinate-let's go on this adventure together. Pick 9 books, and we'll tell you how old you almost certainly are.

Take The Quiz

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Pick 9 Books and We'll Guess How Old You Are | The SparkNotes Blog

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I don't know why you're taking this quiz. Maybe you have no idea how old you are and you need us to tell you. (Unlikely.) Maybe you want to pick a few books and then yell at us because we guessed your age wrong. (VERY likely.) (Also? Extremely valid.

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Sufjan Stevens - Carrie & Lowell [OFFICIAL FULL ALBUM STREAM]

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This album sounds like a musical translation of Rooney's book in my head.

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Sufjan Stevens - Carrie & Lowell [OFFICIAL FULL ALBUM STREAM]

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Some results we got: Rodion Raskolnikov (I got him twice!), Jay Gatsby, Anna Karenina and Clarissa Dalloway. All healthy types!

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For some, love is found on Hinge and in corny greeting cards; but every bookworm knows that the best love stories, the ones that have stood the test of time beyond any others, are ripped from literature's pages. It's why we love books in the first place: the enemies-to-lovers narratives; the forbidden love stories; and, of course, the characters. Who hasn't swooned, at least privately, over a character from Austen, Dickens, or Woolf?

With Valentine's Day nearing, we wondered: What if we could be set up on a blind date with a character from one of our favourite novels? Who might we end up with? So, we followed through. Below, answer our quiz questions to find out which literary lover you'd be best matched with. Let the sparks fly...

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Matchmaker quiz: Meet your book character blind date

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For some, love is found on Hinge and in corny greeting cards; but every bookworm knows that the best love stories, the ones that have stood the test of time beyond any others, are ripped from literature's pages. It's why we love books in the first place: the enemies-to-lovers narratives; the forbidden love stories; and, of course, the characters.

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POV: You Found The Enchanted Garden You Dreamed in Your Childhood | a playlist

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Hey all!! I know it's only been one meetup since we started reading Sally Rooney, but I got excited and felt like pointing out some themes I feel it shares with ICTC. I would also love to know what you think. Here's my list so far:

- Writer's figure and work. Alice and Mr. Mortmain show the professional side of it, both having achieved success, while Cassandra represents a strong writer's vocation.

- Intellectuals. Not only in the figures of the writers but also in Simon I, Mrs. Cotton, Simon II and Eileen.

- Young women's relationships. Friendship between women is vital to both works in my opinion, and it seems to portray a vaguely similar set of opposites in the two stories: a more adventurous girl on one hand, a rather shy one on the other.

- Growing up, seen from very different perspectives and across different timelines. Not only are the tones of the novels nothing like one another but also the chronological approach varies.

- Correspondence. Between Eileen, Alice and Simon in Beautiful World. Cassandra, Rose and Simon in the other case -in which there's journaling too.

- Traveling between Europe and America and within Europe, for work and study.

- Sisters. Probably not a prime theme in Beautiful World, though it remains to be seen whether it will grow more relevant.

- Life-long friends that like each other. In ICTC they are pretty much almost family, which doesn't allow for something real to develop.

- Art. Not only is it present in all the writers' figures but also there's Topaz being a model, Rose singing and playing the piano, the musical passages in ICTC in general and Eileen's ex-boyfriend -who she still grieves- in Beautiful World being a musician.

- Mental health. While mentioned amusingly in Dodie's book -a loose, playful wonder on whether Mr. Mortmain went mad-, it's a serious issue that adds to the drama in Sally's.

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Hey folks! Have any of you heard of this author? She is mostly a fantasy story writer with a little bit of horror. Myself I hadn't and thought maybe we could give it a go at some point! Perhaps between longer titles? According to The Guardian, Neil Gaiman is a fan of her, which to me is a huge win, haha. See you on Wednesday!

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Admired by Michael Chabon and Neil Gaiman, she blends realism with the ghosts and spaceships of fantasy literature, as in her new story collection Get in Trouble

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a song for starcrossed lovers
- I Capture the Castle

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If, like me, you like gifting books for xmas, this is an awesome guide!

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If, like me, you like gifting books for xmas, this is an awesome guide!

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book recommendations for every type of person (the ultimate book gift guide)

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Hey peeps! Remember we recently came across the name of a play by Molière, while discussing Gaskell's story? "Le cocou imaginaire". To be honest I hadn't heard of it, but I found myself doing some research on the french dramatist this week for academic purposes and I learned that it was actually the most represented play of his during his lifetime! Who would have thought?

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playlists to read with

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a playlist to you feel inside of 'pride and prejudice' while you're waiting for your Mr. Darcy

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This is the recording of a 1979 interview with Dodie. It's only the audio (no kidding, there is not even a picture reel, haha) but I think it's a gem. Cheers!

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Dodie Smith (The London Interview, 1979)

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For those of you who have less time for reading these days but still want to stay in touch with BRITISH English and BRITISH Culture (lol), here's this amazing series of vids about the Arthurian legends. Hope you LADS and LASSES like it :)

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The Legendary Origin of King Arthur - Uther Pendragon and Igraine - Legends of Camelot #01

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Hello peeps! Here is a link to the story by Hans Christensen Andersen that might be connected to the one written by Gaskell. I only just found it so I haven't read it yet but it's suuuper short.

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"It's a dreadful story!" said a hen, and she said it in a part of town, too, where it had not taken place. "It's a dreadful story to happen in a henhouse. I'm afraid to sleep alone tonight; it's a good thing there are many of us on the perch!" And then she told a story that made the feathers of the other hens stand on end and the rooster's comb fall. It's quite true!

But we will begin at the beginning and tell what had happened in a henhouse at the other end of town.

The sun went down, and the hens flew up. One of them was a white-feathered and short-limbed hen who laid her eggs according to the regulations and who was a respectable hen in every way. As she settled herself on the perch, she plucked herself with her beak, and a tiny feather came out.

"There it goes," she said. "No doubt the more I pluck, the more beautiful I will get." But she said it only in fun, for she was considered the jolliest among the hens, although, as we've said before, most respectable. Then she fell asleep.

There was darkness all around, and the hens sat closely together. But the hen that sat closest to the white hen was not asleep; she had heard and had not heard, as one should do in this world, if one wishes to live in peace. But still she couldn't resist telling it to her nearest neighbor.

"Did you hear what was said? Well, I don't want to mention any names, but there is a hen here who intends to pluck out all her feathers just to make herself look well. If I were a rooster, I would despise her."

Right above the hens lived a mother owl with a father owl and all her little owls. They had sharp ears in that family, and they all heard every word that their neighbor hen had said. They all rolled their eyes, and the mother owl flapped her wings and said; "Don't listen to it. But I suppose you all heard what was said. I heard it with my own ears, and one must hear a great deal before they fall off. One of the hens has so completely forgotten what is becoming conduct to a hen that she plucks out all her feathers, while the rooster watches her."

"Little pitchers have long ears," said the father owl. "Children shouldn't hear such talk."

"I must tell it to the owl across the road," said the mother owl. "She is such a respectable owl!" And away flew Mamma.

"Hoo-whoo! Hoo-whoo!" they both hooted to the pigeons in the pigeon house across the road. "Have you heard it? Have you heard it? Hoo-whoo! There is a hen who has plucked out all her feathers just to please the rooster. She must be freezing to death; that is, if she isn't dead already. Hoo-whoo! Hoo-whoo!"

"Where? Where?" cooed the pigeons.

"In the yard across the way. I have as good as seen it myself. It is almost not a proper story to tell, but it's quite true!"

"True, true, every word of it," said the pigeons, and cooed down into their poultry yard. "There is a hen, and some say there are two hens, who have plucked out all their feathers in order to look different from the rest and to attract the attention of the rooster."

"Wake up! Wake up!" crowed the rooster, and flew up on the fence. He was still half asleep, but he crowed just the same. "Three hens have died of a broken heart, all for the sake of a rooster, and they have plucked all their feathers out! It's a dreadful story, but I will not keep it to myself. Tell it everywhere!"

"Tell it everywhere!" shrieked the bats; and the hens clucked and the roosters crowed. "Tell it everywhere!"

And so the story traveled from henhouse to henhouse until at last it was carried back to the very same place from where it had really started.

"There are five hens," now ran the tale, "who all have plucked out all their feathers to show which of them had lost the most weight through unhappy love for their rooster. And then they pecked at each other till they bled and all five dropped dead, to the shame and disgrace of their families, and to the great loss of their owner."

And the hen who had lost the little loose feather naturally didn't recognize her own story; and as she was a respectable hen, she said, "I despise such hens, but there are many of that kind! Such stories should not be hushed up, and I'll do my best to get the story into the newspapers. Then it will be known all over the country; that will serve those hens right, and their families, too." And it got to the newspapers, and it was printed. And it is quite true. One little feather may grow till it becomes five hens.

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Hans Christian Andersen : It's Quite True!

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"It's a dreadful story!" said a hen, and she said it in a part of town, too, where it had not taken place. "It's a dreadful story to happen in a henhouse. I'm afraid to sleep alone tonight; it's a good thing there are many of us on the perch!"

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The presentation on 'Machinal'

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"Machinal" was premiered in 1928 on Broadway. In this production, Clark Gable played one of the lead roles. In 1993, a new adaptation casted Fiona Shaw, who is also featured on the cover of one of the editions of the book. If her name rings a bell, perhaps it's because she is Harry Potter's aunt Petunia in the movies!

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A booktube channel, covering a pretty heterogeneous range of genres. I quite enjoy his silly puns and earnest reviewing style.

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I read every book Kylie Jenner has recommended (aka the scariest video you'll watch this Halloween)

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This is fab gear Carolina. Thanks and well done! 

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This is fab gear Carolina. Thanks and well done! 

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The presentation I prepared for 'A Woman of No Importance'