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Snapshots - 1900                                                                            George Eastman

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Snapshots - 1900                                                                            George Eastman

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In 1990 he started snapshot photography in the United States by using the brownie camera.

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The Brownie was sold for $1 and within 1 year 150,000 cameras were sold to the public. Affordable for the working class.

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This picture was found from a Brownie camera. It helped people be able to take pictures in the moment.

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Gilbert H. Grosvenor was the creator in the United States of having magazines with pictures. There was a deadline at his job and he had just received picture from Tibet so he decided to add them.

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The first picture that was added in a magazine was from a package that Gilbert H. received and decided to add it.

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National Geographic magazine with phptpgraph

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National Geographic magazine with phptpgraph

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Due to Nat. Geo. losing money, Grosvenor had to think creatively when the magazine was near its deadline, so he just added photos from Tibet he had on his desk, and it was a huge success.

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Boats and boating--Equipment and supplies

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The people of the US were able to begin seeing images of places they hadn't or couldn't visit. This exposure to new places is what made this idea so successful, and it really impacted magazines and the style of them due to this wide acceptance of his idea.

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Eastman Kodak Company is the one who started the postcards by printing on strong paper base for sending with a spot to write on the back.

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This picture was taken by an unknown photographer. It became an easy and cheap way to send pictures to friends and family.

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This photograph was taken by an unknown photographer and is at the Science Museum Group Collection. It was similar to the function of newspapers but personalized.

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Documentary Photography (early 19th century)

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Documentary Photography (early 19th century)

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He was the one that filmed the first documentary titled "The Life of Native Americans". It followed the lives of Native Americans in North America.

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He wanted to capture images of a group whom he knew was marginalized and would tend to disappear. He would follow them wearing clothes that brought attention to their ethics.

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His documentary helped bring awareness to a group that wasn't being represented in the media, or anywhere else in the country. He was able to capture and then share their images and lives with his photographs.

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Starting in 1902, his style of photography embraced the "art" part of photography a lot more. He promoted his style of art in New York.

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Since his style of photography focused more on the art aspect, it created a new type of fine arts. He thought the snapshots lacked that art factor, since they were very straightforward with a push of a button.

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Georgia O Keeffe by Alfred Stieglitz, 1918

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Georgia O Keeffe by Alfred Stieglitz, 1918

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He had the goal of having handmade products where art played a role in it. In this image, we see a more creative style of photography which was not all too common at the time.

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Frank Bunker Gilbreth created this style of photography that breaks up every movement into the smallest unit.

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This was done by allowing the speed to be broken down while the images were being taken. It helped indicate how long and for how long the images were taken for.

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The idea came from factory workers who were fast at their job and showed speed.

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He was the co-creator of this new style of photography. He and his partner wanted to demonstrate the social economic issues.

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The other co-creator. They wanted to advocate for social changes and create awareness.

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Due to their photography they contributed to changing laws about child labor. They showed the reality and mistreatment of children, while they were working. This eventually helped inspire congress to put an end to this.

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His style of photography also had an artistic twist to it, but it was called "straight photography" because he focused on realism. This style was seen everywhere starting in 1915.

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This style of photography put emphasis on having sharp focus in the shaped captured in the images. It's purpose was to have the pictures used for a modern day aesthetic.

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Due to the style of images captured this way, they were then able to be used to help people face reality. One of those examples could be this image captured by Strand in Ghana.

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This type of photography was used to spread fake news during World War I. It was something that benefited his political stand.

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This is an image taken of soldiers in WWI. This is also an example of how propaganda was used, it shows them smiling and happy to be doing their duty for the country.

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This is what he was hiding, the violence, horror and reality.

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The reason why he didn't want to reveal the truth of the war, was to not unleash a massive media campaign and rally the country.

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In 1919, this style of journalism was formed by the Wallstreet Journal, New York Daily News and the New York post in the US.

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Example of More Modern Tabloid Journalism

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Example of More Modern Tabloid Journalism

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This type of journalism led to trouble because it allowed the journalist to fabricate their own version of the truth. It tends to include a lot of images in their prints.

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Tabloids have a pretty unique style, it is a nwespaper with compact page sizes, they tend to run smaller than broadsheets. They tend to cover more sensational stories, in areas such as true crime, celebrity gossip, astrology and television.

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Celebrity photographs were developed by magazines that were taken by George Holz.

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The photographs taken of celebrities were supposed to be glamorous to create publicity for them.

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The pictures were used as a way to get to know the people more and to connect with them. This is still seen in modern day and has expaned greatly through social media as well.

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The Wire Associated Press (The plane crash) (1935)

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The Wire Associated Press (The plane crash) (1935)

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This was revolutionary because images could be shared to the press who would then publish them the same day. Allowing people access to more real time news and images.

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Boats and boating--Equipment and supplies

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This was first seen in New York City but it was also seen in 25 other cities across the United States. The first image of this sort was that of a place crash in NYC. This was able to be done by a group of technicians with a vision for the way press was done.

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This method was developed because the technicians believed that people should have access to real time news. They did so by sending the pictures through high fidelity phones.

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Murry Becker used to work at the Associated Press in New Jersey.

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Due to the wire photo the photograph of the explosion was printed on newspapers and taken by a speed graphic.

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As soon as Becker pressed the trigger the plane exploded, he did so 2 more times as the plane fell.

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Arthur Fellig, WeeGee                        

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He was based in New York City, and his style of photography centered around capturing the reality of life. He didnt shy away from capturing images of things such as explosions, deaths and everything that’s scary in real life.

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He wanted to be able to tell real stories through his images. Visual stories are able to be understood by all, regardless of their spoken language.

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He was able to have access to a police band radio, which allowed him to sometimes beat the officers to the scene. He worked like this starting in 1938. He would capture "street freaks" and circus performers among many, at night in the streets of New York.

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Roy Stryker as well as Dorthea Lang took photographs to show the people, the places, conditions etc. during the Great Depression.

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The pictures were dedicated to telling the story of America the way it was. To show how people were suffering through these tough times.

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Over 6 years FSA photographers took a quarter of a million photographs, which were freely used in books, newspapers, magazines, etc. They worked from Washington.

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Henry Luce Gave Americans a glossy large format newsmagazine that used photographs to tell it’s stories.

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Photographs were selected and placed on the page with a beginning, middle and end.

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They printed pictures, putting multiple together to tell a story. It spoke in a language everyone could understand, with pictures.

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In 1937, in Washington D.C. he began to capture images that would then help bring about social reform. This was because he would capture images that highlighted racial injustices and discrimination, which then brought more light to the situations.

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An example of one of the people he photographed was Ella Watson, and he did so to then be able to demonstrate to the public that the camera ca be a powerful instrument against discrimination, racism and poverty.

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Through his photos he sought to show that discrimination because he believed photographs could be used to combat racial discrimination. He began by showing how things really worked on the streets of the nation’s capital.

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He was filled with the idea of photography of natural spaces being linked with an American vision.

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The landscape in America had a great history and legacy to it and he wanted to capture this.

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Ansel Adams' gaol was for photography to be something spiritual, lofty and historical.

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The Life Magazine as well as FSA photographers would photograph the actual war, the people on the sidelines and more subjects that represented what was going on.

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War would be fought on many fronts which would be an outstanding global story. The military and the press were determined to record this with pictures.

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Life magazine and FSA photographers rushed to the front lines. One was of a woman and a skull next to her, which became very famous.

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He captured movement of still photographs of fashion, theater and dance. Made women want to look that way, permeating all aspects of women in the world. The desirable looks.

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He worked in New York Times, in the post-war era. He used to use older apartment blocks as backdrops in order to add a more dramatic effect to his photographs. 

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His pictures contributed to the definition of America’s beauty and style. He added movement to fashion photographs which made them much more exciting, and less formal, giving it more popularity and success among the younger people.

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Edward Steichen  was the creator of "The Family of Man" that is located at the Museum of Modern Art in NYC

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This is a fusion of carefully selected photographs and captions. It had 500 pictures from 68 different countries.

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The purpose of this creation was to support the concept that mankind is one.

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Robert Frank and his partner took these types of photographs to show the real world, not fantasies. The images were graphic, iconic and truthful.

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The reason for this style was to show that there are many lost souls in this vast country and not everyone fits in.

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While looking through the viewfinder, he was aiming at the chaos, not the order, of life. He went to the street and shot what was seen.

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In Mississippi there was a murder of a 14 year old boy that reached magazines and newspapers.

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Emmett Till was accused of whistling at a white woman, he was then murdered and his body was found in a river

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There was a camera available to document his murder and how his face was left unrecognizable.

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Malcolm Browne, Vicki Goldberg, Harold Evans and Graham Nash took part in the photographs taken.

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Photographs during the war were taken. One of them being a monk lighting himself on fire.

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Life magazine would publish weekly images of the war, one time they ran just the faces of people who died within 1 week. By sharing the One Week made people’s mind’s change because when people saw their faces it made it more real than just hearing about them. They didn’t want to censor the war and violence.

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Civil Rights Photography Danny Lyon , Birmingham race riots 1960s

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Civil Rights Photography Danny Lyon , Birmingham race riots 1960s

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Danny photographed things during the civil rights movement and what people were fighting against, like separate drinking fountains. He photographed police brutality against black people protesting.

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He took these very impactful photos in Albany, Georgia in the summer of 1963. This was during one of the most important summers for social issues, since there were so many advancements made, and one of those reasons would be due to photographs such as these.

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This movement wasn’t a media subject until Birmingham which is when it started to get more media coverage. The stories have another reality to it due to the photographic documentation.

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Within the first year or two of the creation of photography, it has been used as evidence but started to do so even more later on.

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They use the photographs of victims and crime scenes as evidence to present their case, This can cause an emotional impact on the jury.

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Photographs have been presented as evidence in court, there are certain things we can’t find out any other way.

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This photography was used to show presidents, political leaders, etc. It could have been to benefit or disadvantage them. This was done in the White House primarily.

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President Kennedy was the first modern master of the photo op. He would turn his back to the camera until he was ready

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Political leaders used it as a strategy to portray a version of themselves that can benefit them.

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He took photographs of the real Gulf War, not just what the government wanted to show. Shared the real sacrifice, bloodshed and heroism.

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The Gulf war was the most elaborate marketing scheme in terms of the government’s censorship and he wanted to call that out.

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David Turnley was paired with a public affairs officer for his safety so they helped restrict the photographs but it didn't stop him.

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The New York Times Magazine used digital technology to manipulated them by adding or taking people away, changing colors, etc.

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One of the first things that was edited was by the USPS that turned a painter who was smoking into a nonsmoker for the stickers.

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Ways it was beneficial was to find missing children. Cheryl Morrien. A forensic artist altered a photograph taken when she was 7 to show how she would look now since she was still missing.

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Still images are the most powerful tools we have, as how we will remember things. We need to enable people to have these memories. Because photographs are infinitely reproducible they keep being produced.

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How photographs link us together as a human society

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How photographs link us together as a human society

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We can all see the same photographs and understand, there are no language barriers, no wrong answers to how each individual perceives. Photographs let us come together no matter your understanding of anything.