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Specifically, they were effective big game hunters, and archaeologists believe that they used bison carcasses for clothing, although it is possible that mammoth skins were used as well.

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Wall paintings found in Colombian Amazon 12600 years old

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Wall paintings found in Colombian Amazon 12600 years old

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A British-Colombian research team spotted the paintings stretched across eight miles of cliffs in Colombian Amazon. It included paintings of red-ocher art features fish, lizards, birds, geometric patterns and humans, including people dancing.

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indigenous body art dates back to 3,500 BC

They were one of the first to ink in colour using the colours red and black.

Native to Canada’s west coast
Traditional Haida tattoos known as ki-da were worn on the forearms, chest, thighs, upper arms, feet and sometimes on finger sections or a person’s back.

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Mixtec gold pendant depicting a ruler with ritual regalia, british museum produced around 800 BCE

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Totem poles signify the heritage, history and traditions of a tribe, they can contain animal forms and are usually carved on cedarwood and painted with bright colors

Some poles also feature supernatural beings or humans, each with their own particular importance and significance to the nation or individual who commissioned it and to the person who carved it.

memorial poles are erected in memory of a dead chief, where his cremated remains are placed on top to honor him.

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The jackets of the local Inuits were fitted and the hoods were rimmed with fur from specific animal furs that would refrain from icing over from the owners exhaling.

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Head wear for indigenous people represents status and wisdom, they are not simply handed down, you have to earn them. Each feather on the head wear represents a quality or milestone achieved by the member.

Depicted here is Grand Chief Derek Nepinak, 'tied to my ceremonies and the fasting that I've done over the years on the land and that's where the eagle feathers come from'

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Most women during colonial times wore very similar clothing items. The materials used, quality, and decorations of the clothing varied depending on the woman's wealth and type of work.

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Hair is an integral part of the identity of the first nations. It represents strength and wisdom. They adorn it and wear it in braids. Many tribes cut their hair while grieving the death of an immediate family member, or to signify a traumatic event or a major life change. According to them the longer the hair the more connected you are to the land.
Although the colonizers saw it as something barbaric, the captured natives were forced to cut their hair and dress in a certain way to appear "civilized".

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yet again here is a representation of the removal of identity and culture by stripping them off of what represents them truly

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Up until the 20th century, curvy, voluptuous women were considered ideally beautiful in the U.S. and Europe. But a process of shift in ideals can be observed.

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Corsets physically shifted the shape and size of a woman's body, minimizing her waist. This exemplified a shift towards thinner bodies being considered beautiful.

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This article shows media representation of the female figure in the 1900s in America.

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In the 19th century, the move towards glorification of thin bodies because more prevalent. Kate Moss became associated with a series of Calvin Klein photoshoots in the 90s that started the heroin-chic look and glamorized "thinspiration."

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1910. Bells strung together as part of tribute in the form of jewellery demanded by the Spanish after the Conquest

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Globular pot with handle, spout and effigy

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Globular pot with handle, spout and effigy

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Produced in 1920. Typical of the Huasteca are these types of pots that tend to be semi-spherical and have a spout, in addition to effigies which, depending on the place they are manufactured, represent human faces or animal heads.

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This painting was completed shortly after her divorce with Diego Rivera. This portrait shows Frida's two different personalities. 1950

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Botero’s Dancing in Colombia (1980) at The Met depicts a couple in a lively cafe. Botero doesn’t depict a specific event, but rather a ritual. In many cities, the rich and the poor shoulder one other in an enduring yet fraught coexistence.

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The mummy, called La Doncella or The Maiden, is that of a teenage girl who died more than 500 years ago in a ritual sacrifice in the Andes Mountains.
La Doncella was found dressed in a ceremonial tunic and adorned with a headpiece, tokens of her new status as a messenger to the heavens. The girl had also drunk corn liquor, likely to put her to sleep, scientists say, and her mouth still held fragments of coca leaves, which the Inca chewed to lessen the effects of altitude sickness.

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Fernado Botero poses next to his sculpture in Church in Tuscany 2012

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Fernado Botero poses next to his sculpture in Church in Tuscany 2012

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His sculptures are mostly consisted of plus size women as shown above, and according to Botero himself, he isn't obsessed with painting fat people but rather painting volumes. He is rather much interested in the volume and the sensuality of a human form.

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We now represent bodies on the screen as mouse pointers, as pixelated plumbers, as all kinds of fantastical monsters and aliens, even as a rectangular blinking cursor. This is due to technological advancements giving way to simulation.

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A work by Lucía von Sprecher, A Body Does not Coincide with Itself, is part of a performative project involving different pieces in cement, plaster, and glass
The artist relates her body to these materials, staging possible anatomical landscapes