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I really enjoyed using complimetry colours compared to using the natural colours, I also really like how the window looked using the frame to contrast the glass windows, while using a light wash for the brick work. I also enjoyed the look of using and building transparent layers, I want to use this for my final.

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I explored all the techniques I learned previously, I enjoyed using the thick paint and gesso as the textures helped to add depth,  I also liked how the underpainting let colours peak through, working well with complementary colours

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We were then left with a new shape, transforming the original stick tractore into its on flat shape.

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We then cut the tape off, keeping the tape in one piece

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For this workshop we used our stick structures, we covered them fully with tape.

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We then took our negitave space structures and visualised our breath travelling through the structure, we used clay to show this concept and applied the clay a piece at a time to show the breath travelling.

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For this work shop we experimented with negative space , by using sticks to build standing structures, using tape to secure the sticks.

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https://docs.google.com/presentation/d/1-VMe0scx2oQ5wDeySmVOKy-Z6KhhYY_BqEEm6jmVD0g/edit

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We then added the plaster to the moulds and let it set

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I then used tape to connect my paper into a mould, and added a funnel for the plaster

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We then cut out our shape to start making our mould

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Next we upscaled our fruit outlines by creating a grid pattern , then copying the design over scaled up.

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We then lay our fruit peels flat and traced around them onto paper.

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In this workshop we earned to transform objects into patterns and new shapes.
We started by cutting our citrus fruits and taking the flesh of the fruit out leaving just the peel.

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Once my plaster was fully out of the bread and completely dry, it started to grow mould very quickly.
I enjoyed the process and planning, the planning stage included choosing a object and sketching it and upscaling it to fit the loaf.

To create the actual mould, we took each slice of bread and cut the shape according to our sketches, leaving me with a hollow part of bread apart from the outside pieces of the loaf, as they were used at a lid.

Once the bread mould was made I put it back in the bread bag to avoid the plaster leaking, and mixed up my plaster. I then poured the plaster into my mould and let it set.

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After letting the plaster inside the bread dry, we de moulded it by removing the slightly soggy bread.

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I really enjoyed the process and planning of this sculpture, as it allowed me to take one of my every day objects and transform it into a completely different object. I really like the parts of the sculpture that the plaster has poured out over the slices of bread, creating a step like effect up and down the sculpture.

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Bread mould planning.