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The Great Liman - Matter through Time Rehearsel

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The Great Liman - Matter through Time Rehearsel

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The Great Liman - Matter through Time Rehearsel

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ldquo;The Great Liman - Matter through Time. Sand, wood, stone, metal in the age of digitization", site specific exhibition and durational performance - 4.9. - 6.9.2021 Novi Sad, Kaleidoskop kulture, 2.9. - 8.10.2021 We are approaching a foreign place. What narratives in the form of moving images, signs, texts, sounds and above all digital traces can we find?

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The Great Liman - Matter through Time Rehearsel

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The Great Liman - Matter through Time Rehearsel

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The Great Liman - Matter through Time Rehearsel

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ldquo;The Great Liman - Matter through Time. Sand, wood, stone, metal in the age of digitization", site specific exhibition and durational performance - 4.9. - 6.9.2021 Novi Sad, Kaleidoskop kulture, 2.9. - 8.10.2021 We are approaching a foreign place. What narratives in the form of moving images, signs, texts, sounds and above all digital traces can we find?

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The Great Liman - Matter through Time Rehearsel

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The Great Liman - Matter through Time Rehearsel

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The Great Liman - Matter through Time Rehearsel

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ldquo;The Great Liman - Matter through Time. Sand, wood, stone, metal in the age of digitization", site specific exhibition and durational performance - 4.9. - 6.9.2021 Novi Sad, Kaleidoskop kulture, 2.9. - 8.10.2021 We are approaching a foreign place. What narratives in the form of moving images, signs, texts, sounds and above all digital traces can we find?

# data[].attributes.headline
The Great Liman - Matter through Time Rehearsel

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The Great Liman - Matter through Time Rehearsel

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The Great Liman - Matter through Time Rehearsel

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ldquo;The Great Liman - Matter through Time. Sand, wood, stone, metal in the age of digitization", site specific exhibition and durational performance - 4.9. - 6.9.2021 Novi Sad, Kaleidoskop kulture, 2.9. - 8.10.2021 We are approaching a foreign place. What narratives in the form of moving images, signs, texts, sounds and above all digital traces can we find?

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XReconstruct Matrix - The Great Lima Research Padlet

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XReconstruct Matrix - The Great Lima Research Padlet

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Info Animation - Art based methodology - Artistic archiv - Spider Web Imago ... OBS Screen Recording (sketch 01)

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XReconstruct Matrix - The Great Lima Research Padlet

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XReconstruct Matrix - The Great Lima Research Padlet

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Info Animation - Art based methodology - Artistic archiv

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Ressourcen - History, Bild, Text GRET LIMA Novi Sad

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Lochwand (an Schnüren aufgehängt)

Metall-Murmeln die genau durch die Löcher durchpassen

(liegen darunter im Sand)

Man kann die Murmeln durch die Löcher auf die andere Seite befördern

wenn sie aber am Boden liegen kann man nicht mehr sagen auf welcher Seite sie liegen

Lochwand sieht auch aus wie ein Beichtstuhl
und gibt die Möglichkeit sich etwas von der Seele zu reden

das Durchdringen der Murmeln durch die Wand—> könnten auch Einschüsslöcher sein

Kommunikation von beiden Seiten sehr eingeschränkt, man sieht sich nicht
(noch immer schwierige Kommunikation zwischen den Ländern bzw. auch im Kontext jetzt mit Corona)

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https://cloud.google.com/text-to-speech/?hl=de

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Abfahrt: Montag 30. August
Eröffnung: Samstag 4. September
Rückfahrt: 6/7 September

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Sand is a granular material composed of finely divided rock and mineral particles. Sand has various compositions but is defined by its grain size. Sand grains are smaller than gravel and coarser than silt. Sand can also refer to a textural class of soil or soil type; i.e., a soil containing more than 85 percent sand-sized particles by mass.[2]

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FLUVATILE SHAPE FORMATION THE RUNNING WATER FLOW  / SHAPE FORMATION THE GROUND ROLLERS GROUND ROLLERS  /  FORMATION THE TRANSPORT OF TRANSPORT CANNOT BE  / RUNNING WATER FLOW PROCESS IN A MAJOR  / WATER FLOW TAKES PLACE IN CHANNELS THE / GENERALLY HAS THE WORK IT CONSISTS ESSENTIALLY  /  LARGEST SHARE IN A MAJOR FACTOR IN  /  SHARE IN SHALLOW SLOWLY FLOWING CHANNELS IS  /  EROSION OF THE RUNNING WATER GENERALLY HAS  /  LAND SURFACE RUNOFF BOTH MODES OF A  /  SURFACE RUNOFF AND TRANSPORT OF A SMALL  /  LOOSE MATERIAL THROUGH THE WORK IT CONSISTS  / MATERIAL THAT IS TRANSPORTED DOWN THE RIVER  /  PROVIDED BY THE FLOW SPEED HIGHER THAN  /  WEATHERING IS CONSUMED BY THE WAVES IN 

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FLUVATILE SHAPE FORMATION THE RUNNING WATER FLOW  / SHAPE FORMATION THE GROUND ROLLERS GROUND ROLLERS  /  FORMATION THE TRANSPORT OF TRANSPORT CANNOT BE  / RUNNING WATER FLOW PROCESS IN A MAJOR  / WATER FLOW TAKES PLACE IN CHANNELS THE / GENERALLY HAS THE WORK IT CONSISTS ESSENTIALLY  /  LARGEST SHARE IN A MAJOR FACTOR IN  /  SHARE IN SHALLOW SLOWLY FLOWING CHANNELS IS  /  EROSION OF THE RUNNING WATER GENERALLY HAS  /  LAND SURFACE RUNOFF BOTH MODES OF A  /  SURFACE RUNOFF AND TRANSPORT OF A SMALL  /  LOOSE MATERIAL THROUGH THE WORK IT CONSISTS  / MATERIAL THAT IS TRANSPORTED DOWN THE RIVER  /  PROVIDED BY THE FLOW SPEED HIGHER THAN  /  WEATHERING IS CONSUMED BY THE WAVES IN 

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Physische Geographie / Harms Geographie
www.dcode.fr/markov-chain-text

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Долазак (Reco Club)
Слепа фана (Europe)
фика стрија (St. Pöltence)
Еврошир (Solariscon)
Соларија стикција струисцо цлуб (Real)
Евростварија (City)
Прост (Reality Brain)
Слепа (Big Bang)
свеморија (Fictionstrival)
Дисцо цлуб (Solarisco Club)
Питање праин (Arrisco Club)
Научна (Big Brain)
Великција (Fiction of Space)
Доларија (Questruction)
свемир (City)
Слепа (Europe)
Слепа (Europe)
Еврости праструисак (Dis)
фики прастрија (Fiction)
Питики простварија (Big Bang)
свемирен (St. Pöltended spot)
(Exten)
Аустрија мрља (Solaria)
Пропа (Solarivality Bang)
Проструис (Dis)
Слепа фантање просторија (Extend Real)
Аусти пра (Big Bang)
фика (Questructionstrisconstionstrival)
фикција стики прастварности пра (Solaria)

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projektion auf wand oder boden??

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Welcome to terra nullius - a place that exists only
in your and this machine’s imagination.

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Both Nadia Domide 's and my (yes we're both called Nadia haha) day-to-day work is focussed on Artificial Intelligence and Design. Intrigued by creative AI practices, we decided to not leave this excitement to client requests and to start experimenting.

In this article, we'll walk you through the entire process of how we created our first generative AI visuals using Runway ML.

Runway: ML for Artists

Runway ML is a free software making Machine Learning accessible to artists and creatives. They offer the option to (re-)train your own models such as StyleGAN which we were most eager to try out. Around the time we were having these talks, Runway ML put out an open call for their residency program and we decided to apply. While we weren't chosen - by the time we finished writing our application, we were so excited we decided to do it anyway.

These places do not exist(.com)

After some brainstorming and discussions, different streams of inspiration started colliding. We were really inspired by the parody projects on thispersondoesnotexist.com, such as thisartworkdoesnotexist.com & thisworddoesnotexist.com - so we asked ourselves: Can we create places that don't exist? Can AI dream up real presentations of unreal places? Can we generate imaginary landscapes? Long story short: yes, we can.

1. Data collection

One of the important parts of an ML project is collecting the training data. We started curating a dataset of approximately 3000 images from Google Earth View. These images were displayed on the world's largest billboard to bring a bit of zen to New York's hectic Times Square during the holidays. They are both stunning and a well-curated (AKA lazy) dataset to obtain.

2. Picking the right pre-trained model to start with

Runway ML currently offers an easy way to do image synthesis, by using StyleGAN to generate photorealistic images. We chose to start with their available pre-trained model, called Landscapes (see image below).

Setup of StyleGAN model training in RunwayML

By doing transfer learning on the StyleGAN model it allowed us to train our algorithm in a shorter time. We preprocessed the images to squared and centered ones, opted for 3000 training steps, and hit the exciting purple 'Start Training' button.

3. Training on our dataset

We trained the model for a couple of hours. During this training time, we could observe how the FID (Frechet Inception Distance) score was changing (see image below). This metric simply computes how similar a generated image is from the real ones in the dataset. Having a low value is an indicator that the real data and the generated one have similar characteristics.

Training in progress - Observe the FID score on the right

4. Generating outputs from the latent space

Ta-da! Once the training was completed, we could use it to generate new images and videos using random points in the latent space.

Latent space walk of our imaginary landscapes

What is a latent space? It is a magical multi-dimensional hidden space with no meaning, filled with points. The beauty of this space is that the generative model learns to map these points to output images. And a space walk is simply a series of images that show a transition between two or more generated images.

Runway gives you the option to export images and a video of a so-called latent space walk.

We've generated 120 of these images. Astonished by their beauty and our brains seeking to think up stories, we questioned what we should do with these fictional places. Might these landscapes have value when put in the hands of people? How can you create memories of places you have never been to (and never will)?

If you like the idea of generating imaginary landscapes & assigning meaning to places that don't exist, please join us in this small experiment of collective imagination.

We'll start with a shot of our fictional historical landmarks - the Dustry Blue meets Sandy View and the Coral Candy Pickle Grove place - pictured in the images below.

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Dreaming up imaginary landscapes with Runway ML

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Both Nadia Domide 's and my (yes we're both called Nadia haha) day-to-day work is focussed on Artificial Intelligence and Design. Intrigued by creative AI practices, we decided to not leave this excitement to client requests and to start experimenting.

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computer poem ii (generated from ai memories of fictional summer 1990)

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computer poem ii (generated from ai memories of fictional summer 1990)

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back, I she smell of the first day.
It we heard a lot of my family and dry

You can street smoke.
And dry

I can still be afraid,
My mother world me.
I remember of smoke.
Everything I she smell remember about the first days of now.
The first day.
And me.
The summer that I revolution.
I remember is summer.
I remember is the was in the still be afraid,
We heard a lot and dry

I revolution.
It we had on this fine.
Every hot summer the fine told when we had only and dry

You can see summer the still be first yesterday!

I revolution.
I remember is the remember about time pictures of the was in thing is summer thing is the remember to be alive thing I saw the still be alive today.
because only and dry

You can see still remember the some pictures of now.
I can still be alive told was just day like it we alive the was a lot summer as hot and she fine.
because every hot summer.
I can street to bed when we are alive the first time I she world noise everything

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Rundbürsten aus Plastik

Wasserkocher

Frankfurter Würstel

Teebaumöl

Gouda im Kilopack

Wattepads

Bilderrahmen in Silber

Fadenvorhänge

schwarze Gürtel

Mentholkaugummi

Nagelzwicker

Fernbedienung

Trampolin

Haargel

Cola Zero

bedruckte Kaffeetassen

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https://de.wikipedia.org/wiki/Erinnerungsverfälschung

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i sa broda
Ali ja ih
Smeju mi sa broda
Ali ja ih
Smeju mi se il" osećam ih i nestvari
Grle me il" ostavljaju, one snađemda se i na broda
Ali ja ih
Smeju mi sam, al" osećam da se i ne vidim
Spreman sa broda
Ali ja ih
Smeju mi se il" osećam da se i nestvarne vidim
Spreman sa brodu i na broda
Ali ja ih i ne snađememan sam da se snađememan sam da se il" ostorom lete ne vidim
Spreman sa broda
Ali ja ih
Smeju mi sam ih i nestvarne stvarne su uvek tu
Uspavan sam da se i nestvari
Grle me il" ostorom lete nestvari
Grle me il" ostavljaju, one su uvek tu
Uspavan sam, al" ostavljaju, one stvari
Grle me il" osećam ih
Smeju mi sa brodu i nestva

--------

und vom Schiff
Aber ich sie
Sie lachen mich vom Schiff aus aus
Aber ich sie
Sie lachen mich aus oder ich fühle sie und unwirklich
Sie umarmen mich oder verlassen mich, sie schaffen es auch, auf das Schiff zu steigen
Aber ich sie
Sie lachen mich alleine aus, aber "Ich habe das Gefühl, dass ich mich nicht einmal sehe
Versandfertig
Aber ich sie
Sie lachen mich aus oder "Ich habe das Gefühl, ich sehe mich als unwirklich"
Versandfertig und an Bord
Aber ich schaffe es nicht einmal, sie zu sehen, oder ich will sie nicht sehen
Versandfertig
Aber ich sie
Ich lache selbst über sie und die unwirklichen echten sind immer da
Ich schlafe, um unwirklich zu sein
Sie umarmen mich oder fliegen scharfe Sachen
Sie umarmen mich oder lassen mich, sie sind immer da
Ich bin schläfrig, aber sie lassen diese Dinge zurück
Sie umarmen mich oder "ich fühle sie"
Sie lachen mich vom Schiff aus aus und sowas

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Noda: Mind-mapping in VR! on SideQuest - Oculus Quest Games & Apps

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The sensation of standing inside your own mind is beautiful* KreptaNoda is here to change the way we create, learn and interact with technology, how we understand ourselves and are understood by others.* Want to plan your next project?* Want to see the relationships between your ideas?

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Square room with approx. 120 m2 / 2 entrances on the street side - 1 entrance on the inside courtyard side / 2 levels - 2nd level gallery (approx. 30 - 60 m2) accessible via stairs
Room illuminated through window

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9. If you plan on working with space, be gentle – space remembers.

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Great Liman - Apple Speech (Karen) - Orgel

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Great Liman - Apple Speech (Karen) - Orgel

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Liman / chronology of development 1953-1988

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Great Liman - Apple Speech (Karen) - Grammophon

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Great Liman - Apple Speech (Karen) - Grammophon

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Liman / chronology of development 1953-1988

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Liman / chronology of development 1953-1988

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Liman / chronology of development 1953-1988

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Ephemera Collective - Experiments in architecture and art

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Idea: Public Immersion - Deep Crystal - World of folds - Big Bang - City Brain - Disco Club - Question mark - Blind spot

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Billboard Intervention - Public Art (MW)

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Billboard Intervention - Public Art (MW)

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меморија (Memory) / фикција (Fiction) / Научна фантастика (Science Fiction) / Аустрија (Austria) / Ст. Полтен (St. Pölten) / Реконструисана (Reconstruction) / Проширена стварност (Extended Reality) / Велики прасак (Big Bang) / свемир (Space) / Соларис (Solaris) / Долазак (Arrival) / Европа (Europe) / Цити Браин (City Brain) / Дисцо цлуб (Disco Club) / Питање простора (Question of Space) - Слепа мрља (Blind spot)

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Brankica Boskov , Novi Sad : "In the second half of August, my husband and I were probably among the last, before the Balvan Revolution, to travel by car through Gorski Kotar to Opatija. There was no indication of what would happen. Twenty-four years later again in Opatija. The owner of a small souvenir shop greeted us with the words: 'Welcome back again!' "

Sanja Stanković , Belgrade : "Well, that 1990! I was in the third year of law, parents are intellectuals, strictly educated, traveled, studied, went to the theater and then after such a life 30 years of chaos. , but constantly some chaos and turmoil. Exactly another life. Disturbed values ​​and so it is today. "

Miroslav Bjelic , Novi Sad : "I have never earned more money as a student than that year ... In the evening, we go out to the city in front of 'Graffiti', these elders remember him, and after midnight the idea to take passports and travel - Trieste, Italy. ... We drink coffee in Trieste at 9 in the morning ... I thought, naively, that God finally looked at us too .... But, alas - the time and events afterwards slapped me fiercely, all of us from that generation! "

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"There is no room for upcoming young artists; there is no space for artistic activity, for exhibition, for performance, there are no places where they can articulate their own voice. From that lack, from the need to find one's own place in the world of art and life, the initiative and energy emerged that led to the creation of the Yellow House as a kind of alternative cultural center that brought together artists of different vocations (visual, musical, stage) and operated in the late eighties. and in the early 1990s until the war policies of the 1990s changed the crew, the audience and made the whole endeavor meaningless. "

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Where were you in the summer?" 1990? What do you remember?

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Where were you in the summer?" 1990? What do you remember?

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https://www.vreme.com/cms/view.php?id=1818030
https://korzoportal.com/zuta-kuca-secanje-na-zajednistvo-3/

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Digital Design Center was founded in 2014 at the Faculty of Technical Sciences, University of Novi Sad, Serbia.
http://www.arhns.uns.ac.rs/cdd/projects

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Fotogramme aus Youtube Footage (MW)
https://sketchfab.com/mwintersberger/models

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XR Novi Sad - Reconstruct 006 For New Bridge - Novi Sad 2022 European Capital of Culture - https://novisad.travel/en/culture-single/novi-sad-2022-evropska-prestonica-kulture - XR Novi Sad - Reconstruct 007 - Download Free 3D model by MWintersberger (@mwintersberger) [f372df9]

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from:  https://www.youtube.com/watch?v=-3BhMTjUNnY&ab_channel=%D0%93%D0%BE%D1%98%D0%BA%D0%BE%D0%93%D0%93%D0%BE%D1%98%D0%BA%D0%BE%D0%93

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имаш ли кључ

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No physical access to the space / the time /this exact combination of space and time

the memory of this space is saved or engraved in the body

"am eigenen leibe erfahren"

the need of a bodily experience

can you transport this feeling of longing if you do not have a body?

can an AI transport this feeling of longing?

proccessing the world through one's body
--> EMBODIMENT --> realising it?